Paper Girls follows the story of four 12-year-old newspaper delivery girls (Erin, MacKenzie, KJ, and Tiffany) set in Stony Stream, a fictional suburb of Cleveland, Ohio. While out delivering papers on the morning after Halloween, the town is struck by an invasion from a mysterious force from the future. The girls become unwillingly caught up in the conflict between two warring factions of time-travelers.
Never betray a Bounty Hunter – especially if it’s Boba Fett!
Years ago, Valance and fellow bounty hunters Bossk and Boba Fett took on a mission that went sideways in a bad way after Valance’s mentor, Nakano Lash, violently betrayed them. Valance’s team barely escaped with their lives. He never thought he’d face his old mentor ever again…until Lash finally resurfaces under mysterious circumstances. Every bounty hunter in the galaxy wants a piece and Valance is hell-bent on getting to the prize first. He has score to settle—but so does Boba Fett!
The main storyline begins after the end of the Prometheus film and continues across different eras, such as that of Aliens, involving different characters from those seen in each film series. The comic series is divided into four mini-series related to each franchise. Each mini-series is composed of four issues. A final, double-sized issue that gives closure to the main storyline was also produced. The series ties in popular franchises such as Predator and remarks on the origins of the Aliens, and Engineers.
Alien Vs Predator – Fire and Stone #1 NM $17Alien Vs Predator – Fire and Stone#2 NM $9
Frank Miller‘s limited series The Dark Knight Returns (February–June 1986), which tells the story of a 55-year old Batman coming out of retirement in a possible future, reinvigorated the character. The Dark Knight Returns was a financial success and has since become one of the medium’s most noted touchstones. The series also sparked a major resurgence in the character’s popularity.
That year Dennis O’Neil took over as editor of the Batman titles and set the template for the portrayal of Batman following DC’s status quo-altering miniseries Crisis on Infinite Earths. O’Neil operated under the assumption that he was hired to revamp the character and as a result tried to instill a different tone in the books than had gone before. One outcome of this new approach was the “Year One” storyline in Batman #404–407 (February–May 1987), in which Frank Miller and artist David Mazzucchelli redefined the character’s origins. Writer Alan Moore and artist Brian Bolland continued this dark trend with 1988’s 48-page one-shotBatman: The Killing Joke, in which the Joker, attempting to drive Commissioner Gordon insane, cripples Gordon’s daughter Barbara, and then kidnaps and tortures the commissioner, physically and psychologically.
The Batman comics garnered major attention in 1988 when DC Comics created a 900 number for readers to call to vote on whether Jason Todd, the second Robin, lived or died. Voters decided in favor of Jason’s death by a narrow margin of 28 votes (see Batman: A Death in the Family). The following year saw the release of Tim Burton‘s Batman feature film, which firmly brought the character back to the public’s attention, grossing millions of dollars at the box office, and millions more in merchandising.
Daredevil debuted in Marvel Comics‘ Daredevil #1 (cover date April 1964), created by writer-editor Stan Lee and artist Bill Everett, with character design input from Jack Kirby, who devised Daredevil’s billy club. When Everett turned in his first-issue pencils extremely late, Marvel production manager Sol Brodsky and Spider-Man co-creator Steve Ditko inked a large variety of different backgrounds, a “lot of backgrounds and secondary figures on the fly and cobbled the cover and the splash page together from Kirby’s original concept drawing”.
Writer and comics historian Mark Evanier has concluded (but cannot confirm) that Kirby designed the basic image of Daredevil’s costume, though Everett modified it. The character’s original costume design was a combination of black, yellow, and red, reminiscent of acrobat tights. Wally Wood, known for his 1950s EC Comics stories, penciled and inked issues #5–10, introducing Daredevil’s modern red costume in issue #7.
It is 1576, and the legend of the Belmont family’s vampire-hunting prowess still echoes through the Romanian countryside. While Christopher Belmont celebrates his nuptials, dark forces conspire to raise Count Dracula from his unholy slumber. With this ancient evil unleashed once more, young Belmont must to prove he is worthy of the Belmont legacy. Based on the smash-hit Konami videogame series.
Castlevania – The Belmont Legacy #4 VFN $19Castlevania – The Belmont Legacy #5 VFN $16
Four years after his debut, Superboy became only the sixth DC superhero to receive his own comic book when Superboy #1 (March–April 1949) was published. The series became the first new DC superhero title to succeed since World War II. Superboy saw the debuts of the first Superbaby story, (about Clark’s adventures as a super-powered toddler), and of Clark’s two closest friends: Lana Lang, who also serves as a romantic interest for Superboy; and Pete Ross, who later discovers and helps protect Clark’s secret identity. Other notable stories to appear in Superboy include the story of the first Bizarro and the first appearances of Legion of Super-Heroes members Mon-El and Ultra Boy.
The Micronauts began life as comic book characters thanks to a fortuitous accident on Christmas 1977. Marvel Comics writer Bill Mantlo’s son Adam opened a new present, a line of the Mego Corporation‘s Micronauts action figures. Seeing the toys, Mantlo was instantly struck by inspiration to write their adventures. Convincing then Editor-in-chief Jim Shooter to get the comics license for these toys, Mantlo was hired to script their series.
By issue #191 in May 2009, with estimated sales of 19,803 copies, Spawn had dropped below Top 100 titles sold monthly to comic shops as reported by Diamond Comic Distributors. As of August 2010 Spawn no longer was ranked in the top 300 sales figures chart reported by Diamond Comic Distributors. On the day of its release in 2011, issue #200 sold out. This issue featured work by Greg Capullo, David Finch, Michael Golden, Jim Lee, Rob Liefeld, Marc Silvestri, Danny Miki, and Ashley Wood. A second printing was released the next month. Despite its remarkable sales, it received a negative review from IGN.
In September 2011, The New 52 rebooted DC’s continuity. In this new timeline, DC Comics relaunched The Flash with issue #1, with writing and art handled by Francis Manapul and Brian Buccellato. As with all of the titles associated with the DC relaunch, Barry Allen appears to be about five years younger than the previous incarnation of the character. Superheroes at large have appeared only in the past five years, and are viewed with at best, suspicion, and at worst, outright hostility. In this new continuity, Barry’s marriage to Iris West never took place, and he is instead in a relationship with longtime co-worker Patty Spivot. In this new series, the Flash draws deeper into the Speed Force, enhancing his mental abilities while still trying to get a full grasp on his powers, which he doesn’t yet exert total control over.
As revealed in issue #0 of this series, Barry Allen’s father was placed in prison for the murder of his mother. While the evidence seems to indicate his father’s guilt, Barry makes proving his father’s innocence a priority. The murder occurred shortly after Barry returned victorious from a school spelling bee, and Barry placed the trophy he won on his mother’s grave in her memory. Barry is also part of the main cast of the relaunched Justice League series, making his debut in the series’ second issue.