Concurrently, Milligan, Ewins and Brendan McCarthy worked on the anthology title, Strange Days for Eclipse Comics. Strange Days featured three strips, “Paradax“, “Freakwave“, and “Johnny Nemo“. Milligan, McCarthy and Ewins produced three issues of this psychedelic comic, it was not a great seller but it picked up a small, loyal readership. The most conventional strip, “Johnny Nemo”, had its own series, while the more quirky “Paradax” had a two-issue series published by Vortex Comics in 1987.
The tagline “The Line of DC Super-Stars” was used as a brand emblem on comic books published by DC Comics beginning in December 1973 and ending January 1977. The DC Super Stars series began with a March 1976 cover date. A recurring feature of the title’s early run was “DC Super-Stars of Space”, special issues reprinting Silver Age science-fiction stories starring such characters as Adam Strange, Hawkman, the Atomic Knights, Space Cabbie, Captain Comet, Tommy Tomorrow, the Star Rovers, and Space Ranger.
The series’ middle period was marked by theme issues — Aquaman, heroes with guns, sports, magic-users — until issue #12, which heralded the title’s second original story, featuring Superboy. From that point until DC Super Stars was cancelled after issue #18, the series contained new stories about a range of different characters (some being showcased for their own titles), as well as a collection of “secret origin” stories. The Bronze Age Huntress made her first appearance in DC Super Stars #17 (November/December 1977) in a story written by Paul Levitz and drawn by Joe Staton and Bob Layton.
Roy Thomas and his wife, Dann Thomas, wrote the series throughout its run. Artists on the series included Jerry Ordway, Don Newton, Todd McFarlane, Michael Bair, and Vince Argondezzi.
The group was organized by Sylvester Pemberton, the original Star-Spangled Kid, in Infinity Inc. #1, when a number of JSA protégés were denied admission to the JSA. They instead formed their own group. Members of Infinity, Inc. were known as Infinitors.
The series ended in 1988 with the death of the Star-Spangled Kid (by then known as Skyman), and presumably the group disbanded shortly thereafter. Several members have gone on to supporting roles in other comics series. Fury filled a pivotal role in The Sandman and is the mother of Daniel Hall. Hourman, Obsidian, Nuklon (as Atom Smasher), Silver Scarab(as Doctor Fate), and Power Girl eventually joined the 21st century incarnation of the JSA.
Originally, the series took place on the parallel world of Earth-Two, but in 1986 it was merged with the rest of DC continuity following Crisis on Infinite Earths. From then on, they shared their spot as Los Angeles’ superteam with the Outsiders, and were involved in a crossover with the New Teen Titans.
Shortly after the publication of the treasury edition, Kirby continued to explore the concepts of 2001 in a monthly comic book series of the same name, the first issue of which was dated December 1976. In this issue, Kirby followed the pattern established in the film. Once again the reader encounters a prehistoric man (“Beast-Killer”) who gains new insight upon encountering a monolith as did Moon-Watcher in the film. The scene then shifts, where a descendant of Beast-Killer is part of a space mission to explore yet another monolith. When he finds it, this monolith begins to transform the astronaut into a star child, called in the comic a “New Seed”.
Issues #1-6 of the series replay the same idea with different characters in different situations, both prehistoric and futuristic. In #7 (June 1977), the comic opens with the birth of a New Seed who then travels the galaxy witnessing the suffering that men cause each other. While the New Seed is unable or unwilling to prevent this devastation, he takes the essence of two doomed lovers and uses it to seed another planet with the potential for human life.
In issue #8 (July 1977), Kirby introduces Mister Machine, who is later renamed Machine Man. Mister Machine is an advanced robot designated X-51. All the other robots in the X series go on a rampage as they achieve sentience and are destroyed. X-51, supported by both the love of his creator Dr. Abel Stack and an encounter with a monolith, transcends the malfunction that destroyed his siblings. After the death of Dr. Stack, X-51 takes the name Aaron Stack and begins to blend into humanity. Issues #9 and 10, the final issues of the series, continue the story of X-51 as he flees destruction at the hands of the Army.
John Byrne revitalized the slumping title with his run. Originally, Byrne was slated to write with Sienkiewicz providing the art. Sienkiewicz left to do Moon Knight, and Byrne subsequently became writer, artist, and inker. Various editors were assigned to the comic; eventually Bob Budiansky became the regular editor. Byrne told Jim Shooter that he could not work with Budiansky, although they ultimately continued to work together. In 2006, Byrne said “that’s my paranoia. I look back and I think that was Shooter trying to force me off the book”. Byrne left following issue #293 (Aug. 1986) in the middle of a story arc, explaining he could not recapture the fun he had previously had on the series. One of Byrne’s changes was making the Invisible Girl into the Invisible Woman: assertive and confident. During this period, fans came to recognize that she was quite powerful, whereas previously, she had been primarily seen as a superpowered mother and wife in the tradition of television moms like those played by Donna Reed and Florence Henderson.
The Rocketeer’s first adventure appeared in 1982 as a backup feature in issues #2 and #3 of Mike Grell‘s Starslayer series from Pacific Comics. Two more installments appeared in Pacific’s showcase comic Pacific Presents #1 and 2. The fourth chapter ended in a cliffhanger that was later concluded in a special Rocketeer issue released by Eclipse Comics. The complete story was then collected by Eclipse in a single volume titled The Rocketeer. It was published in three versions: a trade paperback edition, a trade hardcover, and a signed, limited edition hardcover. Noted fantasy author Harlan Ellison, a fan of the Rocketeer and also an acquaintance of Dave Stevens, wrote the introduction to the collection; both Dave Stevens and Harlan Ellison signed the limited edition on a specially bound-in bookplate.
The story was continued in the Rocketeer Adventure Magazine. Two issues were published by Comico Comics in 1988 and 1989; the third installment was not published until 1995, six years later by Dark Horse Comics. All three issues were then collected by Dark Horse into a glossy trade paperback titled The Rocketeer: Cliff’s New York Adventure that quickly went out-of-print.
Frank Miller‘s limited series The Dark Knight Returns (February–June 1986), which tells the story of a 55-year old Batman coming out of retirement in a possible future, reinvigorated the character. The Dark Knight Returns was a financial success and has since become one of the medium’s most noted touchstones. The series also sparked a major resurgence in the character’s popularity.
That year Dennis O’Neil took over as editor of the Batman titles and set the template for the portrayal of Batman following DC’s status quo-altering miniseries Crisis on Infinite Earths. O’Neil operated under the assumption that he was hired to revamp the character and as a result tried to instill a different tone in the books than had gone before. One outcome of this new approach was the “Year One” storyline in Batman #404–407 (February–May 1987), in which Frank Miller and artist David Mazzucchelli redefined the character’s origins. Writer Alan Moore and artist Brian Bolland continued this dark trend with 1988’s 48-page one-shot Batman: The Killing Joke, in which the Joker, attempting to drive Commissioner Gordon insane, cripples Gordon’s daughter Barbara, and then kidnaps and tortures the commissioner, physically and psychologically.
The Batman comics garnered major attention in 1988 when DC Comics created a 900 number for readers to call to vote on whether Jason Todd, the second Robin, lived or died. Voters decided in favor of Jason’s death by a narrow margin of 28 votes (see Batman: A Death in the Family). The following year saw the release of Tim Burton‘s Batman feature film, which firmly brought the character back to the public’s attention, grossing millions of dollars at the box office, and millions more in merchandising.
The Micronauts began life as comic book characters thanks to a fortuitous accident on Christmas 1977. Marvel Comics writer Bill Mantlo’s son Adam opened a new present, a line of the Mego Corporation‘s Micronauts action figures. Seeing the toys, Mantlo was instantly struck by inspiration to write their adventures. Convincing then Editor-in-chief Jim Shooter to get the comics license for these toys, Mantlo was hired to script their series.
The first series of the Micronauts ran from January 1979 to August 1984 and included 59 issues and two Annuals. The series was written by Bill Mantlo and featured art by Michael Golden. Other artists on the series included Howard Chaykin, Steve Ditko, Rich Buckler, Pat Broderick, Val Mayerik, Keith Giffen, Greg LaRocque, Gil Kane, Luke McDonnell, Mike Vosburg, Butch Guice, and Kelley Jones. Micronauts, along with Moon Knight and Ka-Zar the Savage, became one of Marvel’s first ongoing series to be distributed exclusively to comic book stores beginning with issue #38 (Feb. 1982).
The Forever People are a fictional group of extraterrestrial superheroes published by DC Comics. They first appeared in Forever People #1 (February–March 1971), and were created by Jack Kirby as part of his “Fourth World” epic.
The Forever People lasted eleven issues. They mainly fought Darkseid’s forces such as Glorious Godfrey in issue #3. Issues #9 and 10 guest-starred Deadman; according to writer/artist Jack Kirby‘s assistant Mark Evanier, “We were ordered to put Deadman into New Gods, but we slipped him into Forever People instead, where he was a little less obtrusive. Jack didn’t like the character and didn’t want to do it. He didn’t feel he should be doing someone else’s character. … He doesn’t want to trample on someone else’s vision. Carmine [Infantino, DC Comics publisher and Deadman’s co-creator] said the character hadn’t sold and he wanted the Kirby touch on it.”
From 1974 to 1976, James Warren‘s Warren Publishing published 16 issues of The Spirit (also known as The Spirit Magazine), a large black-and-white magazine consisting of reprints with original covers (primarily by Eisner), concluding with a separate 1975 color issue, The Spirit Special, which includes an afterword by Bill DuBay. Kitchen Sink picked up the series beginning in 1977 with issue 17, eventually concluding with issue 41 (June 1983). Issue 30 of the Kitchen Sink series (July 1981) features “The Spirit Jam“, with a script from Eisner and a few penciled pages, plus contributions from 50 artists, including Fred Hembeck, Trina Robbins, Steve Leialoha, Frank Miller, Harvey Kurtzman, Howard Cruse, Brian Bolland, Bill Sienkiewicz, John Byrne, and Richard Corben.
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