Action Comics (1980’s)

The superheroine Vixen made her first appearance in Action Comics #521 (July 1981). To mark the 45th anniversary of the series, Lex Luthor and Brainiac were both given an updated appearance in issue #544 (June 1983). Lex Luthor dons his war suit for the first time in the story “Luthor Unleashed!” and Brainiac’s appearance changes from the familiar green-skinned android to the metal skeletal-like robot in the story “Rebirth!”. Schwartz ended his run as editor of the series with issue #583 (September 1986) which featured the second part of the “Whatever Happened to the Man of Tomorrow?” story by Alan Moore and Curt Swan.

Following the events of Crisis on Infinite Earths, writer/artist John Byrne relaunched the Superman franchise in The Man of Steel limited series in 1986. Action Comics became a team-up title with issue #584 (January 1987).  The first Action Comics Annual was published in 1987 and featured Superman teaming with Batman in a story written by Byrne and drawn by Arthur Adams. A DC Comics Bonus Book was included in issue #599 (April 1988).

From May 24, 1988 – March 14, 1989, the publication frequency was changed to weekly, the title changed to Action Comics Weekly, and the series became an anthology. Prior to its launch, DC cancelled its ongoing Green Lantern Corps title, and made Green Lantern and his adventures exclusive to Action Comics Weekly.

Adventure Comics (1970’s)

In the late 70’s conventional superheroes returned to the book, beginning behind the Spectre, first a three-issue run of Aquaman (issues #435–437, an early assignment for Mike Grell) and then a newly drawn 1940s Seven Soldiers of Victory script (issues #438–443). Aquaman was promoted to lead (issues #441–452), and backing him up were three-part story arcs featuring the Creeper (#445–447), the Martian Manhunter (#449–451), bracketed by issue-length Aquaman leads. He was awarded his own title and Superboy (#453–458) took over Adventure with Aqualad (#453–455) and Eclipso (#457–458) backups. Following this was a run as a Dollar Comic format giant-sized book (issues #459–466), including such features as the resolution of Return of the New Gods (cancelled in July–August 1978), “Deadman“, and the “Justice Society of America“.

Beware the Creeper (1968)

Following his debut in Showcase, the Creeper was given his own series Beware the Creeper, written by Dennis O’Neil; Steve Ditko plotted the first issue. It lasted six issues Most pitted him against a chameleonic villain called Proteus, whose true identity was revealed just before his violent death in the final issue.

Superman V2 (2000’s)

In 2004-2005, artist Jim Lee, who had recently concluded the Batman: Hush storyline with Loeb, provided the artwork for a Superman story by writer Brian Azzarello. The story, Superman: For Tomorrow, ran for twelve issues and was collected in an Absolute Edition hardcover in May 2009.

With the publication of issue #226 (April 2006), the series was canceled as part of the company-wide Infinite Crisis event. The Adventures of Superman was returned to its original title, Superman, with issue #650 the following month.

In November 2011, a third volume of Superman was launched with issue #1 as part of The New 52 company-wide reboot.

100 Page Giants – Walmart Exclusives (2018)

The Giant line of comics mixes all-new original material by some of DC’s top creators with reprints for a 100-page package.

Creators working on the new material include such fan-favorites as Tom King, Brian Michael Bendis and the Harley Quinn writing team of Jimmy Palmiotti and Amanda Conner, each working on characters outside of their traditional range in the regular DC line, with Bendis working on his first solo Batman material in September — a 12-part story beginning in Batman Giant No. 3 — and Tom King taking on Superman with artist Andy Kubert for their own yearlong epic beginning in Superman Giant No. 3. Not to be left behind, Palmiotti and Conner will launch a 12-part Wonder Woman story in the third Justice League issue.

Batman V3 (2020’s)

DC Comics ended the DC Rebirth branding in December 2017, opting to include everything under a larger DC Universe banner and naming. The continuity established by DC Rebirth continues across DC’s comic book titles, including volume 1 of Detective Comics and volume 3 of Batman.

After the conclusion of Batman (vol. 3) #85 a new creative team consisting of James Tynion IV with art by Tony S. Daniel and Danny Miki replaced Tom King, David Finch and Mikel Janín.

James Tynion IV & Jorge Jimenez continued the series in 2021.

Batman: Shadow of the Bat (1992)

Batman: Shadow of the Bat ran for 96 issues, from 1992 to 2000. The stories took place in Batman’s then-current continuity along with Detective Comics and Batman, in contrast to Batman: Legends of the Dark Knight, which focused on Batman’s early years. Batman: Shadow of the Bat looked into the psyche of the various cast members of the Batman comics. It was also notable for introducing the villain Victor Zsasz into the Batman mythos.

Rōnin (1983)

Ronin (formally written as Rōnin) is a limited series published between 1983 and 1984, by DC Comics. The series was written and drawn by Frank Miller with artwork painted by Lynn Varley. It takes place in a dystopic near-future New York in which a ronin is reincarnated. The six-issue work shows some of the strongest influences of manga and bande dessinée on Miller’s style, both in the artwork and narrative style.

Ronin was in part inspired by Kazuo Koike and Goseki Kojima‘s manga series Kozure Okami. (Though Kozure Okami would receive an English localization several years later as Lone Wolf and Cub, at the time Miller could not read the text and had to rely on the artwork for his understanding of the story.) According to former Marvel Comics editor-in-chief Jim Shooter, Ronin was originally slated to be released as part of Marvel’s Marvel Graphic Novel series. Ultimately, however, Miller was persuaded by publisher Jenette Kahn that DC Comics would give him as much freedom as he desired for the series, and the first issue of Ronin was published by that company in 1983.

Batman (1970’s)

Starting in 1969, writer Dennis O’Neil and artist Neal Adams made a deliberate effort to distance Batman from the campy portrayal of the 1960s TV series and to return the character to his roots as a “grim avenger of the night”. O’Neil said his idea was “simply to take it back to where it started. I went to the DC library and read some of the early stories. I tried to get a sense of what Kane and Finger were after.”

O’Neil and Adams first collaborated on the story “The Secret of the Waiting Graves” (Detective Comics #395, January 1970). Few stories were true collaborations between O’Neil, Adams, Schwartz, and inker Dick Giordano, and in actuality these men were mixed and matched with various other creators during the 1970s; nevertheless the influence of their work was “tremendous”. Giordano said: “We went back to a grimmer, darker Batman, and I think that’s why these stories did so well…” While the work of O’Neil and Adams was popular with fans, the acclaim did little to improve declining sales; the same held true with a similarly acclaimed run by writer Steve Englehart and penciler Marshall Rogers in Detective Comics #471–476 (August 1977 – April 1978), which went on to influence the 1989 movie Batman and be adapted for Batman: The Animated Series, which debuted in 1992. Regardless, circulation continued to drop through the 1970s and 1980s, hitting an all-time low in 1985.

Strange Adventures (Silver Age)

Initially a science fiction anthology title with some continuing features starring SF protagonists, the series became a supernatural-fantasy title beginning with issue #202, for which it received a new logo. Deadman’s first appearance in Strange Adventures #205, written by Arnold Drake and drawn by Carmine Infantino, included the first known depiction of narcotics in a story approved by the Comics Code Authority. The “Deadman” feature served as an early showcase for the artwork of Neal Adams.