The Many Ghosts of Doctor Graves (1967)

Following his introduction as Dr. M. T. Graves in Charlton Comics‘ Ghostly Tales #55 (cover-dated May 1966) in the three-page story “The Ghost Fighter” by writer-artist Ernie Bache, the character went on to host his own anthology title, The Many Ghosts of Doctor Graves. The series ran 72 issues (May 1967 – May 1982), generally published bimonthly. Following issue #60 (Jan. 1977), the title went on hiatus for seven months until issue #61 (Aug. 1977) before being canceled with #65 (May 1978). Charlton revived the title three years later with #66 (May 1981) before canceling it once more six issues later.

 The Many Ghosts of Doctor Graves#54 (Dec. 1973). The cover art is among the earliest professional works of John Byrne. Three additional issues consisting solely of reprints, and titled simply Dr. Graves, were published as issues #73-75 (Sept. 1985 – Jan. 1986).

Among the artists whose work appeared were Steve Ditko, following his falling-out with Marvel Comics; newcomer Jim Aparo, later to be one of Batman‘s signature artists; regular Charlton talents including Vince AlasciaPat BoyettePete MorisiRocke Mastroserio, and Charles Nicholas; and such others as Rich LarsonDon Newton and Tom Sutton. The cover of issue #54 (Dec. 1975) marks one of the earliest professional works of John Byrne.

Writers on the title included Ditko, Steve SkeatesMike Pellowski, and the prolific, generally uncredited staff writer Joe Gill.

Journey into Mystery (Silver Age)

Journey into Mystery was initially published by Atlas Comics, then by its successor, Marvel Comics. Initially a horror comics anthology, it segued to giant-monster and science fiction stories in the late 1950s. Beginning with issue #83 (cover dated August 1962), it ran the superhero feature “The Mighty Thor“, created by writers Stan Lee and Larry Lieber and artist Jack Kirby, and inspired by the mythological Norse thunder god. The series, which was renamed for its superhero star with issue #126 (March 1966), has been revived three times: in the 1970s as a horror anthology, and in the 1990s and 2010s with characters from Marvel’s Thor mythos.

Adventure Comics (Silver Age)

Adventure Comics was published by DC Comics from 1938 to 1983 and revived from 2009 to 2011. In its first era, the series ran for 503 issues (472 of those after the title changed from New Adventure Comics), making it the fifth-longest-running DC series, behind Detective Comics, Action Comics, Superman, and Batman. It was revived in 2009 by writer Geoff Johns with the Conner Kent incarnation of Superboy headlining the title’s main feature, and the Legion of Super-Heroes in the back-up story. It returned to its original numbering with #516 (September 2010). The series finally ended with #529 (October 2011), prior to DC’s The New 52 company reboot.

The Witching Hour (1969)

The series was published for 85 issues from February–March 1969 to October 1978. Its tagline was “It’s 12 o’clock… The Witching Hour!” and was changed to “It’s midnight…” from issue #14 onwards. The series was originally edited by Dick Giordano, who was replaced by Murray Boltinoff with issue #14. Nick Cardy was the cover artist for The Witching Hour for issues #1–6, 11–12, 15–16, 18–52, and 60. Stories in the comic were “hosted” and introduced by three witches, Morded, Mildred, and Cynthia.

After The Witching Hour’s cancellation as a result of the “DC Implosion“, the title was merged with The Unexpected until issue #209. The witches were later revived along with the hosts of the companion series House of Secrets and House of Mystery as important characters in Neil Gaiman‘s The Sandman.

Tales of the Unexpected (1960’s)

In response to the restrictions imposed by the Comics Code Authority, DC began a new science-fiction series in 1956. The series featured artwork by Murphy AndersonGil Kane, and many others, with stories by John BroomeGardner Fox, and additional writers. It was an anthology comic for many years, publishing a variety of science fiction stories. The series featured Space Ranger as of issue #40 and running through #82 (April–May 1964) Other features included the “Green Glob” (issues #85–98, 100, 102, 103) and “Automan” (issues #91, 94, 97). The series’ last issue as Tales of the Unexpected was #104 (December 1967–January 1968). As of issue #105 (February–March 1968), the title was shortened to The Unexpected.

Batman (1960’s)

By 1964, sales of Batman titles had fallen drastically. Bob Kane noted that, as a result, DC was “planning to kill Batman off altogether”. In response to this, editor Julius Schwartz was assigned to the Batman titles. He presided over drastic changes, beginning with 1964’s Detective Comics #327 (May 1964), which was cover-billed as the “New Look”. Schwartz introduced changes designed to make Batman more contemporary, and to return him to more detective-oriented stories. He brought in artist Carmine Infantino to help overhaul the character. The Batmobile was redesigned, and Batman’s costume was modified to incorporate a yellow ellipse behind the bat-insignia. The space aliens, time travel, and characters of the 1950s such as Batwoman, Ace, and Bat-Mite were retired. Bruce Wayne’s butler Alfred was killed off (though his death was quickly reversed) while a new female relative for the Wayne family, Aunt Harriet, came to live with Bruce Wayne and Dick Grayson.

Strange Tales (1960’s)

Strange Tales switched to superheroes during the Silver Age of Comic Books, retaining the sci-fi, suspense and monsters as backup features for a time. Strange Tales‘ first superhero, in 12- to 14-page stories, was the Fantastic Four‘s Human Torch, Johnny Storm, beginning in #101 (Oct. 1962). Here, Johnny still lived with his elder sister, Susan Storm, in fictional Glenview, Long Island, New York, where he continued to attend high school and, with youthful naivete, attempted to maintain his “secret identity” (later retconned to reveal that his friends and neighbors knew of his dual identity from Fantastic Four news reports, but simply played along).

The title became a “split book” with the introduction of sorcerer Doctor Strange, by Lee and artist Steve Ditko. This 9- to 10-page feature debuted in #110 (July 1963), and after an additional story and then skipping two issues returned permanently with #114. Ditko’s surrealistic mystical landscapes and increasingly head-trippy visuals helped make the feature a favorite of college students, according to Lee himself. Eventually, as co-plotter and later sole plotter, in the “Marvel Method“, Ditko would take Strange into ever-more-abstract realms, which yet remained well-grounded thanks to Lee’s reliably humanistic, adventure/soap opera dialog. Adversaries for the new hero included Baron Mordo introduced in issue #111 (Aug. 1963) and Dormammu in issue #126 (Nov. 1964). Clea, who would become a longtime love interest for Doctor Strange, was also introduced in issue #126.

Challengers of the Unknown (1960’s)

The Challengers of the Unknown is a fictional group of adventurers appearing in comic books  published by DC Comics. The quartet of adventurers explored paranormal occurrences while facing several fantastic menaces. The characters were created by Joe Simon and JJack Kirby during the end of their company, Mainline Comics. Following the end of the Challengers comic, DC has revived the characters in different incarnations over the years. Some have claimed that Kirby reworked the basic concept of the series with Stan Lee in 1961 to create The Fantastic Four, the first creation that marked the rise of Marvel Comics.

Justice League of America (Silver Age)

The initial Justice League lineup included seven of DC Comics’ superheroes who were regularly published at that time: SupermanBatman, Aquaman, Flash, Green Lantern, Martian Manhunter, and Wonder Woman. Rarely featured in most of the stories, Superman and Batman did not even appear on the cover most of the time. Three of DC’s other surviving or revived characters, Green Arrow, the Atom, and Hawkman were added to the roster over the next four years.

The title’s early success was indirectly responsible for the creation of the Fantastic Four. In his autobiography Stan Lee relates how in 1961, during a round of golf, DC publisher Jack Liebowitz mentioned to Marvel-Timely owner Martin Goodman how well DC’s new book (Justice League) was selling. Later that day Goodman, a publishing trend-follower aware of the JLA’s strong sales, told Lee, his comics editor, to come up with a team of superheroes for Marvel.

Tower of Shadows (1969)

Designed to compete with DC Comics‘ successful launches of House of Mystery and House of Secrets,[2] Tower of Shadows, like its companion comic Chamber of Darkness, sold poorly despite the roster of artists featured. After its first few issues, the title, published bimonthly, began including reprints of “pre-superhero Marvel” monster stories and other SF/fantasy tales from Marvel’s 1950s and early 1960s predecessor, Atlas Comics. After the ninth issue, the title changed to Creatures on the Loose, and the comic became a mix of reprints and occasional sword and sorcery/SF series.