Tales of Suspense became Captain America with #100 (April 1968) This series — considered Captain America volume one by comics researchers and historians, following the 1940s Captain America Comics and its 1950s numbering continuation of Tales of Suspense — ended with #454 (Aug. 1996).
Captain America continued from Tales of Suspense with artwork by Kirby, as well as a short run by Jim Steranko, and work by many of the industry’s top artists and writers. It was called Captain America and the Falcon from #134 (Feb. 1971) to #222 (June 1978) although the Falcon’s name was not on the cover for issues #193, 200, and 216. The 1972–1975 run on the title by writer Steve Englehart and artist Sal Buscema saw the series become one of Marvel’s top-sellers. In 2010, Comics Bulletin ranked Englehart and Buscema’s run on Captain America fourth on its list of the “Top 10 1970s Marvels”. Kirby returned to the series as writer and penciler with issue #193 (Jan. 1975) ]and remained through #214 (Oct. 1977).
IT IS WINTER IN AMERICA. For over 70 years, he has stood in stalwart defense of our country and its people. But in the aftermath of Hydra’s takeover of the nation, Captain America is a figure of controversy, carrying a tarnished shield…and a new enemy is rising! Who are the Power Elite? And how do they intend to co-opt and corrupt the symbol that is Captain America?
The premise for this limited series was created by J. Michael Straczynski during a Marvel retreat in New York. (The book credits Straczynski with the initial concept.) He suggested the structure of five issues, each based on Elizabeth Kubler Ross’ Five Stages of Grief: denial, anger, bargaining, depression, and acceptance. Loeb lobbied hard to write the series, and succeeded, saying that he could draw upon his own experience of having lost his son Sam Loeb. In the Spring Preview issue of Wizard magazine, Loeb said:
When Straczynski [speaks] it’s a little bit like the burning bush and the rest of us are Moses. He held up this yellow pad and said, ‘It’s the five stages of grief! Denial, anger, bargaining, depression, acceptance.’ The theme of each issue is represented by a particular Marvel character and also ends with a transition phase leading into the following stage. Denial deals with Wolverine, Anger deals with the two Avengers teams (Mighty Avengers & New Avengers), Captain America himself is dealt with in Bargaining, Spider-Man is the focus of Depression and Iron Man comes under the spotlight in Acceptance.
Following Mark Gruenwald’s departure from the series, Mark Waid took over and resurrected Sharon Carter as Cap’s love interest. The title was then relaunched under Rob Liefeld as Cap became part of the Heroes Reborn universe for 13 issues before another relaunch restored Waid to the title in an arc that saw Cap lose his shield for a time using an energy based shield as a temporary replacement.
The 1980s included a run by writer Roger Stern and artist John Byrne. Stern had Rogers consider a run for President of the United States in Captain America #250 (June 1980), an idea originally developed by Roger McKenzie and Don Perlin. Stern, in his capacity as editor of the title, originally rejected the idea but later changed his mind about the concept. McKenzie and Perlin received credit for the idea on the letters page at Stern’s insistence. Stern additionally introduced a new love interest, law student Bernie Rosenthal, in Captain America #248 (Aug. 1980).
Writer J. M. DeMatteis revealed the true face and full origin of the Red Skull in Captain America #298-300, and had Captain America take on Jack Monroe, Nomad, as a partner for a time. Around this time, the heroes gathered by the Beyonder elect Rogers as leader during their stay on Battleworld in the 1984 miniseries Secret Wars. Homophobia is dealt with as Rogers runs into a childhood friend named Arnold Roth who is gay.
Mark Gruenwald became the writer of the series with issue #307 (July 1985) and wrote 137 issues for 10 consecutive years from until #443 (Sept. 1995) the most issues by any single author in the character’s history. Gruenwald created several new foes, including Crossbones and the Serpent Society. Other Gruenwald characters included Diamondback, Super Patriot, and Demolition Man. Gruenwald explored numerous political and social themes as well, such as extreme idealism when Captain America fights the anti-nationalist terrorist Flag-Smasher; and vigilantism when he hunts the murderous Scourge of the Underworld.
During a battle with an enemy called the Iron Nail, the Super-Soldier Serum within Rogers’s body was neutralized, causing him to age rapidly to match his chronological age of over 90 years. No longer able to take part in field missions but retaining his sharp mind, Rogers decided to take on a role as mission coordinator, organizing the Avengers’ plans of attack from the mansion, while appointing Sam Wilson as his official “replacement” as Captain America. When various Avengers and X-Men were inverted into villains and several villains inverted into heroism due to a miscast spell by the Scarlet Witch and Doctor Doom, Rogers not only coordinated the efforts of Spider-Man and the inverted villains, now called the “Astonishing Avengers”, but also donned his old armor to battle the inverted Falcon, until the heroes and villains could be returned to normal with the aid of the White Skull (the inverted Red Skull).
In the 2006–2007 company-wide story arc “Civil War“, Rogers opposes the new mandatory federal registration of super-powered beings, and leads the underground anti-registration movement. After significant rancor and danger to the public as the two sides clash, Captain America voluntarily surrenders and orders the Anti-Registration forces to stand down, feeling that the fight has reached a point where the principle originally cited by the anti-registration forces has been lost.
Washington D.C. The funeral for Captain America. Only the heroes that knew him personally are there, including Spider-Man, Spider-Woman, Kitty Pryde, Jean Grey, Rogue, Jimmy Hudson, Nick Fury, Monica Chang, Susan Storm and others.
Mark Waid returns to the title in an arc that saw Cap lose his shield for a time using an energy based shield as a temporary replacement. Following Waid’s run, Dan Jurgens took over and introduced new foe Protocide, a failed recipient of the Super Soldier serum prior to the experiment that successfully created Rogers. Some time after this, Rogers’ original shield was retrieved, but subtle damage sustained during the battle with the Beyonder resulted in it being shattered and a ‘vibranium cancer’ being triggered that would destroy all vibranium in the world, with Rogers nearly being forced to destroy the shield before a confrontation with the villain Klaw saw Klaw’s attacks unwittingly repair the shield’s fractured molecular bonds and negate the cancer.
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