Crossed (2008)

The story follows survivors dealing with a pandemic that causes its victims to carry out their most evil thoughts. Carriers of the virus are generally known as the “Crossed” due to a large, cross-like rash that appears on their faces – other names include “cross-faces” and “plus-faces”. This contagion is primarily spread through bodily fluids, which the Crossed have used to great effect by treating their weapons with their fluids, as well as through other forms of direct fluidic contact such as rape and bites, assuming the victim lives long enough to turn. A major difference between the Crossed and other fictional zombie or insanity-virus epidemics (e.g., in the film 28 Days Later) is that while the Crossed are turned into homicidal violent psychopaths, they still retain a basic human-level of intelligence: thus, they are still capable of using tools and weapons, driving motor vehicles, setting complex traps, and other actions. It is occasionally noted in the series that a Crossed retains any skills they had prior to their infection; most simply lack the patience or sanity to do anything not immediately related to their vicious impulses.

Ghostly Haunts (1971)

Ghostly Haunts is an American horror-suspense anthology comic book series that was published by Charlton Comics from 1971 to 1978. The book was “hosted” by Winnie the Witch, a “moddish” blue-skinned witch.

Ghostly Haunts was part of a wave of new horror and suspense comics published by Charlton during this period. Its sister titles, with many of the same creators, were the Charlton anthologies The Many Ghosts of Doctor Graves (with host Dr. M. T. Graves), Ghostly Tales (with host Mr. L. Dedd, later I. M. Dedd), Ghost Manor (with host Mr. Bones), Haunted (with hosts Impy and then Baron Weirwulf), and Scary Tales (with host Countess R. H. Von Bludd).[1]

Although Charlton’s low page-rates and slapdash production values typically resulted in few notable characters or stories,[2] Ghostly Haunts featured some memorable stories in the old EC Comics vein, especially in its later issues; one theory for this being that the Charlton line was so obscure that it often evaded the eye of the Comics Code Authority censors.

Mystic – Atlas (1951)

Titled simply Mystic and published by Marvel’s 1950s iteration, Atlas Comics, this was a 61-issue horror-suspense anthology (March 1951-Aug. 1957).

Mystic debuted shortly before Atlas’ Strange Tales, increasing the company’s science fiction/fantasy/horror line from four titles to six. Begun prior to the creation of the comic-book industry’s self-censorship board, the Comics Code Authority, Mystic softened its horror when it went under the auspices of the Comics Code beginning with issue #37 (May 1955). The series’ contributors included artists Bill Everett and John Severin.

Rai – V1 (1992)

Rai (pronounced “rye”) appeared in books published by Valiant Comics. Rai was the first original hero created by Valiant and had its beginning as a flipbook back-up feature in Magnus Robot Fighter issues #5-8. The popularity of the flipbook back-up story later led to an ongoing series. Valiant Entertainment is the current owner of Rai and the rest of the original Valiant Comics characters.

In his original incarnation, Rai is the spirit guardian that protects the nation of Japan in the 41st century. It is a mantle passed down from father to son through the generations. As such, the series chronicled a number of protagonists.

A new Rai ongoing series was launched in April 2014 by the creative team of writer Matt Kindt and artist Clayton Crain, selling out of its initial print run.

The Rook (1979)

The Rook is a fictional, time-traveling comic book adventure hero. He first appeared in March 1977 in American company Warren Publishing‘s Eerie, Vampirella & Warren Presents magazines. In the 1980s, the Rook became popular and gained his own comic magazine title of the same name, The Rook Magazine.

Wizard Special Edition Comics (1993)

Wizard often featured mail-away offers for exclusive merchandise. Wizard began a practice of producing specially offered Wizard #½ issues. These were special issues of ongoing major comic book series which featured in-continuity stories that supplemented the regular series’ published issues. The issues were numbered #½ so as not to disrupt the series’ ongoing numbering system. Often Wizard would also include free pack-in issues with their magazines, usually numbered as Wizard #0.

Mister X (1980’s)

Created by album and book cover designer Dean Motter, Mister X was developed for a year in close collaboration with comic artist and illustrator Paul Rivoche, whose series of poster illustrations stirred up great interest in the project. The series published early work by comic artists who would later emerge as important alternative cartoonists, including Jaime Hernandez, Gilbert Hernandez, Mario Hernandez, Seth, Shane Oakley and D’Israeli.

A highly successful promotional campaign with posters and ads followed for the next year, while Motter and Rivoche struggled to produce an actual issue of Mister X. When Rivoche quit, Vortex Comics president Bill Marks became more skeptical than ever that Motter would be able to produce the series on time, and decided to turn the work over to the Hernandez brothers. The first four issues were written and illustrated by Jaime and Gilbert Hernandez, with additional writing by Mario Hernandez. The Hernandez brothers quit over payment delays from Vortex. Issues 5 through 14 of the series were then written by Motter, with issues 6 through 13 illustrated by Seth.

Mister X’s influence can be seen and was acknowledged in films like Terry Gilliam‘s Brazil, Tim Burton‘s Batman, and Alex Proyas‘ Dark City.

Miracleman – Eclipse (1980’s)

In August 1985, Eclipse began reprinting the Marvelman stories from Warrior, colored, and re-sized. They were renamed and re-lettered throughout as Miracleman to avoid further problems with Marvel Comics. Issues 1-6 reprinted all the Warrior content, after which Eclipse began publishing new Miracleman stories from Alan Moore and new artist Chuck Beckum (now better known as Chuck Austen), soon replaced by Rick Veitch and then John Totleben. Eclipse split the rights to the character, with 2/3 going to Eclipse and 1/3 split between the current writer and artist of the series. Moore wrote the series until issue 16.

Writer Neil Gaiman picked up the series at #17 and developed it further in the 1990s, working with artist Mark Buckingham. He planned three books, consisting of six issues each; they would be titled “The Golden Age”, “The Silver Age” and “The Dark Age”.

Stray Bullets (1995)

Stray Bullets is an independent American comic book series published in black and white (with color covers) by El Capitan Books. It is written and drawn by David Lapham.

The story deals with the often criminal and sometimes tragic misadventures of a large cast of characters and takes place from the mid-1970s through the mid-1990s.

In March 2014, Image Comics ended the hiatus of Stray Bullets with the publication of the final issue of the HiJinks and Derring-Do arc, and the simultaneous launch of a new arc entitled Killers. A giant-sized softcover trade paperback edition (The Uber Alles Edition) collecting all forty-one issues of the original series was also released by Image Comics. Killers ran for 8 issues throughout 2014, then after a brief hiatus, Lapham returned in early 2015 with Stray Bullets: Sunshines & Roses. Lapham plans to continue publishing Stray Bullets in this fashion at Image, with each arc treated as a discrete miniseries.

The series has been nominated for numerous awards. Stray Bullets won the 1996 Eisner Award for Best Writer/Artist, Drama, and the trade paperback collection Stray Bullets: Innocence of Nihilism won the 1997 Eisner Award for “Best Graphic Album-Reprint” the Comic Book Awards Almanac and was a top votegetter for the Comics Buyer’s Guide Fan Award for Favorite Reprint Graphic Novel/Album for the same year.

Shaolin Cowboy (2004)

The book is about an unnamed former Shaolin monk who wanders the land with a talking mule named Lord Evelyn Dunkirk Winniferd Esq. the Third. Having been “asked” to leave the Shaolin temple, he has since had a bounty placed on his head, which many are eager to collect. Given the Shaolin Cowboy’s prowess in martial arts, however, this will be very difficult.

Taking place in an unspecified time setting (as the first issue notes, “the day after yesterday and a week before tomorrow”), the book features extremely detailed artwork and equally violent and absurd action scenes; in one, the main character battles a giant shark with a human head in its mouth using two chainsaws tied on the ends of a long stick – which all takes place in the canalization in the stomach of a lizard, on whose back a city is located.