E-Man (1983) First Comics

When Staton became art director at First Comics, the publisher acquired the rights to the character from Charlton and launched a series. Cuti was asked to write the title, but his obligations to DC Comics prevented him from accepting. The series was initially written by Martin Pasko, who had previously worked with Staton on Plastic Man and Metal Men. After Pasko’s run, Staton and Paul Kupperberg wrote the series until Cuti took over as writer with issue #24.

As a direct-market publisher not distributed to newsstands, the First series was not obligated to seek Comics Code Authority approval and could address more mature topics than Code-approved comics. Where the Charlton series featured broad whimsical themes, the First Comics series engaged in more specific satire directed at targets including the X-Men, Steven Spielberg, and Scientology.

The first 10 issues each contained a one-page parody of the Hostess snack advertisements that ran in comics through the 1970s and 1980s. These parodies were written and drawn by different creators and featured characters from across the independent comics industry.

Archie’s Mad House (1959)

The first 18 issues featured the “Archie gang” in stories that were a bit more “off the wall” than the normal Archie series. The idea was to produce stories that made no sense. The title Mad House was written as two words instead of one to suggest a false connection to MAD Magazine and recapture its success. Beginning with issue 19, the Archie gang was dropped (though it was still called Archie’s Mad House), and the title began featuring monsters, space stories and other wacky short stories. The gags in the comics often parodied the latest fads and popular culture. For a time, it would focus on stories with what were intended to be one-off characters. There were, however, exceptions to this rule. Characters becoming popular enough would appear again.

Weird Science (1950)

As with other EC Comics, Gaines and Feldstein used some Weird Science stories to teach moral lessons. “The Probers” (#8) features a space shuttle doctor who pays no mind to dissecting various animals, only to end up on an alien planet where aliens plan to dissect him. In “The Worm Turns” (#11) astronauts have fun with Mexican jumping beans but face a similar situation when they hide in a piece of fruit on an alien world and are found by a giant alien. “He Walked Among Us” (#13) was a take on organized religion in which a Christ-like astronaut helps the impoverished populace of an alien world but is killed by those in power, prompting the birth of a religion.

Gaines and Feldstein made cameo appearances in “Chewed Out” (#12), and other EC staffers were drawn into “EC Confidential” (#21).

Night of the Living Dead (2007) Avatar Press

Night of the Living Dead co-creator John Russo brings you a new tale of terror set during the night that changed the world forever. The eastern United States is in chaos as hordes of the undead wage war against the living, and increasingly frantic television transmissions are the only source of information available to a terrified populace. But there is no escape from the living dead and no safe place to hide, not even the WIIC-TV studio where original Night of the Living Dead news anchorman Chuck Blaine has some difficult decisions to make: Should his heroic news crew continue their emergency public broadcasts, or run from the army of ghouls amassing outside the station? More importantly, should he continue to disseminate questionable government recommendations that could be luring viewers into inescapable death traps? This special bonus-sized tale features appearances by some of the original film’s most memorable characters, including the recently deceased Johnny, Barbra, and little Karen Cooper!

Bram Stoker’s Dracula (1993)

Bram Stoker’s Dracula, a four-issue Topps comic book adaptation of Columbia Pictures’ (Sony Pictures Entertainment) 1992 film directed by Francis Ford Coppola which starred a young Keanu Reeves as Jonathan Harker, Winona Ryder as Mina Murray, Anthony Hopkins as Professor Abraham Van Helsing and Gary Oldman as Dracula. Topps Comics released a 120-page adaptation in 1993, written by Roy Thomas and drawn by Mike Mignola, one of the last projects before launching Hellboy.

 

Devil May Cry (2004)

Devil May Cry is a comic adaptation of the first game, published by a Canadian publisher Dreamwave Productions in 2004. It was written by Brad Mick with art by Pat Lee, and additional cover images were provided by Michael Turner and Jae Lee. Three issues of the comics were released, but it was left unfinished when the company went bankrupt in 2005.

Seduction of the Innocent (1985)

In homage to the great pre-Code horror comics, Eclipse Comics presented its own Seduction of the Innocent, reprinting classics from now-forgotten National Comics and Toby Publishing.

Crossed (2008)

The story follows survivors dealing with a pandemic that causes its victims to carry out their most evil thoughts. Carriers of the virus are generally known as the “Crossed” due to a large, cross-like rash that appears on their faces – other names include “cross-faces” and “plus-faces”. This contagion is primarily spread through bodily fluids, which the Crossed have used to great effect by treating their weapons with their fluids, as well as through other forms of direct fluidic contact such as rape and bites, assuming the victim lives long enough to turn. A major difference between the Crossed and other fictional zombie or insanity-virus epidemics (e.g., in the film 28 Days Later) is that while the Crossed are turned into homicidal violent psychopaths, they still retain a basic human-level of intelligence: thus, they are still capable of using tools and weapons, driving motor vehicles, setting complex traps, and other actions. It is occasionally noted in the series that a Crossed retains any skills they had prior to their infection; most simply lack the patience or sanity to do anything not immediately related to their vicious impulses.

Ghostly Haunts (1971)

Ghostly Haunts is an American horror-suspense anthology comic book series that was published by Charlton Comics from 1971 to 1978. The book was “hosted” by Winnie the Witch, a “moddish” blue-skinned witch.

Ghostly Haunts was part of a wave of new horror and suspense comics published by Charlton during this period. Its sister titles, with many of the same creators, were the Charlton anthologies The Many Ghosts of Doctor Graves (with host Dr. M. T. Graves), Ghostly Tales (with host Mr. L. Dedd, later I. M. Dedd), Ghost Manor (with host Mr. Bones), Haunted (with hosts Impy and then Baron Weirwulf), and Scary Tales (with host Countess R. H. Von Bludd).[1]

Although Charlton’s low page-rates and slapdash production values typically resulted in few notable characters or stories,[2] Ghostly Haunts featured some memorable stories in the old EC Comics vein, especially in its later issues; one theory for this being that the Charlton line was so obscure that it often evaded the eye of the Comics Code Authority censors.

Mystic – Atlas (1951)

Titled simply Mystic and published by Marvel’s 1950s iteration, Atlas Comics, this was a 61-issue horror-suspense anthology (March 1951-Aug. 1957).

Mystic debuted shortly before Atlas’ Strange Tales, increasing the company’s science fiction/fantasy/horror line from four titles to six. Begun prior to the creation of the comic-book industry’s self-censorship board, the Comics Code Authority, Mystic softened its horror when it went under the auspices of the Comics Code beginning with issue #37 (May 1955). The series’ contributors included artists Bill Everett and John Severin.