Frank Castle has gone back to basics. Back in New York, back from the dead and back doing what he does best: exterminating bad guys and waging his personal war on crime. And just wait until you check out Frank’s new bachelor pad – with his roommate Death! It’s a gritty tale of bullet-ridden, gut-wrenching action as you like it!
Jughead: The Hunger launched on March 29, 2017 as a one-shot comic alongside the New Riverdale “pilot” lineup. It was written by Frank Tieri with art by Michael Walsh. Due to positive critical and fan reception, the book was picked up as an ongoing series.
It is the first title to debut under the Archie Horror imprint and is its third title overall behind Afterlife with Archie and Chilling Adventures of Sabrina, which released issues before the imprint was created. The series returned with its first official issue on October 25, 2017, with Pat & Tim Kennedy taking over as artists.
Its mascot, Forbush Man, introduced in the first issue, was a superhero wannabe with no superpowers and a costume of red long johns emblazoned with the letter “F” and a cooking pot, with eye-holes, covering his never-revealed head. His secret identity was eventually revealed in issue #5 (Dec. 1967) as Irving Forbush, Marvel’s fictitious office gofer.
In 2007, Image Comics/Frazetta Comics published the Death Dealer: Shadows of Mirahan 6 issue miniseries featuring Death Dealer in the first story fully approved by Frank Frazetta. The book’s creators are Nat Jones, Jay Fotos, and Joshua Ortega. The story was written by Jones, Fotos and Ortega, with pencils and inks by Jones, and colors by Fotos. The story tells of an ancient land, and two warring nations fighting in an epic war. The Death Dealer appears on the field of battle and slaughters both sides. When the two kingdoms forged an alliance, the Dealer disappears for years but returns years later. Image’s Death Dealer comic inspired a series of Dungeons & Dragons adventures published by Goodman Games.
In 1984, editor Len Wein assigned Swamp Thing to British writer Alan Moore. When Karen Berger took over as editor, she gave Moore free rein to revamp the title and the character as he saw fit. Moore reconfigured Swamp Thing’s origin to make him a true monster as opposed to a human transformed into a monster. In his first issue, he swept aside most of the supporting cast Pasko had introduced in his year-and-a-half run as writer, and brought the Sunderland Corporation to the forefront, as they hunted Swamp Thing and “killed” him in a hail of bullets. The subsequent investigation revealed that Swamp Thing was not Alec Holland’s consciousness transformed into a plant but actually a form of plant life that had absorbed Holland’s consciousness after exposure to his work, with Swamp Thing’s appearance being the plants’ attempt to duplicate Holland’s human form.
Wolverine has been through a lot. He’s been a loner. He’s been a killer. He’s been a hero. He’s been an Avenger. He’s been to hell and back. Now, as the nation of Krakoa brings together all Mutantkind, he can finally be… happy? With his family all together and safe, Wolverine has everything he ever wanted… and everything to lose. Writer Benjamin Percy and artist Adam Kubert bring the best there is to his new home! PLUS: The return of OMEGA RED!
Years after he banished the Crooked Man, Hellboy returns to Appalachia when a young psychic warns Tom Ferrell of looming danger. But the Crooked Man’s house is no longer empty, and threats both new and old simmer in the Virginia woods.
Mike Mignola returns to continue the tale of ”The Crooked Man.” He’s joined by artist Zach Howard and colorist Dave Stewart for a stellar fright fest!
In 1978, DC Comics intended to revive its science-fiction anthology series Strange Adventures. These plans were put on hold that year due to the DC Implosion, a line-wide scaling back of the company’s publishing output. When the project was revived a year later, the title was changed to Time Warp and the series was in the Dollar Comics format. The first issue was published with an October–November 1979 cover date. Michael Kaluta provided the cover art for the entire run.
The title featured a mixture of both established comics creators and new talent. The writing team of Dan Mishkin and Gary Cohn made their comics debut in issue #3 with the three-page short story “On the Day of His Return” which was drawn by Steve Ditko.
Time Warp was canceled with issue #5 (June–July 1980) and unused inventory originally intended for the series was published in a revival of the Mystery in Space title. Other Time Warp stories appeared in the mystery anthology The Unexpected.
The 1990s saw the Green Hulk return. In issue #377 (Jan. 1991), the Hulk was revamped in a storyline that saw the personalities of Banner, Grey Hulk, and Savage Hulk confront Banner’s past abuse at the hands of his father Brian and a new “Guilt Hulk” persona. Overcoming the trauma, the intelligent Banner, cunning Grey Hulk, and powerful Savage Hulk personalities merge into a new single entity possessing the traits of all three. The Hulk also joined the Pantheon, a secretive organization of superpowered individuals. His tenure with the organization brought the Hulk into conflict with a tyrannical alternate future version of himself called the Maestro in the 1993 Future Imperfectminiseries, who rules over a world where many heroes are dead.