The Werewolf by Night character first appeared in Marvel Spotlight #2 (Feb. 1972) and was based on an idea by Roy Thomas. The series name was suggested by Stan Lee and the debut story was crafted by Gerry Conway and Mike Ploog. The character made additional appearances in Marvel Spotlight #3 and #4 and then graduated to his own eponymous series in September 1972. Werewolf by Night was published for 43 issues and ran through March 1977. Issue #32 contains the first appearance of Moon Knight. Jack Russell co-starred with Tigra in Giant Size Creatures #1 (July 1974), which was the first appearance of Greer Grant as Tigra instead of the Cat.That series was retitled Giant-Size Werewolf with its second issue.
Werewolf by Night #2 FN- $28Werewolf by Night #3 VG $9Werewolf by Night #5 VF $35Werewolf by Night #6 FN $15Werewolf by Night #7 FN $15Werewolf by NIght #8 FN+ $24Werewolf by Night #10 FN $25Werewolf by Night #11 FN+ $25Werewolf by Night #13 FN- $19Werewolf by Night #14 VF+ $35Werewolf by Night #16 FN $9Werewolf by NIght #19 FN+ $29Werewolf by Night #21 VG $7Werewolf by Night #22 VG+ $7Werewolf by Night #26 FN-VF $24Werewolf by Night #27 VF- $19Werewolf by Night #31 VF $49Werewolf by NIght #34 VF $35Werewolf by NIght #35 FN-VF $25Werewolf by Night #37 VF $69Werewolf by Night #41 FN+ $15Werewolf by Night #43 VF+ $35
Invincible is an Image ComicsUniverse series named for its superhero, “Invincible” (“Mark Grayson”). Created by writer Robert Kirkman and artist Cory Walker and illustrated by artist Ryan Ottley, Invincible first appeared in Tech Jacket #1 (November 2002), before graduating to his own self-titled regular series in 2003, as the premier title in Image’s then-new superhero line.
Invincible is the son of Omni-Man, an extraterrestrial superhero of the Viltrumite race. Invincible inherited his father’s superhuman strength and ability to fly and he has sworn to protect the Earth. As a teenager he had trouble adjusting to his newfound powers and coping with the reality of his origins.
Supergirl (Volume 2) was published from November of 1982 until September of 1984, spanning a total of 23 issues. The series was initially entitled, the Daring New Adventures of Supergirl, but shortened the title to simply, Supergirl, with issue #13. This was the last regular comic series to feature the Pre-CrisisKara Zor-El as Supergirl.
Most team members have distinctly Canadian attributes, such as having Inuit/First Nations or French heritage. Throughout most of its history, the team has worked for Department H, a fictional branch of Canada’s Department of National Defence that deals with super-powered villains.
The team was originally merely a part of the backstory of the X-Men‘s Wolverine but, in 1983, Marvel launched an eponymous series featuring the group, which continued until 1994, lasting 130 issues as well as annuals and miniseries.
In this Dark Horse’s comic series, Thoth-Amon was finally given an origin. Thoth-Amon, the dark wizard began life as young Thoth, a street thief in Memphia, stealing for his father to barely earn a living with perpetual beatings the only sign of affection his father gave. The only person Thoth cared for was his sister, whom he vowed to take away from the cruel city one day.
Conan – Book of Thoth #1 VF-NM $2Conan – Book of Thoth #2 NM- $3Conan – Book of Thoth #3 NM- $3Conan – Book of Thoth #4 VF-NM $2
The story deals with Smax and Toybox returning, via magical teleportation, to Jeff’s magically enchanted homeworld. Smax, now a city dweller, seems embarrassed by his unsophisticated, sword-and-sorcery roots. They attend Smax’s uncle’s funeral where Jeff introduces Robyn as his wife, though no such relationship exists. At this point Jeff’s sister Rexa Macksun is introduced, dressed in the typical garb of a female fantasy barbarian such as Red Sonja and just as tall and physically impressive as her brother with the same blue skin and white hair.
SMAX the Adventurer #1 NM $6Smax the Adventurer #2 VF-NM $3Smax the Adventurer #3 NM- $4Smax the Adventurer #5 NM $5
Ultimate Spider-Man was published by Marvel Comics from 2000 to 2009. The series is a modernized re-imagining of Marvel’s long-running Spider-Man comic book franchise as part of the company’s Ultimate Marvel imprint. Ultimate Spider-Man exists alongside other revamped Marvel characters in Ultimate Marvel titles including Ultimate X-Men, Ultimate Fantastic Four, and The Ultimates.
The comic book’s detailed artwork by Michael Zulli, which focused primarily on wildlife and nature, was superposed to a loose narrative with a druggy, dreamy, new age apocalyptic atmosphere. This de-structuralizing of the main narrative increased dramatically in later issues, with the second half of the series often taking the form of illustrated prose poetry within an associative narrative.
The Puma Blues VF+ #1 2nd Print $5The Puma Blues #2 VF $5The Puma Blues #4 VF $4The Puma Blues# 5 NM $8The Puma Blues #6 NM- $7The Puma Blues #7 NM $8The Puma Blues #8 VF+ $5The Puma Blues #9 NM- $7The Puma Blues #10 VF $4The Puma Blues #11 VF- $3The Puma Blues #12 VF- $3The Puma Blues #13 VF $4The Puma Blues #14 VF-NM $6The Puma Blues #15 VF $4The Puma Blues #16 VF- $3The Puma Blues #17 VF $4The Puma Blues #18 F+ $2The Puma Blues #19 NM- $8The Puma Blues #20 NM- $14The Puma Blues #21 NM- $8The Puma Blues #22 NM- $8The Puma Blues #23 VF+ $6
In February 2014, DC announced that as part of the celebration of The New 52’s third anniversary, all ongoing titles published in September 2014 feature stories that tie in to The New 52: Futures End. DiDio stated “One of the things we wanted to do was not just look at it through the lens of the weekly series, but also take a month and flash forward, and see what the potential futures of all our characters might be in that month. So in that month, you’ll get a chance to see where, in the next five years, our characters might finish up or might end up being.” He added that like the “Villains Month” event in September 2013, these titles also feature 3Dlenticular covers, in addition to the 2D ones, saying, “The covers now will also have the ability to have a ‘flicker’ effect. That means that the images change and show the transformation going on… There is a level of change that is taking place with our characters during the course of this story.”
Futures End – Action Comics #1 NM $4Futures End – Batgirl NM $8Futures End – Constantine #1 NM $6Futures End Detective Comics #1 NM $4Futures End – Green Arrow #1 NM $4Futures End – Green Lantern #1 NM $4Futures End – Green Lantern Corps #1 NM $4Futures End Infinity Man and the Forever People #1 NM $4Futures End – Justice League #1 NM $4Future’s End – Justice League Dark #1 NM $4Futures End – Red Hood and the Outlaws #1 NM $4Futures End Sinestro #1 NM $4Futures End – Supergirl #1 NM $4Futures End – Superman #1 NM $4Futures End Swamp Thing #1 NM $5Futures End – Trinity of Sin – Pandora #1 NM $4
J. M. DeMatteis became the regular writer in mid-1991, injecting a grim, psychological tone into the series. DeMatteis began his run with the story arc “The Child Within” (#178–184, July 1991-Jan. 1992), featuring the return of the Harry OsbornGreen Goblin. As written by DeMatteis, Harry sank further into insanity and gained the same super-strength possessed by his father, battling Spider-Man again in #189 (June 1992), before being killed in #200 (May 1993). In an undated 2000s interview, DeMatteis said, “I really loved the two years on Spectacular Spider-Man that I wrote with Sal Buscema drawing. Talk about underrated! Sal is one of the best storytellers and a wonderful collaborator. I loved that run.”
DeMatteis left the book in mid-1993 to write The Amazing Spider-Man. Steven Grant and other writers followed through late 1994, when formerAmazing Spider-Man writer Tom DeFalco took over. By this time, all the Spider-books were affected by the controversial “Clone Saga” that culminated with Spectacular Spider-Man #226 (July 1995). This story revealed (though it was later reversed) that the Spider-Man who had appeared in the previous 20 years of comics was a clone of the real Spider-Man. This tied into a publishing gap after #229 (Oct. 1995), when the title was temporarily replaced by The Spectacular Scarlet Spider #1–2 (Nov.-Dec. 1995), featuring the “original” Peter Parker. The series picked up again with #230 (Jan. 1996).
Todd DeZago then wrote for a year before DeMatteis returned through May 1998. Luke Ross succeeded Sal Buscema as the artist and remained until the series ended, but there was no regular writer for the last half-year with Glenn Greenberg, Roger Stern, John Byrne and Howard Mackie all contributing during this time. The final issue was #263 (Nov. 1998).
