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The Spirit (1974)
From 1974 to 1976, James Warren‘s Warren Publishing published 16 issues of The Spirit (also known as The Spirit Magazine), a large black-and-white magazine consisting of reprints with original covers (primarily by Eisner), concluding with a separate 1975 color issue, The Spirit Special, which includes an afterword by Bill DuBay. Kitchen Sink picked up the series beginning in 1977 with issue 17, eventually concluding with issue 41 (June 1983). Issue 30 of the Kitchen Sink series (July 1981) features “The Spirit Jam“, with a script from Eisner and a few penciled pages, plus contributions from 50 artists, including Fred Hembeck, Trina Robbins, Steve Leialoha, Frank Miller, Harvey Kurtzman, Howard Cruse, Brian Bolland, Bill Sienkiewicz, John Byrne, and Richard Corben.
The New Teen Titans (1980’s)
In 1980, Teen Titans relaunched as The New Teen Titans, aging the characters to young adulthood. Original members Robin, Wonder Girl and Kid Flash were joined by new characters Cyborg, Starfire and Raven, as well as the former Doom Patrol member Beast Boy, as Changeling. The group had several encounters with the original Titans of Greek mythology, particularly Hyperion.
The team’s adversaries included Deathstroke the Terminator, a mercenary who takes a contract to kill the Titans to fulfill a job his son had been unable to complete. This led to perhaps the most notable Titans storyline of the era. 1984’s “The Judas Contract,” in Tales of the Teen Titans #42-44 and Teen Titans Annual #3 featured a psychopathic girl named Terra with the power to manipulate earth and all earth-related materials. She infiltrates the Titans in order to destroy them. “The Judas Contract” won the Comics Buyer’s Guide Fan Award for “Favorite Comic Book Story” of 1984, and was later reprinted as a standalone trade paperback in 1988. Robin adopts the identity of Nightwing, while Wally West gives up his Kid Flash persona and quits the Titans. It also featured the introduction of a new member in Jericho, Deathstroke’s other son.
Strange Tales (1960’s)
Strange Tales switched to superheroes during the Silver Age of Comic Books, retaining the sci-fi, suspense and monsters as backup features for a time. Strange Tales‘ first superhero, in 12- to 14-page stories, was the Fantastic Four‘s Human Torch, Johnny Storm, beginning in #101 (Oct. 1962). Here, Johnny still lived with his elder sister, Susan Storm, in fictional Glenview, Long Island, New York, where he continued to attend high school and, with youthful naivete, attempted to maintain his “secret identity” (later retconned to reveal that his friends and neighbors knew of his dual identity from Fantastic Four news reports, but simply played along).
The title became a “split book” with the introduction of sorcerer Doctor Strange, by Lee and artist Steve Ditko. This 9- to 10-page feature debuted in #110 (July 1963), and after an additional story and then skipping two issues returned permanently with #114. Ditko’s surrealistic mystical landscapes and increasingly head-trippy visuals helped make the feature a favorite of college students, according to Lee himself. Eventually, as co-plotter and later sole plotter, in the “Marvel Method“, Ditko would take Strange into ever-more-abstract realms, which yet remained well-grounded thanks to Lee’s reliably humanistic, adventure/soap opera dialog. Adversaries for the new hero included Baron Mordo introduced in issue #111 (Aug. 1963) and Dormammu in issue #126 (Nov. 1964). Clea, who would become a longtime love interest for Doctor Strange, was also introduced in issue #126.
Madman Atomic Comics (2007)
Making his return in this new series from Image Comics, Frank “Madman” Einstein faces his most terrifying challenge ever when his entire existence – not to mention the existence of everything else – is called into question! If fans have never experienced this legendary creation, Madman Atomic Comics marks the perfect opportunity to jump on board! This story also includes an innovative recap of every essential event in the Madman mythos.
Aquaman (Silver Age)
Aquaman, published by DC Comics was created by Paul Norris and Mort Weisinger. The character debuted in More Fun Comics #73 (November 1941). Initially a backup feature in DC’s anthology titles, Aquaman later starred in several volumes of a solo title. During the late 1950s and 1960s superhero-revival period known as the Silver Age, he was a founding member of the Justice League of America. In the 1990s Modern Age, Aquaman’s character became more serious than in most previous interpretations, with storylines depicting the weight of his role as king of Atlantis.
Later accounts reconciled both facets of the character, casting Aquaman as serious and brooding, saddled with an ill reputation, and struggling to find a true role and purpose beyond his public side as a deposed king and a fallen hero.
What If…? – V1 (1977)
What If, sometimes rendered as What If…?, is published by Marvel Comics whose stories explore how the Marvel Universe might have unfolded if key moments in its history hadn’t occurred as they did in mainstream continuity. What If comics have been published in eleven series (volumes).
The stories of the inaugural series (1977–1984) feature the alien Uatu the Watcher as a narrator. From the moon, Uatu, a member of an immortal race of “Watchers”, observes both the Earth and alternate realities. Most What If stories begin with Uatu describing an event in the mainstream Marvel Universe, then introducing a point of divergence in that event and then describing the consequences of the divergence. Uatu was used similarly in the second series (1989–1998) until a point where, in the Fantastic Four comic book, Uatu was punished for destroying another Watcher. This made the use of Uatu improbable so the character was phased out to its last appearance in issue #76. Without a framing device, the stories themselves became the focus.
Aliens: Music of the Spears (1994)
Little-known and under-appreciated composer Damon Eddington wants to hatch an Alien egg so he can nurture the Alien in captivity and capture its sounds of hatred and pain for the ultimate concert — sounds of rage made from “a mouthful of spears.”
Catwoman V5 (2018)
On the day of their wedding, Selina decides to call off the wedding as she realizes that marrying Bruce would ultimately take away what makes him Batman. This is later revealed to be due to the manipulations of Holly under the instructions of Bane as to finally break Batman of both spirit and will. Subsequently, Selina leaves Gotham and starts a new life in the city of Villa Hermosa, California (Catwoman (vol. 5) #1). She faces opposition from the power-hungry Creel family who run Villa Hermosa, specifically First Lady Raina Creel.
Marvel Fanfare (1982)
The series began with a Spider-Man/Angel team-up story by Chris Claremont and Michael Golden. Other Spider-Man appearances in the title included team-ups with the Scarlet Witch in issue #6 (Jan. 1983) and the Hulk in issue #47 (Nov. 1989). Several characters appeared in multiple issues including Doctor Strange, Weirdworld, the Warriors Three, the Black Knight,[ and Shanna the She-Devil. Writer Roger McKenzie wrote several stories for Marvel Fanfare including a two-part Iron Man vs. Doctor Octopus tale drawn by Ken Steacy. A Captain America backup story in issue #29 (Nov. 1986) featured early work by artist Norm Breyfogle.
Marvel Fanfare was envisioned as a showcase of the comics industry’s best talent. Each issue featured 36 pages of material with no advertisements and it was printed on magazine-style slick paper. It was more than twice as expensive as standard comic books ($1.25 in 1982 when most titles were 60 cents and $2.25 in 1991 when most were $1).
Hate (1990)
Hate is a comic book by writer-artist Peter Bagge. First published by Fantagraphics in 1990 it ran for 30 issues, and was one of the best-selling alternative comics of the 1990s, at its height selling 30,000 copies an issue. In 2000 Bagge revived the series in Hate Annual, a yearly comic that continues the story after Hate in short stories, and includes writings on libertarianism, culture, and topical cartoons.
Hate follows the life of Buddy Bradley, in a continuation of events from Bagge’s strip “The Bradleys” from former publications Neat Stuff. It is set for the first half in Seattle and later in suburban New Jersey. Buddy has to deal with the end of adolescence, reluctantly growing up, his relationships with a host of unpleasant acquaintances he has to class as friends, working in dead-end jobs and having no direction in life. Bagge used memories of events from his own life as material.
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