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E-Man (1983) First Comics
When Staton became art director at First Comics, the publisher acquired the rights to the character from Charlton and launched a series. Cuti was asked to write the title, but his obligations to DC Comics prevented him from accepting. The series was initially written by Martin Pasko, who had previously worked with Staton on Plastic Man and Metal Men. After Pasko’s run, Staton and Paul Kupperberg wrote the series until Cuti took over as writer with issue #24.
As a direct-market publisher not distributed to newsstands, the First series was not obligated to seek Comics Code Authority approval and could address more mature topics than Code-approved comics. Where the Charlton series featured broad whimsical themes, the First Comics series engaged in more specific satire directed at targets including the X-Men, Steven Spielberg, and Scientology.
The first 10 issues each contained a one-page parody of the Hostess snack advertisements that ran in comics through the 1970s and 1980s. These parodies were written and drawn by different creators and featured characters from across the independent comics industry.
Tales of the Unexpected (1960’s)
In response to the restrictions imposed by the Comics Code Authority, DC began a new science-fiction series in 1956. The series featured artwork by Murphy Anderson, Gil Kane, and many others, with stories by John Broome, Gardner Fox, and additional writers. It was an anthology comic for many years, publishing a variety of science fiction stories. The series featured Space Ranger as of issue #40 and running through #82 (April–May 1964) Other features included the “Green Glob” (issues #85–98, 100, 102, 103) and “Automan” (issues #91, 94, 97). The series’ last issue as Tales of the Unexpected was #104 (December 1967–January 1968). As of issue #105 (February–March 1968), the title was shortened to The Unexpected.
X-Men V5 (2019)
The flagship of the X-titles featuring world-building stories of the mutant renaissance featuring an overlapping cast members. Some of the stories include the introduction of Apocalypse’s grandson, Summoner, leading in to the X of Swords crossover; a new villain group called Hordeculture, featured later in the Empyre tie-in; Professor X, Magneto and Apocalypse attending the World Economic Forum; Mystique’s side mission during the attack on Orchis in House of X and the follow up mission to destroy Nimrod, leading into the Inferno storyline; the mutant rite Crucible, which is followed up in Way of X; and an adhoc team of Wolverine, Synch and Darwin assault of the Vault; the King Egg of the Brood race, a follow-up on a story started in the New Mutants; a tie-in to the Empyre event featuring Vulcan, and Magneto and the rest of the mutant nation fighting the Cotati; Cyclops, Marvel Girl and Storm helping with the kidnapping of Xandra, Majestrix of the Shi’ar Empire; and the X-Men election following its disbandment upon the formation of the Krakoan government.
Echolands (2021)
Hope Redhood, holds the key to excavating its dark, strange past—if only she and her crew can escape a tyrannical wizard and his unstoppable daughter. But fate will send them all on a path leading to a war between worlds.ECHOLANDS is a landscape format, mythic-fiction epic where anything is possible—a fast-paced genre mashup adventure that combines everything from horror movie vampires to classic mobsters and cyborg elves, to Roman demigods and retro rocket ships. It’s going to be a helluva ride!
Challengers of the Unknown (1977)
In 1977, the group returned to its own title continuing the number with #81. During this period, they were joined by Deadman and Swamp Thing, and June Robbins got a uniform and official status. No explanation was given for Corinna Stark’s departure, nor June’s joining the team. The revived series was canceled with issue #87 in 1978.
Howard the Duck V1 (1970’s)
Howard the Duck, was created by Steve Gerber and artist Val Mayerik. The character first appeared in Adventure into Fear #19 (Dec. 1973). He graduated to his own backup feature in Giant-Size Man-Thing, confronting such bizarre horror-parody characters as Hellcow and the Man-Frog, before acquiring his own comic book title with Howard the Duck #1 in 1976.
Grendel – Red, White & Black (2002)
The second Grendel anthology, in the tradition of the multiple Eisner Award-winning Grendel: Black, White, & Red. Each written by the Devil’s acclaimed creator, Matt Wagner, these short stories are vignettes of the devious misdeeds of Hunter Rose, the first incarnation of Grendel. The tales are illustrated in stark black, white, and blood red by some of the top talents in comics, including Zander Cannon, Andy Kuhn, Ashley Wood, Tom Fowler, Mike Huddleston, Cliff Chiang, John K. Snyder, and more.
The Brave and the Bold (1980’s)
The character Nemesis, also known as Thomas Tresser, debuted in an eight-page backup story in issue #166 (September 1980) written by Cary Burkett and drawn by Dan Spiegle. The Tresser character was created by Burkett in 1979, and named for an actor with whom Burkett was rooming in New Hampshire.
Alan Brennert wrote four issues of The Brave and the Bold featuring Batman teaming with the Creeper, Hawk and Dove, the Robin of Earth-Two, and the Catwoman.
The title’s final issue featured a team-up of the Batmen of Earth-One and Earth-Two and included a preview of Batman and the Outsiders, the title that replaced The Brave and the Bold on DC’s schedule and became Aparo’s next regular assignment.
Web of Spider-Man (1980’s)
The series was launched with an April 1985 cover dated issue by writer Louise Simonson and penciller Greg LaRocque and featured the return of Spider-Man’s alien black costume, which attempted to rebond with Peter Parker. Peter managed to rid himself of the costume again using church bells and the alien was presumed to have died after that. The first issue featured a cover painting by artist Charles Vess.
In issue #18 (September 1986), Peter Parker is pushed in front of an oncoming train. He thinks to himself that this should not have happened, as his spider-sense would have warned him of the danger. Writer David Michelinie has said that he wrote this as the first “teaser” appearance of the characterVenom, whom he was planning to introduce at a later date. Venom is an amalgam of reporter Eddie Brock and the alien costume. The costume could nullify Spider-Man’s spider-sense, and this was the first clue of a puzzle that Michelinie was planning to weave to introduce Venom.
Web of Spider-Man Annual #2 (1986) featured stories drawn by Arthur Adams and Mike Mignola. A followup to the Spider-Man vs. Wolverine one-shot appeared in issue #29. The “Kraven’s Last Hunt” storyline by writer J.M. DeMatteis and artists Mike Zeck and Bob McLeod began in issue #31 (October 1987).
Archie’s Mad House (1959)
The first 18 issues featured the “Archie gang” in stories that were a bit more “off the wall” than the normal Archie series. The idea was to produce stories that made no sense. The title Mad House was written as two words instead of one to suggest a false connection to MAD Magazine and recapture its success. Beginning with issue 19, the Archie gang was dropped (though it was still called Archie’s Mad House), and the title began featuring monsters, space stories and other wacky short stories. The gags in the comics often parodied the latest fads and popular culture. For a time, it would focus on stories with what were intended to be one-off characters. There were, however, exceptions to this rule. Characters becoming popular enough would appear again.
