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Catwoman V2 (1993)
In 1993, Catwoman was given her first ongoing comic book series. This series, written by an assortment of writers, but primarily penciled by Jim Balent, generally depicted the character as an international thief (and occasional bounty hunter) with an ambiguous moral code.
Story-lines include her adoption of teenage runaway, and erstwhile sidekick, Arizona; aiding Bane, whom she later betrays to Azrael; and a stint as a reluctant government operative. The series also fleshes out more of her origin, revealing her beginnings as a young thief, her difficult period in juvenile incarceration, and her training with Ted “Wildcat” Grant.
Moving to New York, Selina becomes corporate vice president then CEO of Randolf Industries, a mafia-influenced company, through blackmail. She plans to use this position to run for Mayor of New York City, but her hopes are dashed when the Trickster inadvertently connects her to her criminal alter ego.
Selina then returns to Gotham City, which at this time is in the midst of the No Man’s Land storyline. As Catwoman, she assists Batman against Lex Luthor in the reconstruction of the city. After being arrested by Commissioner Gordon, she escapes from prison. Later that year, during the “Officer Down” storyline in the Batman titles, Catwoman is initially the chief suspect. Although later cleared, she displays increasingly erratic behavior throughout the story. Soon afterward, she disappears and is believed to have been killed by the assassin Deathstroke the Terminator, ending her series at issue #94.
The Punisher V2 (1990’s)
Over the course of the 90’s, the Punisher would be shown fighting virtually every known criminal organization including the Italian Mafia, the Russian Mafia, the Japanese Yakuza, the Colombian and Mexican drug cartels, the Aryan Brotherhood, the Chinese Triads, Jamaican Yardies, the Irish Mob, biker gangs, street gangs, gunrunning militias, muggers, killers, rapists, psychopaths, violent racists, sadists, pedophiles, and corrupt city officials. He also assaults criminal business enterprises such as drugs, weapons smuggling,money laundering, and human trafficking.
Nailbiter (2014)
The series centers around the fictional town of Buckaroo, Oregon, which has produced sixteen of the United States’ worst serial killers. Its most recent creation is Edward Charles Warren, otherwise known as “Nailbiter” due to his predilection for chewing off his victim’s nails and part of their flesh. By the series’s start Warren has been caught by FBI agent Charles Carroll, however Carroll has since gone missing, leaving it up to his friend and NSA agent Nicholas Finch to search for him. Nicholas decides to start his search in Buckaroo, where he begins to question why the small town has produced so many murderers.
Action Comics (1980’s)
The superheroine Vixen made her first appearance in Action Comics #521 (July 1981). To mark the 45th anniversary of the series, Lex Luthor and Brainiac were both given an updated appearance in issue #544 (June 1983). Lex Luthor dons his war suit for the first time in the story “Luthor Unleashed!” and Brainiac’s appearance changes from the familiar green-skinned android to the metal skeletal-like robot in the story “Rebirth!”. Schwartz ended his run as editor of the series with issue #583 (September 1986) which featured the second part of the “Whatever Happened to the Man of Tomorrow?” story by Alan Moore and Curt Swan.
Following the events of Crisis on Infinite Earths, writer/artist John Byrne relaunched the Superman franchise in The Man of Steel limited series in 1986. Action Comics became a team-up title with issue #584 (January 1987). The first Action Comics Annual was published in 1987 and featured Superman teaming with Batman in a story written by Byrne and drawn by Arthur Adams. A DC Comics Bonus Book was included in issue #599 (April 1988).
From May 24, 1988 – March 14, 1989, the publication frequency was changed to weekly, the title changed to Action Comics Weekly, and the series became an anthology. Prior to its launch, DC cancelled its ongoing Green Lantern Corps title, and made Green Lantern and his adventures exclusive to Action Comics Weekly.
Black, White & Blood (2021)
Centers around a specific Marvel character or group, exploring different facets of their history, personalities, and adventures and features a rotating cast of all-star creators, with art entirely colored in white, black and red. Often structured as anthologies, featuring multiple short stories by various creators within each issue.
Monkeyman and O’Brien (1996)
Monkeyman is a ten-foot-tall, hyper-powerful and hyper-intelligent ape, and Ann O’Brien is the strongest, most highly advanced woman in our world! Yet it will take more than a little luck for even these two powerhouses to withstand the “Attack of the Shrewmanoid!”
Adventure Comics (1970’s)
In the late 70’s conventional superheroes returned to the book, beginning behind the Spectre, first a three-issue run of Aquaman (issues #435–437, an early assignment for Mike Grell) and then a newly drawn 1940s Seven Soldiers of Victory script (issues #438–443). Aquaman was promoted to lead (issues #441–452), and backing him up were three-part story arcs featuring the Creeper (#445–447), the Martian Manhunter (#449–451), bracketed by issue-length Aquaman leads. He was awarded his own title and Superboy (#453–458) took over Adventure with Aqualad (#453–455) and Eclipso (#457–458) backups. Following this was a run as a Dollar Comic format giant-sized book (issues #459–466), including such features as the resolution of Return of the New Gods (cancelled in July–August 1978), “Deadman“, and the “Justice Society of America“.
Silver Surfer V1 (1968)
The Silver Surfer debuted as an unplanned addition to Fantastic Four #48 (March 1966). The comic’s writer-editor, Stan Lee, and its penciller and co-plotter, Jack Kirby, had by the mid-1960s developed a collaborative technique known as the “Marvel Method“: the two would discuss story ideas, Kirby would work from a brief synopsis to draw the individual scenes and plot details, and Lee would finally add the dialog and captions. When Kirby turned in his pencil art for the story, he included a new character he and Lee had not discussed. As Lee recalled in 1995, “There, in the middle of the story we had so carefully worked out, was a nut on some sort of flying surfboard”. He later expanded on this, recalling, “I thought, ‘Jack, this time you’ve gone too far'”. Kirby explained that the story’s agreed-upon antagonist, a god-like cosmic predator of planets named Galactus, should have some sort of herald, and that he created the surfboard “because I’m tired of drawing spaceships!” Taken by the noble features of the new character, who turned on his master to help defend Earth, Lee overcame his initial skepticism and began adding characterization. The Silver Surfer soon became a key part of the unfolding story.
Lone Wolf and Cub – First (1987)
When Lone Wolf and Cub was first released in Japan in 1970, it became wildly popular (some 8 million copies were sold in Japan) for its powerful, epic samurai story and its stark and gruesome depiction of violence during Tokugawa era Japan.
Lone Wolf and Cub is one of most highly regarded manga due to its epic scope, detailed historical accuracy, masterful artwork and nostalgic recollection of the bushido ethos. The story spans 28 volumes of manga, with over 300 pages each (totaling over 8,700 pages in all). Many of the frames of the series are hauntingly beautiful depictions of nature, historical locations in Japan and traditional activities done in the classical ukiyo-e style.
Lone Wolf and Cub was initially released in North America in a translated English edition by First Comics in 1987, as a series of monthly, comic-book-sized, square-bound prestige-format black-and-white comics containing between 64 and 128 pages, with covers by Frank Miller, and later by Bill Sienkiewicz, Matt Wagner, Mike Ploog, and Ray Lago. Sales were initially strong, but fell sharply as the company went into a general decline. First Comics shut down in 1991 without completing the series, publishing less than a third of the total series in 45 prestige-format issues.
Starting in September 2000, Dark Horse Comics began to release the full series in 28 smaller-sized trade paperback volumes, similar to the volumes published in Japan, completing the series with the 28th volume in December 2002. Dark Horse reused all of Miller’s covers from the First Comics edition, as well as several done by Sienkiewicz, and commissioned Wagner, Guy Davis, and Vince Locke to produce new covers for several volumes of the collections. In October 2012, Dark Horse completed the release of all 28 volumes in digital format, as part of their “Dark Horse Digital” online service.
Beware the Creeper (1968)
Following his debut in Showcase, the Creeper was given his own series Beware the Creeper, written by Dennis O’Neil; Steve Ditko plotted the first issue. It lasted six issues Most pitted him against a chameleonic villain called Proteus, whose true identity was revealed just before his violent death in the final issue.
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