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Hello and welcome to EHT Comics! Thank’s for taking the time to stop by our site. All of the items posted on our site are scans or photos of the actual items we have for sale. Just click on an item to view a larger and more detailed image. E-mail us anytime at EHTcomics@gmail.com in regards to items that you are interested in and a Paypal Invoice will be provided via email. Shipping information is provided under “About Us” on the right. We are always adding new comics, so stop back often and if you don’t see it, feel free to ask.
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The Punisher V2 (1990’s)
Over the course of the 90’s, the Punisher would be shown fighting virtually every known criminal organization including the Italian Mafia, the Russian Mafia, the Japanese Yakuza, the Colombian and Mexican drug cartels, the Aryan Brotherhood, the Chinese Triads, Jamaican Yardies, the Irish Mob, biker gangs, street gangs, gunrunning militias, muggers, killers, rapists, psychopaths, violent racists, sadists, pedophiles, and corrupt city officials. He also assaults criminal business enterprises such as drugs, weapons smuggling,money laundering, and human trafficking.
Nailbiter (2014)
The series centers around the fictional town of Buckaroo, Oregon, which has produced sixteen of the United States’ worst serial killers. Its most recent creation is Edward Charles Warren, otherwise known as “Nailbiter” due to his predilection for chewing off his victim’s nails and part of their flesh. By the series’s start Warren has been caught by FBI agent Charles Carroll, however Carroll has since gone missing, leaving it up to his friend and NSA agent Nicholas Finch to search for him. Nicholas decides to start his search in Buckaroo, where he begins to question why the small town has produced so many murderers.
Action Comics (1980’s)
The superheroine Vixen made her first appearance in Action Comics #521 (July 1981). To mark the 45th anniversary of the series, Lex Luthor and Brainiac were both given an updated appearance in issue #544 (June 1983). Lex Luthor dons his war suit for the first time in the story “Luthor Unleashed!” and Brainiac’s appearance changes from the familiar green-skinned android to the metal skeletal-like robot in the story “Rebirth!”. Schwartz ended his run as editor of the series with issue #583 (September 1986) which featured the second part of the “Whatever Happened to the Man of Tomorrow?” story by Alan Moore and Curt Swan.
Following the events of Crisis on Infinite Earths, writer/artist John Byrne relaunched the Superman franchise in The Man of Steel limited series in 1986. Action Comics became a team-up title with issue #584 (January 1987). The first Action Comics Annual was published in 1987 and featured Superman teaming with Batman in a story written by Byrne and drawn by Arthur Adams. A DC Comics Bonus Book was included in issue #599 (April 1988).
From May 24, 1988 – March 14, 1989, the publication frequency was changed to weekly, the title changed to Action Comics Weekly, and the series became an anthology. Prior to its launch, DC cancelled its ongoing Green Lantern Corps title, and made Green Lantern and his adventures exclusive to Action Comics Weekly.
Black, White & Blood (2021)
Centers around a specific Marvel character or group, exploring different facets of their history, personalities, and adventures and features a rotating cast of all-star creators, with art entirely colored in white, black and red. Often structured as anthologies, featuring multiple short stories by various creators within each issue.
Monkeyman and O’Brien (1996)
Monkeyman is a ten-foot-tall, hyper-powerful and hyper-intelligent ape, and Ann O’Brien is the strongest, most highly advanced woman in our world! Yet it will take more than a little luck for even these two powerhouses to withstand the “Attack of the Shrewmanoid!”
Adventure Comics (1970’s)
In the late 70’s conventional superheroes returned to the book, beginning behind the Spectre, first a three-issue run of Aquaman (issues #435–437, an early assignment for Mike Grell) and then a newly drawn 1940s Seven Soldiers of Victory script (issues #438–443). Aquaman was promoted to lead (issues #441–452), and backing him up were three-part story arcs featuring the Creeper (#445–447), the Martian Manhunter (#449–451), bracketed by issue-length Aquaman leads. He was awarded his own title and Superboy (#453–458) took over Adventure with Aqualad (#453–455) and Eclipso (#457–458) backups. Following this was a run as a Dollar Comic format giant-sized book (issues #459–466), including such features as the resolution of Return of the New Gods (cancelled in July–August 1978), “Deadman“, and the “Justice Society of America“.
Silver Surfer V1 (1968)
The Silver Surfer debuted as an unplanned addition to Fantastic Four #48 (March 1966). The comic’s writer-editor, Stan Lee, and its penciller and co-plotter, Jack Kirby, had by the mid-1960s developed a collaborative technique known as the “Marvel Method“: the two would discuss story ideas, Kirby would work from a brief synopsis to draw the individual scenes and plot details, and Lee would finally add the dialog and captions. When Kirby turned in his pencil art for the story, he included a new character he and Lee had not discussed. As Lee recalled in 1995, “There, in the middle of the story we had so carefully worked out, was a nut on some sort of flying surfboard”. He later expanded on this, recalling, “I thought, ‘Jack, this time you’ve gone too far'”. Kirby explained that the story’s agreed-upon antagonist, a god-like cosmic predator of planets named Galactus, should have some sort of herald, and that he created the surfboard “because I’m tired of drawing spaceships!” Taken by the noble features of the new character, who turned on his master to help defend Earth, Lee overcame his initial skepticism and began adding characterization. The Silver Surfer soon became a key part of the unfolding story.
Lone Wolf and Cub – First (1987)
When Lone Wolf and Cub was first released in Japan in 1970, it became wildly popular (some 8 million copies were sold in Japan) for its powerful, epic samurai story and its stark and gruesome depiction of violence during Tokugawa era Japan.
Lone Wolf and Cub is one of most highly regarded manga due to its epic scope, detailed historical accuracy, masterful artwork and nostalgic recollection of the bushido ethos. The story spans 28 volumes of manga, with over 300 pages each (totaling over 8,700 pages in all). Many of the frames of the series are hauntingly beautiful depictions of nature, historical locations in Japan and traditional activities done in the classical ukiyo-e style.
Lone Wolf and Cub was initially released in North America in a translated English edition by First Comics in 1987, as a series of monthly, comic-book-sized, square-bound prestige-format black-and-white comics containing between 64 and 128 pages, with covers by Frank Miller, and later by Bill Sienkiewicz, Matt Wagner, Mike Ploog, and Ray Lago. Sales were initially strong, but fell sharply as the company went into a general decline. First Comics shut down in 1991 without completing the series, publishing less than a third of the total series in 45 prestige-format issues.
Starting in September 2000, Dark Horse Comics began to release the full series in 28 smaller-sized trade paperback volumes, similar to the volumes published in Japan, completing the series with the 28th volume in December 2002. Dark Horse reused all of Miller’s covers from the First Comics edition, as well as several done by Sienkiewicz, and commissioned Wagner, Guy Davis, and Vince Locke to produce new covers for several volumes of the collections. In October 2012, Dark Horse completed the release of all 28 volumes in digital format, as part of their “Dark Horse Digital” online service.
Beware the Creeper (1968)
Following his debut in Showcase, the Creeper was given his own series Beware the Creeper, written by Dennis O’Neil; Steve Ditko plotted the first issue. It lasted six issues Most pitted him against a chameleonic villain called Proteus, whose true identity was revealed just before his violent death in the final issue.
Machine Man V2 (1984)
In October 1984 – January 1985, the Machine Man title was resurrected, in a four-issue miniseries written by Tom DeFalco with art by Herb Trimpe (breakdowns only, issues #1-3) and Barry Windsor-Smith (finishes only, issues #1-3 & full art for issue #4), with Windsor-Smith also coloring the entire miniseries & co-plotting issue #4 with DeFalco. This series turned out to be one of the most popular of all the Machine Man titles, tying with previous continuity, but with the action set in the distant cyberpunk future of 2020, starting with Machine Man’s reassembly.
The miniseries was first reprinted as a 96 page trade paperback in 1988 (ISBN 0-07135-458-6), with brand new cover art by Barry Windsor-Smith.
The miniseries was republished again in 1994 as two double-size books, with the name Machine Man 2020. Characters from this alternate future have made appearances in other Marvel books, namely Arno Stark, the mercenary Iron Man 2020.
In 1990, Machine Man guest-starred in Iron Man Annual #11 (part of the “Terminus Factor” storyline). That story created strong hints that the 2020 Machine Man may turn out not to be the true X-51, but instead a duplicate created by Sunset Bain.
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