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Justice League of America V1 (1980’s)
In the early 80’s, George Pérez, Don Heck, and Rich Buckler would rotate as artist on the title. The double-sized anniversary issue #200 (March 1982) was a “jam” featuring a story written by Conway, a framing sequence drawn by Pérez, and chapters drawn by Pat Broderick, Jim Aparo, Dick Giordano, Gil Kane, Carmine Infantino, Brian Bolland, and Joe Kubert. Bolland’s chapter gave the artist his “first stab at drawing Batman.” Pérez would leave the title with issue #200 to concentrate on The New Teen Titans although he would contribute covers to the JLAthrough issue #220 (November 1983). The 1982 team-up with the Justice Society in issues #207–209 crossed over with All-Star Squadron #14–15. A Justice League story by Gerry Conway and Rich Buckler originally intended for publication as an issue of All-New Collectors’ Edition saw print in Justice League of America #210–212 (January–March 1983).
Seeking to capitalize on the popularity of their other team books, which focused upon heroes in their late teens/early 20s, Gerry Conway and artist Chuck Patton revamped the Justice League series. After most of the original heroes fail to help fend off an invasion of Martians, Aquaman dissolves the League and rewrites its charter to allow only heroes who will devote their full-time to the roster. The new team initially consists of Aquaman, Zatanna, Martian Manhunter, Elongated Man, the Vixen, and a trio of teenage heroes Gypsy, Steel, and Vibe. Aquaman leaves the team after a year, due to resolving marital problems, and his role as leader is assumed by the Martian Manhunter.
The final storyline for the original Justice League of America series (#258–261), by writer J. M. DeMatteis and artist Luke McDonnell, concludes with the murders of Vibe and Steel at the hands of robots created by long-time League nemesis Professor Ivo, and the resignations of Vixen, Gypsy, and the Elongated Man during the events of DC’s Legends miniseries, which sees the team disband.
Strange (2022)
A new Sorcerer Supreme rises! Doctor Strange is dead! And a new Sorcerer Supreme has taken the title, or should we say Sorceress? Haunted by her recently returned memories, Clea longs to bring Stephen Strange back from the dead! But when a mysterious group attacks the magical realm, Clea must rise to the duties of Sorcerer Supreme. For she is now the sole protector of Earth against magical threats.
Redneck (2017)
The Bowmans are VAMPIRES who have quietly run the local barbecue joint in their small town for years, living off cow’s blood. Their peaceful coexistence ends as generations of hate, fear, and bad blood bubble to the surface–making it impossible to separate man from monster!
Superman’s Girl Friend Lois Lane (1970’s)
By the 1970s, the stories began to reflect growing social awareness: Lois became less fixated on romance and more on current issues. In the controversial story “I Am Curious (Black)!” in #106 (November 1970), Lois uses a machine that allows her to experience racism firsthand as an African American woman. The series saw the debut of the Silver Age heroine “Rose & The Thorn” in a backup feature that ran from #105 (October 1970) through #130 (April 1973). Editor E. Nelson Bridwell had several characters and plot concepts from Jack Kirby‘s “Fourth World” appear in issues #111–119 (July 1971 – February 1972). Lois’ sister, Lucy Lane, was believed to have died in issue #120 (March 1972) but the character was later revived.
In 1974, the title ended, as Superman’s Pal Jimmy Olsen had earlier that year. Both would be merged into The Superman Family, which chronologically continued from the elder title, premiering with issue #164 (April–May 1974). The release of the last issue of Superman’s Girl Friend, Lois Lane was delayed for several months due to a nationwide paper shortage.
Tales to Astonish (Silver Age)
Tales to Astonish was published from January 1959 to March 1968 . It began as a science-finction anthology that served as a showcase for such artists as Jack Kirby and Steve Ditko. It became The Incredible Hulk with issue #102 (April 1968). Its sister title was Tales of Suspense.
Following his one-shot anthological story in #27 (Jan. 1962), scientist Henry Pym returned donning a cybernetic helmet and red costume, and using size-changing technology to debut as the insect-sized hero Ant-Man in #35 (Sept. 1962). The series was plotted by Lee and scripted by Lieber, with penciling first by Kirby and later by Heck and others. The Wasp was introduced as Ant-Man’s costar in issue #44 (June 1963). Ant-Man and Pym’s subsequent iteration, Giant-Man, introduced in #49 (Nov. 1963), starred in 10- to 13-page and later 18-page adventures,
The Hulk, whose original series The Incredible Hulk had been canceled after a six-issue run in 1962-63, returned to star in his own feature when Tales to Astonish became a split book at issue #60 (Oct. 1964),]after having guest-starred as Giant-Man’s antagonist in a full-length story the previous issue. The Hulk had proven a popular guest-star in three issues of Fantastic Four and an issue of The Amazing Spider-Man. His new stories here were initially scripted by Lee and illustrated by the seldom-seen team of penciler Steve Ditko and inker George Roussos. This early part of the Hulk’s run introduced the Leader, who would become the Hulk’s nemesis, and this run additionally made the Hulk’s identity known, initially only to the military and then later publicly.
Sin City – The Big Fat Kill (1994)
Sin City – The Big Fat Kill is a five-issue limited series published by Dark Horse Comics in November 1994. The series, written and Illustrated by Frank Miller, is one of three from Sin City related in the film Sin City. In the film, Clive Owen plays Dwight, Brittany Murphy plays Shellie, Benicio del Toro plays Jack, Rosario Dawson plays Gail, Devon Aoki plays Miho, Alexis Bledel plays Becky, and Michael Clarke Duncan plays Manute.
A notable difference from the comic version is that Becky survives the final gunfight by hiding in a nook in the alley, leaving her alive for the final “epilogue” scene of the movie which ends when she meets The Salesman from The Customer is Always Right, who had been introduced in the movie’s prologue. He then offers her a cigarette just like he did in The Customer is Always Right, and Becky seems to sense why he’s there and tells her mother she loves her before hanging up.
Superman (Silver Age)
In the view of comics historian Les Daniels, artist Curt Swan became the definitive artist of Superman in the early 1960s with a “new look” to the character that replaced Wayne Boring’s version. Writer Jim Shooter and Swan crafted the story “Superman’s Race With the Flash!” in Superman #199 (Aug. 1967) which featured the first race between the Flash and Superman, two characters known for their super-speed powers. Another Silver Age first is the “Death of Superman,” from 1961’s Superman #149, by Jerry Siegel, Curt Swan and Sheldon Moldoff. The Silver Age was a fantastic period for Superman fans, giving us characters such as Braniac, Bizzaro, Titano, Supergirl and The Legion of Superheroes.
Captain America (1970’s)
Captain America continued from Tales of Suspense with artwork by Kirby, as well as a short run by Jim Steranko, and work by many of the industry’s top artists and writers. It was called Captain America and the Falcon from #134 (Feb. 1971) to #222 (June 1978) although the Falcon’s name was not on the cover for issues #193, 200, and 216. The 1972–1975 run on the title by writer Steve Englehart and artist Sal Buscema saw the series become one of Marvel’s top-sellers. In 2010, Comics Bulletin ranked Englehart and Buscema’s run on Captain America fourth on its list of the “Top 10 1970s Marvels”. Kirby returned to the series as writer and penciler with issue #193 (Jan. 1975) ]and remained through #214 (Oct. 1977).
Fear and Loathing in Las Vegas (2016)
“What were we doing out here…? What was the meaning of this trip? Did I actually have a big red convertible out there on the street? Was I just roaming around these Mint Hotel escalators in a drug frenzy of some kind, or had I really come out here to Las Vegas to work on a story?” — Hunter S. Thompson, Fear and Loathing in Las Vegas
Judge Dredd (1994) DC Comics
The Law comes to DC Comics! Judge Dredd storms North America in all-new, all-different adventures. In the post-apocalyptic future world of Mega-City One, where crime and corruption are rampant, the pseudo-militaristic Judges are the only true force for order in a world of seething anarchy. And the most uncompromising of these 21st-century law men is Judge Dredd, a man who lives by the law – and the gun – as he redefines crime and punishment in the not-too-distant future.
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