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Tales of the Jedi: Dark Lords of the Sith (1994)
Dark Lords of the Sith (1994–95) is a six-part story arc by Kevin J. Anderson, Tom Veitch, Chris Gossett, and Art Wetherell. It is set two years after the previous arcs, continues the tale of Ulic Qel-Droma, and introduces the character of Exar Kun, a dark lord of the Sith. The story details how the Jedi, led by Ulic Qel-Droma and Nomi Sunrider attempt to free the Empress Teta System from the tyrannical control of evil Dark Side adepts Satal and Aleema. It also details Exar Kun’s fall to the Dark Side at the seduction of the spirit of Freedon Nadd, becoming Dark Lord of the Sith with Ulic as his apprentice.
Batman: Shadow of the Bat (1992)
Batman: Shadow of the Bat ran for 96 issues, from 1992 to 2000. The stories took place in Batman’s then-current continuity along with Detective Comics and Batman, in contrast to Batman: Legends of the Dark Knight, which focused on Batman’s early years. Batman: Shadow of the Bat looked into the psyche of the various cast members of the Batman comics. It was also notable for introducing the villain Victor Zsasz into the Batman mythos.
Amazing Spider-Man V1 (1990’s)
With a civilian life as a married man, the Spider-Man of the 1990s was different from the superhero of the previous three decades. McFarlane left the title in 1990 to write and draw a new series titled simply Spider-Man. His successor, Erik Larsen, penciled the book from early 1990 to mid-1991. After issue #350, Larsen was succeeded by Mark Bagley, who had won the 1986 Marvel Tryout Contest and was assigned a number of low-profile penciling jobs followed by a run on New Warriors in 1990. Bagley penciled the flagship Spider-Man title from 1991 to 1996.
Issues #361-363 (April–June 1992) introduced Carnage, a second symbiote nemesis for Spider-Man. The series’ 30th-anniversary issue, #365 (Aug. 1992), was a double-sized, hologram-cover issue with the cliffhanger ending of Peter Parker’s parents, long thought dead, reappearing alive. It would be close to two years before they were revealed to be impostors, who are killed in #388 (April 1994), scripter Michelinie’s last issue. His 1987–1994 stint gave him the second-longest run as writer on the title, behind Stan Lee.
Archer and Armstrong – Valiant (1992)
Murdered by his sadistic parents, Obadiah Archer returns from the dead with uncanny physical abilities and a mission: to punish all evil-doers like his parents; Learning martial arts in the Orient, Archer soon becomes the world’s greatest fighter!; He soon encounters Armstrong, a free-spirited immortal with the strength of ten men!; They have just met when they are attacked by Armstrong’s foes, the Sect.; Can they survive their crazy friendship?
Rōnin (1983)
Ronin (formally written as Rōnin) is a limited series published between 1983 and 1984, by DC Comics. The series was written and drawn by Frank Miller with artwork painted by Lynn Varley. It takes place in a dystopic near-future New York in which a ronin is reincarnated. The six-issue work shows some of the strongest influences of manga and bande dessinée on Miller’s style, both in the artwork and narrative style.
Ronin was in part inspired by Kazuo Koike and Goseki Kojima‘s manga series Kozure Okami. (Though Kozure Okami would receive an English localization several years later as Lone Wolf and Cub, at the time Miller could not read the text and had to rely on the artwork for his understanding of the story.) According to former Marvel Comics editor-in-chief Jim Shooter, Ronin was originally slated to be released as part of Marvel’s Marvel Graphic Novel series. Ultimately, however, Miller was persuaded by publisher Jenette Kahn that DC Comics would give him as much freedom as he desired for the series, and the first issue of Ronin was published by that company in 1983.
Star Wars V3 (2020)
In the wake of the events following The Empire Strikes Back, it is a dark time for the heroes of the Rebellion. The Rebel fleet…scattered following a disastrous defeat at the Battle of Hoth. Han Solo…lost to the bounty hunter, Boba Fett, after being frozen in carbonite. And after being lured into a trap on Cloud City and bested in a vicious lightsaber duel against the evil Darth Vader, Luke Skywalker…learned the horrible truth about his past. Vader did not kill Luke’s father Anakin–Vader is Luke’s father! Now, after narrowly escaping the dark lord’s clutches, and wounded and reeling from the revelation, Luke, Princess Leia, Lando Calrissian, the Wookiee Chewbacca and the droids C-3PO and R2-D2 must fight their way back to the Rebel Alliance—for the fate of the entire galaxy is at stake! After so many losses is victory still possible? But, what Leia, Luke and their ragtag band of freedom fighters do not realize is that they have only traded one Imperial trap for another! Enter the cunning and vengeful Imperial Commander Zahra, at the helm of the Tarkin’s Will!
Saga (2012)
Writer Brian K. Vaughan conceived Saga in his childhood, calling it “a fictional universe that I created when I was bored in math class. I just kept building it.” He was inspired by such influences as Star Wars,Flash Gordon and children’s books, and has also invoked the awe and wonder of first seeing the Silver Surfer, which seemed an “incredible and different” concept to him. It was not until his wife became pregnant with his second daughter, however, that he conceived of the protagonists, the winged Alana and the horned Marko, two lovers from warring extraterrestrial races who struggle to survive with their newborn daughter, Hazel, who occasionally narrates the series. It was also at this point that the central theme that Vaughan wanted for the book emerged. Vaughan explains, “I wanted to write about parenthood, but I wanted to Trojan-horse it inside some sort of interesting genre story, to explore the overlap between artistic creation and the creation of a child.”] Vaughan, who intended to return to writing a comics series following the 2010 conclusion of his previous series, Ex Machina, and who notes that the publication of Saga #1 coincided with the birth of his daughter, saw parallels between the caution advised by colleagues against launching a new book in the poor economy and those who cautioned against bringing a new child into the world.
Batman (1970’s)
Starting in 1969, writer Dennis O’Neil and artist Neal Adams made a deliberate effort to distance Batman from the campy portrayal of the 1960s TV series and to return the character to his roots as a “grim avenger of the night”. O’Neil said his idea was “simply to take it back to where it started. I went to the DC library and read some of the early stories. I tried to get a sense of what Kane and Finger were after.”
O’Neil and Adams first collaborated on the story “The Secret of the Waiting Graves” (Detective Comics #395, January 1970). Few stories were true collaborations between O’Neil, Adams, Schwartz, and inker Dick Giordano, and in actuality these men were mixed and matched with various other creators during the 1970s; nevertheless the influence of their work was “tremendous”. Giordano said: “We went back to a grimmer, darker Batman, and I think that’s why these stories did so well…” While the work of O’Neil and Adams was popular with fans, the acclaim did little to improve declining sales; the same held true with a similarly acclaimed run by writer Steve Englehart and penciler Marshall Rogers in Detective Comics #471–476 (August 1977 – April 1978), which went on to influence the 1989 movie Batman and be adapted for Batman: The Animated Series, which debuted in 1992. Regardless, circulation continued to drop through the 1970s and 1980s, hitting an all-time low in 1985.
X-Men (Silver Age)
Early X-Men issues introduced the original team composed of Cyclops, Marvel Girl, Beast, Angel and Iceman among a few others, their archenemy Magneto and his Brotherhood of Evil Mutants featuring Mastermind, Quicksilver, Scarlet Witch, and Toad. The comic focused on a common human theme of good versus evil and later included storylines and themes about prejudice and racism, all of which have persisted throughout the series in one form or another. The evil side in the fight was shown in human form and under some sympathetic beginnings via Magneto, a character who was later revealed to have survived Nazi concentration camps only to pursue a hatred for normal humanity. His key followers, Quicksilver and the Scarlet Witch, were Romani. Only one new member of the X-Men was added, Mimic/Calvin Rankin, but soon left due to his temporary loss of power.
The title lagged in sales behind Marvel’s other comic franchises. In 1969, writer Roy Thomas and illustrator Neal Adams rejuvenated the comic book and gave regular roles to two recently introduced characters: Havok/Alex Summers (who had been introduced by Roy Thomas before Adams began work on the comic) and Lorna Dane, later called Polaris (created by Arnold Drake and Jim Steranko). However, these later X-Men issues failed to attract sales and Marvel stopped producing new stories with issue #66, later reprinting a number of the older comics as issues #67–93.
Hellboy: The Wild Hunt (2009)
Hellboy: The Wild Hunt limited series was originally released from December 2008 through November 2009 , also numbered (on the inside front cover) as issues 37 through 44 of the continuing Hellboy series. The storyline delves into Irish and Arthurian legend, reprising several characters first introduced in Hellboy short story “The Corpse”. As with Hellboy stories generally, it was published by Dark Horse Comics.
This will be, in part, the basis for the 2019 Hellboy reboot directed by Neil Marshall.
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