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Futures End – One Shots (2014)
In February 2014, DC announced that as part of the celebration of The New 52’s third anniversary, all ongoing titles published in September 2014 feature stories that tie in to The New 52: Futures End. DiDio stated “One of the things we wanted to do was not just look at it through the lens of the weekly series, but also take a month and flash forward, and see what the potential futures of all our characters might be in that month. So in that month, you’ll get a chance to see where, in the next five years, our characters might finish up or might end up being.” He added that like the “Villains Month” event in September 2013, these titles also feature 3D lenticular covers, in addition to the 2D ones, saying, “The covers now will also have the ability to have a ‘flicker’ effect. That means that the images change and show the transformation going on… There is a level of change that is taking place with our characters during the course of this story.”
Spectacular Spider-Man (1990’s)
J. M. DeMatteis became the regular writer in mid-1991, injecting a grim, psychological tone into the series. DeMatteis began his run with the story arc “The Child Within” (#178–184, July 1991-Jan. 1992), featuring the return of the Harry Osborn Green Goblin. As written by DeMatteis, Harry sank further into insanity and gained the same super-strength possessed by his father, battling Spider-Man again in #189 (June 1992), before being killed in #200 (May 1993). In an undated 2000s interview, DeMatteis said, “I really loved the two years on Spectacular Spider-Man that I wrote with Sal Buscema drawing. Talk about underrated! Sal is one of the best storytellers and a wonderful collaborator. I loved that run.”
DeMatteis left the book in mid-1993 to write The Amazing Spider-Man. Steven Grant and other writers followed through late 1994, when formerAmazing Spider-Man writer Tom DeFalco took over. By this time, all the Spider-books were affected by the controversial “Clone Saga” that culminated with Spectacular Spider-Man #226 (July 1995). This story revealed (though it was later reversed) that the Spider-Man who had appeared in the previous 20 years of comics was a clone of the real Spider-Man. This tied into a publishing gap after #229 (Oct. 1995), when the title was temporarily replaced by The Spectacular Scarlet Spider #1–2 (Nov.-Dec. 1995), featuring the “original” Peter Parker. The series picked up again with #230 (Jan. 1996).
Todd DeZago then wrote for a year before DeMatteis returned through May 1998. Luke Ross succeeded Sal Buscema as the artist and remained until the series ended, but there was no regular writer for the last half-year with Glenn Greenberg, Roger Stern, John Byrne and Howard Mackie all contributing during this time. The final issue was #263 (Nov. 1998).
Wanted (2003)
As with Superman: Red Son, Millar claims that the concept for the series occurred to him when he was a child. In this case, it came to him after his brother told him that there were no superheroes any more because they had all disappeared after a great war with their respective supervillains. It was modified from a pitch by Millar for a Secret Society of Super-Villains series.
1986, the year of the aforementioned war in which the supervillains took over and made their world “darker and grittier”, has real world significance to the world of comic books. It marks the publication of Batman: The Dark Knight Returns, Watchmen, and the completion of the 1985-86 Crisis on Infinite Earths series.
Batman – White Knight Presents – Generation Joker (2023)
When the rebellious twins run away in a stolen Batmobile, only Joker Jack Napier’s quickly fading hologram has any hope of getting them home safely and keeping them out of the family business. But a life of crime isn’t the only temptation young Bryce and Jackie are facing: the kids uncover a dark secret that could bring their dad back to life for good!
With a wild array of Batman’s former enemies and allies on their tails, will the kids succeed in reviving the Dark Knight’s greatest foe?
The Marvels (2021)
A thriller that will take readers across the Marvel Universe – and beyond! Kurt Busiek (MARVELS) is back, with the biggest, wildest, most sprawling series you’ve ever seen – telling stories that span decades and range from cosmic adventure to intense human drama, from street-level to the far reaches of space, starring literally anyone from Marvel’s first heroes to the superstars of tomorrow! Featuring Captain America, Spider-Man, the Punisher, the Human Torch, Storm, the Black Cat, the Golden Age Vision, Melinda May, Aero, Iron Man, Thor and more – and introducing characters destined to be fan-favorites! Get to know Kevin Schumer – an ordinary guy with some big secrets – and the mysterious Threadneedle! But who (or what) is KSHOOM?
Droids V2 (1994)
In 1994, Dark Horse Comics published a new series of Star Wars: Droids, continuing the story started in Dark Horse Comics Nos. 17–19. Set before the events of Star Wars: Episode IV – A New Hope, the mini-series ran for six issues. A Special No. 1 was released in January 1995, followed by a second mini-series that ran for eight issues. A one-shot titled Star Wars: Droids – The Protocol Offensive was published in September 1997.
Starman V2 (1994)
In Zero Hour: Crisis in Time #1 (September 1994), writer James Robinson and artist Tony Harris introduced Jack Knight, the son of the first Starman. He wields a cosmically-powered staff, but refuses to wear a costume, instead preferring a T-shirt, leather jacket (with star emblem on the back), a Cracker Jack prize sheriff’s star, and light-shielding tank goggles. Jack briefly joined the JSA, but soon retired at the end of the Starman series, passing along his cosmic rod to the JSA’s young heroine, Stargirl. He starred in this critically acclaimed series from 1994 until 2001.
Amazing Spider-Man (Silver Age)
Due to strong sales on the character’s first appearance in Amazing Fantasy #15, Spider-Man was given his own ongoing series in March 1963. The initial years of the series, under Lee and Ditko, chronicled Spider-Man’s nascent career with his civilian life as hard-luck yet perpetually good-humored teenager Peter Parker. Peter balanced his career as Spider-Man with his job as a freelance photographer for The Daily Bugle under the bombastic editor-publisher J. Jonah Jameson to support himself and his frail Aunt May. At the same time, Peter dealt with public hostility towards Spider-Man and the antagonism of his classmates Flash Thompson and Liz Allan at Midtown High School, while embarking on a tentative, ill-fated romance with Jameson’s secretary, Betty Brant.
By focusing on Parker’s everyday problems, Lee and Ditko created a groundbreakingly flawed, self-doubting superhero, and the first major teenaged superhero to be a protagonist and not a sidekick. Ditko’s quirky art provided a stark contrast to the more cleanly dynamic stylings of Marvel’s most prominent artist, Jack Kirby, and combined with the humor and pathos of Lee’s writing to lay the foundation for what became an enduring mythos.
E-Man (1983) First Comics
When Staton became art director at First Comics, the publisher acquired the rights to the character from Charlton and launched a series. Cuti was asked to write the title, but his obligations to DC Comics prevented him from accepting. The series was initially written by Martin Pasko, who had previously worked with Staton on Plastic Man and Metal Men. After Pasko’s run, Staton and Paul Kupperberg wrote the series until Cuti took over as writer with issue #24.
As a direct-market publisher not distributed to newsstands, the First series was not obligated to seek Comics Code Authority approval and could address more mature topics than Code-approved comics. Where the Charlton series featured broad whimsical themes, the First Comics series engaged in more specific satire directed at targets including the X-Men, Steven Spielberg, and Scientology.
The first 10 issues each contained a one-page parody of the Hostess snack advertisements that ran in comics through the 1970s and 1980s. These parodies were written and drawn by different creators and featured characters from across the independent comics industry.
Tales of the Unexpected (1960’s)
In response to the restrictions imposed by the Comics Code Authority, DC began a new science-fiction series in 1956. The series featured artwork by Murphy Anderson, Gil Kane, and many others, with stories by John Broome, Gardner Fox, and additional writers. It was an anthology comic for many years, publishing a variety of science fiction stories. The series featured Space Ranger as of issue #40 and running through #82 (April–May 1964) Other features included the “Green Glob” (issues #85–98, 100, 102, 103) and “Automan” (issues #91, 94, 97). The series’ last issue as Tales of the Unexpected was #104 (December 1967–January 1968). As of issue #105 (February–March 1968), the title was shortened to The Unexpected.
