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Welcome bannerHello and welcome to EHT Comics! Thank’s for taking the time to stop by our site. All of the items posted on our site are scans or photos of the actual items we have for sale. Just click on an item to view a larger and more detailed image. E-mail us anytime at EHTcomics@gmail.com in regards to items that you are interested in and a Paypal Invoice will be provided via email. Shipping information is provided under “About Us” on the right. We are always adding new comics, so stop back often and if you don’t see it, feel free to ask.

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Catwoman (1989)

The 1989 Catwoman limited series, written by Mindy Newell and with art by J.J. Birch, expanded upon Miller’s Year One origin. This storyline, known as “Her Sister’s Keeper”, explores Selina’s early life as a dominatrix and the start of her career as Catwoman. The story culminates with Selina’s former pimp, Stan, abducting and beating her sister Maggie, who, in contrast to Selina, is a nun. Selina kills Stan to save her sister, and gets away with it. Most of this is revealed in the former series, but is expanded upon in “Her Sister’s Keeper”.

Marvel Team-Up (1972)

The series featured two or more Marvel characters in one story. The series was originally published from March 1972 through February 1985, and featured Spider-Man as the lead “team-up” character in all but ten of its 150 issues, and in six of its seven Annuals. It was the first major ongoing spin-off series for Spider-Man, being preceded only by the short-lived The Spectacular Spider-Man magazine.

Cyber Force – Mini Series (1992)

The first story titled “Tin Men of War”, follows Carin Taylor, a mutant otherwise known as Velocity as she attempts to escape the forces of Cyberdata, a corrupt mega-corporation. Her attempts to evade Cyberdata’s task force, led by her sister, Cassandra Taylor a.k.a. “Ballistic” bring her into contact with the Cyber Force, a group of cybernetically enhanced mutant escapees from Cyberdata, consisting of StrykerCyblade, Heatwave, Impact and Ripclaw. After Velocity is rescued, the team explains to her that they were created by Cyberdata to enhance their mutant abilities, turning them into super-soldiers known as S.H.O.C.s (Special Hazardous Operation Cyborgs), but they escaped and formed Cyber Force, making it their mission to bring down Cyberdata for good.

Action Comics (1970’s)

Mort Weisinger retired from DC in 1970 and his final issue of Action Comics was issue #392 (September 1970). Murray Boltinoff became the title’s editor until issue #418. Metamorpho was the backup feature in issues #413-418 after which the character had a brief run as the backup in World’s Finest ComicsJulius Schwartz became the editor of the series with issue #419 (December 1972) which also introduced the Human Target by Len Wein and Carmine Infantino in the back-up feature. Green Arrow became a backup feature in #421 and ran through #458, initially rotating with the Human Target and the Atom. Between issues #423 (April 1973) and #424 (June 1973), the series jumped ahead by one month due to DC’s decision to change the cover dates of its publishing line.

A new version of the Toyman was created by Cary Bates and Curt Swan in issue #432 (February 1974). Martin Pasko wrote issue #500 (October 1979) which featured a history of the Superman canon as it existed at the time and was published in the Dollar Comics format.

Iron Man (Silver Age)

After issue #99 (March 1968), the Tales of Suspense series was renamed Captain America. An Iron Man story appeared in the one-shot comic Iron Man and Sub-Mariner (April 1968), before the “Golden Avenger”] made his solo debut with The Invincible Iron Man #1 (May 1968). The series’ indicia gives its copyright title Iron Man, while the trademarked cover logo of most issues is The Invincible Iron Man. Artist George Tuska began a decade long association with the character with Iron Man #5 (Sept. 1968). Writer Mike Friedrich and artist Jim Starlin‘s brief collaboration on the Iron Man series introduced Mentor, Starfox, and Thanos in issue #55 (Feb. 1973). Friedrich scripted a metafictional story in which Iron Man visited the San Diego Comic Convention and met several Marvel Comics writers and artists. He then wrote the multi-issue “War of the Super-Villains” storyline which ran through 1975.

Next Men V1 (1992)

The Next Men characters made a prototypical appearance as “Freaks” in a lithography plate that was published within the History of the DC Universe Portfolio in 1986. Byrne had originally pitched the series to DC Comics, but the series never surfaced there. With some changes, Byrne changed the concept to fit in with his work on the graphic novel 2112, to become the John Byrne’s Next Men series. Two characters from the “Freaks” artwork somewhat retained their physical looks and became the lead characters of the Next Men series: heroine Jasmine and villain Aldus Hilltop.

The Witching Hour (1969)

The series was published for 85 issues from February–March 1969 to October 1978. Its tagline was “It’s 12 o’clock… The Witching Hour!” and was changed to “It’s midnight…” from issue #14 onwards. The series was originally edited by Dick Giordano, who was replaced by Murray Boltinoff with issue #14. Nick Cardy was the cover artist for The Witching Hour for issues #1–6, 11–12, 15–16, 18–52, and 60. Stories in the comic were “hosted” and introduced by three witches, Morded, Mildred, and Cynthia.

After The Witching Hour’s cancellation as a result of the “DC Implosion“, the title was merged with The Unexpected until issue #209. The witches were later revived along with the hosts of the companion series House of Secrets and House of Mystery as important characters in Neil Gaiman‘s The Sandman.

Daredevil (1980’s)

During the 80’s Frank Miller was hired to continue the title and did so in a similar vein to previous writer  Roger McKenzie. Resuming the drastic metamorphosis the previous writer had begun, Miller took the step of essentially ignoring all of Daredevil’s continuity prior to his run on the series; on the occasions where older villains and supporting cast were used, their characterizations and history with Daredevil were reworked or overwritten. Most prominently, dedicated and loving father Jack Murdock was reimagined as a drunkard who physically abused his son Matt, entirely revising Daredevil’s reasons for becoming a lawyer. Spider-Man villain Kingpin was introduced as Daredevil’s new nemesis, displacing most of his large rogues gallery. Daredevil himself was gradually developed into an antihero. In issue #181 (April 1982), he attempts to murder one of his arch-enemies by throwing him off a tall building; when the villain survives as a quadriplegic, he breaks into his hospital room and tries to scare him to death by playing a two-man variation on Russian roulette with a secretly unloaded gun. Comics historian Les Daniels noted that “Almost immediately, [Miller] began to attract attention with his terse tales of urban crime.” Miller’s revamping of the title was controversial among fans, but it clicked with new readers, and sales began soaring, the comic returning to monthly status just three issues after Miller came on as writer.

Grendel V2 (1986)

The Grendel ongoing series published by Comico started in 1986 and lasted 40 issues. It was written by Matt Wagner and drawn by a variety of artists, including the Pander Brothers, Bernie Mireault, Tim Sale, John K. Snyder III and others. It began with a story set in the near future, with Christine Spar, Hunter’s posthumous biographer, taking on the identity of Grendel to pursue a mission of revenge. The identity passed briefly, and tragically, to her deluded boyfriend Brian Li Sung. After a brief return to stories of Hunter Rose (actually two in-universe fictional novels written by Captain Wiggins, a supporting character from the Christine Spar arc), Wagner then spun the series further into the future, with the Grendel identity affecting a variety of people. The name “Grendel” took on several meanings as the stories portrayed a dystopian future. Grendel became a synonym for The Devil with the title held by the emperor of the world, (Grendel-Khan) and members of a warrior society identical to samurai.

Flashpoint: Beyond (2022)

After helping Barry Allen—the speedster superhero The Flash—restore the timeline back to its original state, Thomas Wayne—the vigilante Batman—finds himself once again in the aberrant timeline known as the Flashpoint, whose existence Batman is determined to change and replace with another version of the DC Universe (DCU), all for the sole purpose of erasing the death of his son Bruce.