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Monkeyman and O’Brien (1996)
Monkeyman is a ten-foot-tall, hyper-powerful and hyper-intelligent ape, and Ann O’Brien is the strongest, most highly advanced woman in our world! Yet it will take more than a little luck for even these two powerhouses to withstand the “Attack of the Shrewmanoid!”
Adventure Comics (1970’s)
In the late 70’s conventional superheroes returned to the book, beginning behind the Spectre, first a three-issue run of Aquaman (issues #435–437, an early assignment for Mike Grell) and then a newly drawn 1940s Seven Soldiers of Victory script (issues #438–443). Aquaman was promoted to lead (issues #441–452), and backing him up were three-part story arcs featuring the Creeper (#445–447), the Martian Manhunter (#449–451), bracketed by issue-length Aquaman leads. He was awarded his own title and Superboy (#453–458) took over Adventure with Aqualad (#453–455) and Eclipso (#457–458) backups. Following this was a run as a Dollar Comic format giant-sized book (issues #459–466), including such features as the resolution of Return of the New Gods (cancelled in July–August 1978), “Deadman“, and the “Justice Society of America“.
Silver Surfer V1 (1968)
The Silver Surfer debuted as an unplanned addition to Fantastic Four #48 (March 1966). The comic’s writer-editor, Stan Lee, and its penciller and co-plotter, Jack Kirby, had by the mid-1960s developed a collaborative technique known as the “Marvel Method“: the two would discuss story ideas, Kirby would work from a brief synopsis to draw the individual scenes and plot details, and Lee would finally add the dialog and captions. When Kirby turned in his pencil art for the story, he included a new character he and Lee had not discussed. As Lee recalled in 1995, “There, in the middle of the story we had so carefully worked out, was a nut on some sort of flying surfboard”. He later expanded on this, recalling, “I thought, ‘Jack, this time you’ve gone too far'”. Kirby explained that the story’s agreed-upon antagonist, a god-like cosmic predator of planets named Galactus, should have some sort of herald, and that he created the surfboard “because I’m tired of drawing spaceships!” Taken by the noble features of the new character, who turned on his master to help defend Earth, Lee overcame his initial skepticism and began adding characterization. The Silver Surfer soon became a key part of the unfolding story.
Lone Wolf and Cub – First (1987)
When Lone Wolf and Cub was first released in Japan in 1970, it became wildly popular (some 8 million copies were sold in Japan) for its powerful, epic samurai story and its stark and gruesome depiction of violence during Tokugawa era Japan.
Lone Wolf and Cub is one of most highly regarded manga due to its epic scope, detailed historical accuracy, masterful artwork and nostalgic recollection of the bushido ethos. The story spans 28 volumes of manga, with over 300 pages each (totaling over 8,700 pages in all). Many of the frames of the series are hauntingly beautiful depictions of nature, historical locations in Japan and traditional activities done in the classical ukiyo-e style.
Lone Wolf and Cub was initially released in North America in a translated English edition by First Comics in 1987, as a series of monthly, comic-book-sized, square-bound prestige-format black-and-white comics containing between 64 and 128 pages, with covers by Frank Miller, and later by Bill Sienkiewicz, Matt Wagner, Mike Ploog, and Ray Lago. Sales were initially strong, but fell sharply as the company went into a general decline. First Comics shut down in 1991 without completing the series, publishing less than a third of the total series in 45 prestige-format issues.
Starting in September 2000, Dark Horse Comics began to release the full series in 28 smaller-sized trade paperback volumes, similar to the volumes published in Japan, completing the series with the 28th volume in December 2002. Dark Horse reused all of Miller’s covers from the First Comics edition, as well as several done by Sienkiewicz, and commissioned Wagner, Guy Davis, and Vince Locke to produce new covers for several volumes of the collections. In October 2012, Dark Horse completed the release of all 28 volumes in digital format, as part of their “Dark Horse Digital” online service.
Beware the Creeper (1968)
Following his debut in Showcase, the Creeper was given his own series Beware the Creeper, written by Dennis O’Neil; Steve Ditko plotted the first issue. It lasted six issues Most pitted him against a chameleonic villain called Proteus, whose true identity was revealed just before his violent death in the final issue.
Machine Man V2 (1984)
In October 1984 – January 1985, the Machine Man title was resurrected, in a four-issue miniseries written by Tom DeFalco with art by Herb Trimpe (breakdowns only, issues #1-3) and Barry Windsor-Smith (finishes only, issues #1-3 & full art for issue #4), with Windsor-Smith also coloring the entire miniseries & co-plotting issue #4 with DeFalco. This series turned out to be one of the most popular of all the Machine Man titles, tying with previous continuity, but with the action set in the distant cyberpunk future of 2020, starting with Machine Man’s reassembly.
The miniseries was first reprinted as a 96 page trade paperback in 1988 (ISBN 0-07135-458-6), with brand new cover art by Barry Windsor-Smith.
The miniseries was republished again in 1994 as two double-size books, with the name Machine Man 2020. Characters from this alternate future have made appearances in other Marvel books, namely Arno Stark, the mercenary Iron Man 2020.
In 1990, Machine Man guest-starred in Iron Man Annual #11 (part of the “Terminus Factor” storyline). That story created strong hints that the 2020 Machine Man may turn out not to be the true X-51, but instead a duplicate created by Sunset Bain.
King Spawn (2022)
King Spawn further expands the Spawn Universe with a growing presence of Hell, Heaven, and Heroes here on Earth.
A classic villain from Spawn’s past has begun asserting his powers on Earth by corrupting as many souls as possible. And only Spawn knows that he even exists. Continuing the dramatic battles from Spawn’s Universe #1.
Superman V2 (2000’s)
In 2004-2005, artist Jim Lee, who had recently concluded the Batman: Hush storyline with Loeb, provided the artwork for a Superman story by writer Brian Azzarello. The story, Superman: For Tomorrow, ran for twelve issues and was collected in an Absolute Edition hardcover in May 2009.
With the publication of issue #226 (April 2006), the series was canceled as part of the company-wide Infinite Crisis event. The Adventures of Superman was returned to its original title, Superman, with issue #650 the following month.
In November 2011, a third volume of Superman was launched with issue #1 as part of The New 52 company-wide reboot.
Fantastic Four (1970’s)
Stan Lee said he created a synopsis for the first Fantastic Four story that he gave to penciller Jack Kirby, who then drew the entire story. Kirby turned in his penciled art pages to Lee, who added dialogue and captions. This approach to creating comics, which became known as the “Marvel Method“, worked so well for Lee and Kirby that they used it from then on; the Marvel Method became standard for the company within a year.
Kirby recalled events somewhat differently. Challenged with Lee’s version of events in a 1990 interview, Kirby responded: “I would say that’s an outright lie”, although the interviewer, Gary Groth notes that this statement needs to be viewed with caution. Kirby claims he came up with the idea for the Fantastic Four in Marvel’s offices, and that Lee had merely added the dialogue after the story had been pencilled. Kirby has also sought to establish, more credibly and on numerous occasions, that the visual elements of the strip were his conceptions. He regularly pointed to a team he had created for rival publisher DC Comics in the 1950s, Challengers of the Unknown. “[I]f you notice the uniforms, they’re the same… I always give them a skintight uniform with a belt… the Challengers and the FF have a minimum of decoration. And of course, the Thing’s skin is a kind of decoration, breaking up the monotony of the blue uniform.” The characters wear no uniforms in the first two issues.
The Witcher (Dark Horse Comics – 2014)
The Witcher is a comic book series that has been published by Dark Horse Comics since 2014. It is based on The Witcher media franchise of CD Projekt.
The stories presented in the series are mostly originals. They were not written by Andrzej Sapkowski, but by other writers; the exception being volume 2, Fox Children, which adapts a story from the anthology Season of Storms. The first issue debuted in 2014, with story by Paul Tobin. Although Dark Horse Comics is an American publisher, a significant proportion of artists involved in the project have been Polish. In particular, volume 4 (Of Flesh and Flame) was both written and illustrated solely by Polish artists.
It is the second The Witcher comic book series, following the Polish series of the same name published in 1993–1995.
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