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Doomsday Clock (2017)
Doomsday Clock is part of the DC Rebirth initiative, and it continues the narrative that was established with the 2016 one-shot DC Universe: Rebirth Special, the 2017 crossover event “The Button” and other related stories. It is a follow-up to the 1986–1987 miniseries Watchmen by Alan Moore, Dave Gibbons and John Higgins, and it introduces that story’s characters into the DC Universe, alongside a few original characters created for the book. Although Dan DiDio (then DC’s co-publisher) confirmed that it is a sequel to that miniseries, Johns originally declined to characterize it as such, viewing it as a standalone story, saying, “It is something else. It is Watchmen colliding with the DC Universe.”
Deadpool V2 (2008)
In 2008, a new Deadpool ongoing series written by Daniel Way with artist Paco Medina began as a Secret Invasion tie-in. In the first arc, the character is seen working with Nick Fury to steal data on how to kill the Skrull queen Veranke. Norman Osborn steals the information that Deadpool had stolen from the Skrulls, and subsequent stories deal with the fallout from that. Writer Daniel Way explained, “the first thing Osborn does to try and take care of the situation is to bring in a hired gun to take Deadpool down, which would be Tiger-Shark. That would be the standard thing to do, but of course everything about Deadpool is non-standard. So it goes completely awry and Norman has to get more serious about things.” The story also sees the return of Bob, Agent of HYDRA; “I don’t want the book to become ‘Deadpool and Friends’ so characters will drift in and out, but Bob was someone I definitely wanted to bring in. It just had to be at the perfect moment and when I was putting this storyline together that moment presented itself.”
The Savage Dragon (1993)
The Savage Dragon features the adventures of a superheroic police officer named the Dragon. The character first appeared as the Dragon in Graphic Fantasy #1 (June 1982) and first appeared as the “Savage Dragon” in Megaton #3 (February 1986).
The Dragon is a large, finned, green-skinned humanoid whose powers include super-strength and an advanced healing factor. He is also an amnesiac: his earliest memory is awakening in a burning field in Chicago, Illinois. Thus, for most of the series, the origins of his powers and appearance are a mystery to readers. At the beginning of the series, he becomes a police officer and battles the mutant criminal “superfreaks” that terrorize Chicago.
Detective Comics V1 (2020’s)
The next regular writer after James Tynion IV was Peter Tomasi who began on the series with issue #994, published December 2018. Tomasi’s run as writer continued for two years until issue #1033, published December 2020.
On March 27, 2019, DC Comics released the series’ 1,000th issue, marking the second American comic book in history to reach that milestone after Action Comics in 2018. The issue, which coincided with Batman’s 80th anniversary, is an anthology featuring several stories from a variety of different creative teams.
Writer Mariko Tamaki began on the series with issue #1034 as part of the Infinite Frontier line-wide relaunch. In April 2022, it was announced that Ram V and Rafael Albuquerque would serve as the new creative team starting with issue #1062.
Uncanny X-men (1990’s)
After Claremont’s run, the X-Men were divided into two color-coded squads, with a Blue team headlining the adjectiveless X-Men title, while the Gold team, consisting of Archangel, Colossus, Jean Grey, Iceman and Storm, appeared in Uncanny. This roster was later joined by Bishop, another refugee from the future. After Claremont’s departure, Jim Lee continued as plotter, while John Byrne scripted from #281 to #286. Byrne was replaced as scripter from #286 by Scott Lobdell, who was fully credited as writer from #289. The “X-Cutioner’s Song” crossover was released in the fall of 1992 and resulted in the outbreak of the Legacy virus, a mutant-specific plague which continued as a story element in X-Men comics until 2001.
Cyberpunk 2077: Blackout (2022)
It hurts. Night City hurts. The suffering runs deep and the deeper one falls, the longer the self-prescribed dreams play. Fortune, hope, love–all made possible by DMS technology. But not everyone desires a happy ending. A braindance repairman discovers the answer to pain . . . comes in a blackout.
The third comic series from Dark Horse based on CD Projekt Red’s video game Cyberpunk 2077.
Justice League (1987)
The 1986 company-wide crossover “Legends” concluded with the formation of a new Justice League. The new team was dubbed “Justice League” then “Justice League International” (JLI) and was given a mandate with less of an American focus. The new series, written by Keith Giffen and J. M. DeMatteis with art by Kevin Maguire (and later Adam Hughes), added quirky humor to the team’s stories. In this incarnation, the membership consisted partly of heroes from Earths that, prior to their merging in the Crisis on Infinite Earths, were separate. The Giffen/DeMatteis team worked on Justice League for five years and closed out their run with the “Breakdowns” storyline in 1991 and 1992. The series’ humorous tone and high level of characterization proved very popular.
Conan (1990’s)
Marvel Comics introduced a relatively lore-faithful version of Conan the Barbarian in 1970 with Conan the Barbarian, written by Roy Thomas and illustrated by Barry Windsor-Smith. Smith was succeeded by penciller John Buscema, while Thomas continued to write for many years. Later writers included J.M. DeMatteis, Bruce Jones, Michael Fleisher, Doug Moench, Jim Owsley, Alan Zelenetz, Chuck Dixon and Don Kraar.
Creepy V1 (1964)
Creepy was an American horror-comics magazine launched by Warren Publishing in 1964. Like Mad, it was a black-and-white newsstand publication in a magazine format and thus did not require the approval or seal of the Comics Code Authority. The anthology magazine was initially published quarterly but later went bimonthly. Each issue’s stories were introduced by the host character, Uncle Creepy. Its sister publications were Eerie and Vampirella.
Justice League of America V1 (1980’s)
In the early 80’s, George Pérez, Don Heck, and Rich Buckler would rotate as artist on the title. The double-sized anniversary issue #200 (March 1982) was a “jam” featuring a story written by Conway, a framing sequence drawn by Pérez, and chapters drawn by Pat Broderick, Jim Aparo, Dick Giordano, Gil Kane, Carmine Infantino, Brian Bolland, and Joe Kubert. Bolland’s chapter gave the artist his “first stab at drawing Batman.” Pérez would leave the title with issue #200 to concentrate on The New Teen Titans although he would contribute covers to the JLAthrough issue #220 (November 1983). The 1982 team-up with the Justice Society in issues #207–209 crossed over with All-Star Squadron #14–15. A Justice League story by Gerry Conway and Rich Buckler originally intended for publication as an issue of All-New Collectors’ Edition saw print in Justice League of America #210–212 (January–March 1983).
Seeking to capitalize on the popularity of their other team books, which focused upon heroes in their late teens/early 20s, Gerry Conway and artist Chuck Patton revamped the Justice League series. After most of the original heroes fail to help fend off an invasion of Martians, Aquaman dissolves the League and rewrites its charter to allow only heroes who will devote their full-time to the roster. The new team initially consists of Aquaman, Zatanna, Martian Manhunter, Elongated Man, the Vixen, and a trio of teenage heroes Gypsy, Steel, and Vibe. Aquaman leaves the team after a year, due to resolving marital problems, and his role as leader is assumed by the Martian Manhunter.
The final storyline for the original Justice League of America series (#258–261), by writer J. M. DeMatteis and artist Luke McDonnell, concludes with the murders of Vibe and Steel at the hands of robots created by long-time League nemesis Professor Ivo, and the resignations of Vixen, Gypsy, and the Elongated Man during the events of DC’s Legends miniseries, which sees the team disband.
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