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The Spirit (1974)
From 1974 to 1976, James Warren‘s Warren Publishing published 16 issues of The Spirit (also known as The Spirit Magazine), a large black-and-white magazine consisting of reprints with original covers (primarily by Eisner), concluding with a separate 1975 color issue, The Spirit Special, which includes an afterword by Bill DuBay. Kitchen Sink picked up the series beginning in 1977 with issue 17, eventually concluding with issue 41 (June 1983). Issue 30 of the Kitchen Sink series (July 1981) features “The Spirit Jam“, with a script from Eisner and a few penciled pages, plus contributions from 50 artists, including Fred Hembeck, Trina Robbins, Steve Leialoha, Frank Miller, Harvey Kurtzman, Howard Cruse, Brian Bolland, Bill Sienkiewicz, John Byrne, and Richard Corben.
Batman V3 (2020’s)
DC Comics ended the DC Rebirth branding in December 2017, opting to include everything under a larger DC Universe banner and naming. The continuity established by DC Rebirth continues across DC’s comic book titles, including volume 1 of Detective Comics and volume 3 of Batman.
After the conclusion of Batman (vol. 3) #85 a new creative team consisting of James Tynion IV with art by Tony S. Daniel and Danny Miki replaced Tom King, David Finch and Mikel Janín.
James Tynion IV & Jorge Jimenez continued the series in 2021.
Iron Man V7 (2020)
Tony Stark is looking to restart his engine. He decides he’s going back to basics, putting away his high-tech toys and high-profile image so he can get his hands dirty again. It’s time to dig into the guts of real machines, put on some old-fashioned metal and fly.
But can he really lay that Stark-sized ego down? Life isn’t that simple, something that old friends and frustrating foes are quick to point out. If you strip down a billionaire to his bolts, does he run solid or just overheat?
Tony’s going to find out once a threat to the entire universe rears its head from the past. As he suits up again, Tony remains sure of one thing: he’s still IRON MAN down to his flesh and blood core.
Voodoo (1997)
When former WildCATs member Voodoo decides to return to her roots, she reaches a crossroads in New Orleans. The nice gentleman who offers to get her a job as an exotic dancer isn’t quite what he seems…but then again, neither is Priscilla.
The Brave and the Bold V1 (1970’s)
The title was the first to feature Neal Adams‘ version of Batman, generating fan interest that led to Adams’ style defining the modern Batman image to this day. In addition, Adams updated Green Arrow‘s visual appearance by designing a new costume for the character in issue #85 (Aug.–Sept 1969). The primary artist for the second half of the run was Jim Aparo, starting with #98 (October–November 1971). Haney frequently disregarded continuity by scripting stories which contradicted DC’s canon or by writing major heroes in an out-of-character fashion. Issue #100 (Feb.–March 1972) featured Batman and “4 Famous Co-Stars” (Green Lantern, Green Arrow, Black Canary, and Robin) in a story by Haney and Aparo. Issues #112 (April–May 1974) to #117 (Feb.–March 1975) of the series were in the 100 Page Super Spectacular format.
2001: A Space Odyssey (1976)
Shortly after the publication of the treasury edition, Kirby continued to explore the concepts of 2001 in a monthly comic book series of the same name, the first issue of which was dated December 1976. In this issue, Kirby followed the pattern established in the film. Once again the reader encounters a prehistoric man (“Beast-Killer”) who gains new insight upon encountering a monolith as did Moon-Watcher in the film. The scene then shifts, where a descendant of Beast-Killer is part of a space mission to explore yet another monolith. When he finds it, this monolith begins to transform the astronaut into a star child, called in the comic a “New Seed”.
Issues #1-6 of the series replay the same idea with different characters in different situations, both prehistoric and futuristic. In #7 (June 1977), the comic opens with the birth of a New Seed who then travels the galaxy witnessing the suffering that men cause each other. While the New Seed is unable or unwilling to prevent this devastation, he takes the essence of two doomed lovers and uses it to seed another planet with the potential for human life.
In issue #8 (July 1977), Kirby introduces Mister Machine, who is later renamed Machine Man. Mister Machine is an advanced robot designated X-51. All the other robots in the X series go on a rampage as they achieve sentience and are destroyed. X-51, supported by both the love of his creator Dr. Abel Stack and an encounter with a monolith, transcends the malfunction that destroyed his siblings. After the death of Dr. Stack, X-51 takes the name Aaron Stack and begins to blend into humanity. Issues #9 and 10, the final issues of the series, continue the story of X-51 as he flees destruction at the hands of the Army.
Conan – Book of Thoth (2006)
In this Dark Horse’s comic series, Thoth-Amon was finally given an origin. Thoth-Amon, the dark wizard began life as young Thoth, a street thief in Memphia, stealing for his father to barely earn a living with perpetual beatings the only sign of affection his father gave. The only person Thoth cared for was his sister, whom he vowed to take away from the cruel city one day.
World’s Finest (1960’s)
World’s Finest was initially a 96 page quarterly anthology, featuring various DC characters – always including Superman and Batman – in separate stories. Comics historian Les Daniels noted that “Pairing Superman and Batman made sense financially, since the two were DC’s most popular heroes.” When superheroes fell out of vogue in the early 1950s, DC shortened the size of the publication to that of the rest of its output, leaving only enough space for one story; this led to Superman and Batman appearing in the same story together starting with World’s Finest Comics #71 (July 1954). The series continued to feature Superman and Batman team-ups until issue #197. Noted Batman artist Neal Adams first drew the character in an interior story in “The Superman-Batman Revenge Squads” in issue #175 (May 1968).
Amazing Spider-Man V2 (1999)
Marvel began The Amazing Spider-Man anew with (vol. 2) #1 (Jan. 1999). Howard Mackie wrote the first 29 issues. The relaunch included the Sandman being regressed to his criminal ways and the “death” of Mary Jane, which was ultimately reversed. Other elements included the introduction of a new Spider-Woman (who was spun off into her own short-lived series) and references to John Byrne’s miniseries Spider-Man: Chapter One, which was launched at the same time as the reboot. Byrne also penciled issues #1–18 (from 1999 to 2000) and wrote #13–14, John Romita Jr. took his place soon after in October 2000. Mackie’s run ended with The Amazing Spider-Man Annual 2001, which saw the return of Mary Jane, who then left Parker upon reuniting with him.
With issue #30 (June 2001), J. Michael Straczynski took over as writer and oversaw additional storylines – most notably his lengthy “Spider-Totem” arc, which raised the issue of whether Spider-Man’s powers were magic-based, rather than as the result of a radioactive spider’s bite. Additionally, Straczynski resurrected the plot point of Aunt May discovering her nephew was Spider-Man, and returned Mary Jane, with the couple reuniting in The Amazing Spider-Man (vol. 2) #50. Straczynski gave Spider-Man a new profession, having Parker teach at his former high school.
Issue #30 began a dual numbering system, with the original series numbering (#471) returned and placed alongside the volume two number on the cover. Other longtime, rebooted Marvel Comics titles, including Fantastic Four, likewise were given the dual numbering around this time. After (vol. 2) #58 (Nov. 2003), the title reverted completely to its original numbering for issue #500 (Dec. 2003). Mike Deodato, Jr. penciled the series from mid-2004 until 2006.
Stray Bullets (1995)
Stray Bullets is an independent American comic book series published in black and white (with color covers) by El Capitan Books. It is written and drawn by David Lapham.
The story deals with the often criminal and sometimes tragic misadventures of a large cast of characters and takes place from the mid-1970s through the mid-1990s.
In March 2014, Image Comics ended the hiatus of Stray Bullets with the publication of the final issue of the HiJinks and Derring-Do arc, and the simultaneous launch of a new arc entitled Killers. A giant-sized softcover trade paperback edition (The Uber Alles Edition) collecting all forty-one issues of the original series was also released by Image Comics. Killers ran for 8 issues throughout 2014, then after a brief hiatus, Lapham returned in early 2015 with Stray Bullets: Sunshines & Roses. Lapham plans to continue publishing Stray Bullets in this fashion at Image, with each arc treated as a discrete miniseries.
The series has been nominated for numerous awards. Stray Bullets won the 1996 Eisner Award for Best Writer/Artist, Drama, and the trade paperback collection Stray Bullets: Innocence of Nihilism won the 1997 Eisner Award for “Best Graphic Album-Reprint” the Comic Book Awards Almanac and was a top votegetter for the Comics Buyer’s Guide Fan Award for Favorite Reprint Graphic Novel/Album for the same year.
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