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The Man Called Nova (1976)
Nova was created by Marv Wolfman and Len Wein in the fanzine Super Adventures in 1966. Seven years later John Romita, Sr. tweaked the design of the character’s uniform. Nova debuted in Nova #1 in 1976, written by Wolfman and drawn by John Buscema. Wolfman intended the teenage character to be an homage to Stan Lee and Steve Ditko‘s Spider-Man, down to his humble working-class roots and alliterative alter-ego. The original Nova series, The Man Called Nova, lasted 25 issues from September 1976 to May 1979. Dangling plot lines were resolved in issues 206-214 of Fantastic Four (also by Wolfman) and issue 24 of Rom the Spaceknight. The character then disappeared into obscurity until returning as a member of the original New Warriors team debuting in The Mighty Thor #411 (December 1989), and continuing through New Warriors #1-75, Annual #1-4 (July 1990—September 1996).
Prophet V1 (1993)
Rob Liefeld told Wizard magazine in 1994 that he was inspired by Gene Roddenberry and Steven Spielberg to create Prophet. The character first appeared in Youngblood #2, released by Image Comics in July 1992. Prophet was originally intended to appear in the pages of Marvel Comics‘ X-Force. Liefeld explained to Wizard: “He was going to show up around #6 or #7 in my original plans, and the cover to Youngblood #2 originally had X-Force members looking on instead of Youngblood members. I soon decided that I was going to work on stuff that was creator-owned, so I pulled the character of Prophet and saved him for later.”
The storyline in Youngblood led directly into Prophet’s own title, which lasted eleven issues (including a zero issue). A second series, written by Chuck Dixon, premiered in 1995 and lasted eight issues. A one-shot was released in 2000 by Awesome Comics.
Superboy V1 (1970’s)
After the Legion pushed new Superboy stories out of Adventure Comics in 1963, Superboy became the only comic book to feature original Superboy stories. Less than two years after the Legion itself left Adventure Comics, Superboy became the Legion’s new home. Starting with Superboy #172 (March 1971), the Legion appeared as an occasional backup feature. Once again, the Legion feature proved so popular that by Superboy #197 (Sept. 1973), the Legion had become the lead feature, and with the next issue, the title’s only feature. Although from issue #197, the cover logo read Superboy starring the Legion of Super-Heroes (and replaced starring with #222), the official title (shown in the indicia) of the comic remained Superboy until #231 (Sept. 1977), when the comic became Superboy and the Legion of Super-Heroes. In issue #259 (Jan. 1980).
Fantastic Four (1980’s)
John Byrne revitalized the slumping title with his run. Originally, Byrne was slated to write with Sienkiewicz providing the art. Sienkiewicz left to do Moon Knight, and Byrne subsequently became writer, artist, and inker. Various editors were assigned to the comic; eventually Bob Budiansky became the regular editor. Byrne told Jim Shooter that he could not work with Budiansky, although they ultimately continued to work together. In 2006, Byrne said “that’s my paranoia. I look back and I think that was Shooter trying to force me off the book”. Byrne left following issue #293 (Aug. 1986) in the middle of a story arc, explaining he could not recapture the fun he had previously had on the series. One of Byrne’s changes was making the Invisible Girl into the Invisible Woman: assertive and confident. During this period, fans came to recognize that she was quite powerful, whereas previously, she had been primarily seen as a superpowered mother and wife in the tradition of television moms like those played by Donna Reed and Florence Henderson.
Hellboy: Seed of Destruction (1993)
Before Hellboy was published independently at Dark Horse Comics, the concept was initially pitched to a board of directors for DC Comics, who loved it, but did not like the idea of it involving “Hell”.
The early stories were conceived and drawn by Mignola with a script written by John Byrne and some later stories have been crafted by creators other than Mignola, including Christopher Golden, Guy Davis, Ryan Sook, and Duncan Fegredo. The increasing commitments from the Hellboy franchise meant that the 2008 one-shot In the Chapel of Moloch was the first Hellboy comic Mignola had provided the script and art for since The Island in 2005.
Challengers of the Unknown (1960’s)
The Challengers of the Unknown is a fictional group of adventurers appearing in comic books published by DC Comics. The quartet of adventurers explored paranormal occurrences while facing several fantastic menaces. The characters were created by Joe Simon and JJack Kirby during the end of their company, Mainline Comics. Following the end of the Challengers comic, DC has revived the characters in different incarnations over the years. Some have claimed that Kirby reworked the basic concept of the series with Stan Lee in 1961 to create The Fantastic Four, the first creation that marked the rise of Marvel Comics.
Avengers V8 (2018)
In May 2018, another volume for the series was launched as part of Marvel’s Fresh Start initiative, written by Jason Aaron and drawn by Ed McGuinness. This new volume also saw the return of the main three core members, Steve Rogers and Thor met up with Tony Stark to convince him to reassemble the group with themselves at its core. The reunion was consolidated by the machinations of Loki, who facilitated the arrival of the world-threatening Dark Celestials as a ploy to get the Avengers back in action, resulting in the participation of Black Panther who is appointment as chairperson, Captain Marvel, She-Hulk, Ghost Rider and Blade. In the reformation of the Avengers. After the Dark Celestials were defeated, the Celestials set upright the corpse of the long-time dead Progenitor in the North Pole. The Avengers refurbished the Progenitor’s corpse, transforming it into their base of operations, the Avengers Mountain.
Shaolin Cowboy (2004)
The book is about an unnamed former Shaolin monk who wanders the land with a talking mule named Lord Evelyn Dunkirk Winniferd Esq. the Third. Having been “asked” to leave the Shaolin temple, he has since had a bounty placed on his head, which many are eager to collect. Given the Shaolin Cowboy’s prowess in martial arts, however, this will be very difficult.
Taking place in an unspecified time setting (as the first issue notes, “the day after yesterday and a week before tomorrow”), the book features extremely detailed artwork and equally violent and absurd action scenes; in one, the main character battles a giant shark with a human head in its mouth using two chainsaws tied on the ends of a long stick – which all takes place in the canalization in the stomach of a lizard, on whose back a city is located.
V for Vendetta (1988)
V for Vendetta is a graphic novel written by Alan Moore and illustrated by David Lloyd (with additional art by Tony Weare), published by DC Comics. The story depicts a dystopian and post-apocalyptic near-future history version of the United Kingdom in the 1990s, preceded by a nuclear war in the 1980s, which has left much of the world destroyed. The fascist Norsefire party has exterminated its opponents in concentration camps and rules the country as a police state. The comics follow its titular character and protagonist, V, an anarchist revolutionary dressed in a Guy Fawkes mask, as he begins an elaborate and theatrical revolutionist campaign to murder his former captors, bring down the government and convince the people to rule themselves, while inspiring a young woman, Evey Hammond, to be his protégé.
Warner Bros. Pictures released a film adaptation of the same title in 2006.
Mystique (2003)
Published 2003 – 2005. Mystique the sultry mutant shapeshifter, who has stood against the X-Men in battle after battle, is offered the chance at a new life when Professor X recruits her to complete a dangerous mission in Cuba. Can this former mutant-rights terrorist who can disguise herself as anyone on the planet be trusted? Don’t let the pinup-worthy cover fool you: Mystique is a smart, engaging piece of espionage fiction that shows that the superhero story isn’t dead yet.
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