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Welcome bannerHello and welcome to EHT Comics! Thank’s for taking the time to stop by our site. All of the items posted on our site are scans or photos of the actual items we have for sale. Just click on an item to view a larger and more detailed image. E-mail us anytime at EHTcomics@gmail.com in regards to items that you are interested in and a Paypal Invoice will be provided via email. Shipping information is provided under “About Us” on the right. We are always adding new comics, so stop back often and if you don’t see it, feel free to ask.

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Mystic – Atlas (1951)

Titled simply Mystic and published by Marvel’s 1950s iteration, Atlas Comics, this was a 61-issue horror-suspense anthology (March 1951-Aug. 1957).

Mystic debuted shortly before Atlas’ Strange Tales, increasing the company’s science fiction/fantasy/horror line from four titles to six. Begun prior to the creation of the comic-book industry’s self-censorship board, the Comics Code Authority, Mystic softened its horror when it went under the auspices of the Comics Code beginning with issue #37 (May 1955). The series’ contributors included artists Bill Everett and John Severin.

Justice League Dark (2011)

Justice League Dark was announced on May 31, 2011 as a First Wave title of The New 52 The title and team was created by Peter Milligan, with art by Mikel Janín. The title launched on September 28, 2011. The title brought several of DC Comics’ occult and offbeat characters, something which had been a trait of sister imprint Vertigo, back into the main DC Universe following Vertigo’s editorial change to publish purely new, creator owned content.

Captain America V1 (1990’s)

Following Mark Gruenwald’s departure from the series, Mark Waid took over and resurrected Sharon Carter as Cap’s love interest. The title was then relaunched under Rob Liefeld as Cap became part of the Heroes Reborn universe for 13 issues before another relaunch restored Waid to the title in an arc that saw Cap lose his shield for a time using an energy based shield as a temporary replacement.

Gunslinger Spawn (2021)

He is a man out of time. Lost in his future and in search for a way back to the past. Gunslinger Spawn has many scores to settle with those that did him wrong. Be he has been thrown into a greater conflict, one of the fate of humanity, and his revenge just might have to wait for a bit.

Joker V2 (2021)

Following the events of Infinite Frontier #1, The Joker is the most wanted man in the world! But the Clown Prince of Crime is several steps ahead of law enforcement—and he’s on the run overseas. James Gordon, facing retirement, realizes this is the manhunt of his life and the last piece of a storied career…but what mysterious and deadly forces are also in pursuit of The Joker? And in the backup story, following the events of Punchline #1, DCs most controversial new villain navigates the infrastructure of Blackgate Penitentiary—while on the outside, Harper Row takes up the mantle of Bluebird to stop her brother from falling under Punchlines influence.

Strange Academy (2020)

Strange Academy is a fictional school appearing in comics published by Marvel Comics. It was founded by Doctor Strange to train young people from many worlds with magical abilities in the use of sorcery and magical artifacts. The school first appears in Strange Academy #1 (March 2020) and was created by writer Skottie Young and artist Humberto Ramos.

Stranger Things (2018)

The first series in the line explores the adventures of Will Byers (Noah Schnapp) after he was transported to the horrific extra-dimensional Upside Down at the beginning of season 1. Viewers only saw Will reappear in that season’s finale when he was finally found by his mother Joyce (Winona Ryder), but obviously a lot happened in the interim. This four-issue Stranger Things miniseries — written by Jody Houser, illustrated by Stefano Martino, inked by Keith Champagne, colored by Lauren Affe, and lettered by Nate Piekos — will finally give fans a look at what happened to Will in the Upside Down.

Die!Die!Die! (2018)

Die!Die!Die! was created and is written by Robert Kirkman with co-writer Scott M. Gimple, artist Chris Burnham and colorist Nathan Fairbairn. It is a blood-soaked, no holds barred, action-packed, irreverent story that fans won’t be able to rip their eyes from. We live in an evil world where evil people do evil stuff all the time and Die!Die!Die! lifts the veil on a secret cabal within the United States government that influences world matters through targeted assassination.

The Witching Hour (1969)

The series was published for 85 issues from February–March 1969 to October 1978. Its tagline was “It’s 12 o’clock… The Witching Hour!” and was changed to “It’s midnight…” from issue #14 onwards. The series was originally edited by Dick Giordano, who was replaced by Murray Boltinoff with issue #14. Nick Cardy was the cover artist for The Witching Hour for issues #1–6, 11–12, 15–16, 18–52, and 60. Stories in the comic were “hosted” and introduced by three witches, Morded, Mildred, and Cynthia.

After The Witching Hour’s cancellation as a result of the “DC Implosion“, the title was merged with The Unexpected until issue #209. The witches were later revived along with the hosts of the companion series House of Secrets and House of Mystery as important characters in Neil Gaiman‘s The Sandman.

Tales to Astonish (Silver Age)

Tales to Astonish was published from January 1959 to March 1968 . It began as a science-finction anthology that served as a showcase for such artists as Jack Kirby and Steve Ditko. It became The Incredible Hulk with issue #102 (April 1968). Its sister title was Tales of Suspense.

Following his one-shot anthological story in #27 (Jan. 1962), scientist Henry Pym returned donning a cybernetic helmet and red costume, and using size-changing technology to debut as the insect-sized hero Ant-Man in #35 (Sept. 1962). The series was plotted by Lee and scripted by Lieber, with penciling first by Kirby and later by Heck and others. The Wasp was introduced as Ant-Man’s costar in issue #44 (June 1963). Ant-Man and Pym’s subsequent iteration, Giant-Man, introduced in #49 (Nov. 1963), starred in 10- to 13-page and later 18-page adventures,

The Hulk, whose original series The Incredible Hulk had been canceled after a six-issue run in 1962-63, returned to star in his own feature when Tales to Astonish became a split book at issue #60 (Oct. 1964),]after having guest-starred as Giant-Man’s antagonist in a full-length story the previous issue. The Hulk had proven a popular guest-star in three issues of Fantastic Four and an issue of The Amazing Spider-Man. His new stories here were initially scripted by Lee and illustrated by the seldom-seen team of penciler Steve Ditko and inker George Roussos. This early part of the Hulk’s run introduced the Leader, who would become the Hulk’s nemesis, and this run additionally made the Hulk’s identity known, initially only to the military and then later publicly.