Eightball is an alternative comic book series written and drawn by Daniel Clowes. The first issue was published by Fantagraphics Books in 1989, soon after the end of Clowes’s previous comic series, Lloyd Llewellyn. It has consistently been among the best-selling independently authored comics.
High school student Buffy Summers has recently moved to the small town of Sunnydale, California with her mother Joyce and Joyce’s doctor boyfriend Eric. Secretly, Buffy is in fact a Vampire Slayer, chosen to battle supernatural forces of evil, and undergoes training by her Watcher and school librarian Rupert Giles. Three weeks after arriving in Sunnydale, Buffy accidentally blows her cover saving Willow Rosenberg and Xander Harris from a vampire outside Tunaverse, the fast food restaurant where she works part-time. Giles is disappointed in her lack of discretion, but Willow and Xander prove to be reliable allies when they aid Buffy in battle against the new vampires in town, Spike and his Mistress Drusilla.
X-O Manowar began as an original character by Valiant Comics with issue #1 with a cover date of February 1992. Less than a year after it began, with the Unity crossover and quality storytelling bringing attention to Valiant books, back issue prices rose dramatically due to limited early print runs. With comic book speculators buying multiple copies of each issue, sales reached as high as 800,000 copies for X-O Manowar #0 (August 1993) before dropping off. This original series ran for 68 issues before being canceled after the Sept. 1996 issue, of which only approximately 14,000 were printed.
Lady Death, once the ruler of Hell falls prey to a band of barbaric pirates when the goddess Vandala sends her on an odyssey into the unknown, where her powers are at their weakest. Vandala forces Lady Death into acts of heroism, such as defeating the evil angel Agony, and the murderous siblings, Macabre and Malady. Meanwhile, Lucifer attempts to regain the throne of Hell by resurrecting his mighty warrior, Asteroth, and sending him on Lady Death’s trail.
Once upon a time, monster attacks were rare. A forest witch might murder a few hikers, a killer clown might eat a few children, or a malevolent ghost might drive a young couple insane just for the hell of it. But these events were scarce, easily covered up, and soon faded into campfire stories good for a laugh. But no one’s laughing now. Over the past 90 days, cryptozoological attacks have increased a hundredfold, and the arcane has become everyday. Monsters of every shape and size strike at will, and the good, taxpaying folks of the US of A have had enough of this nonsense. Enter: THE MONSTER KILL SQUAD. A Government Unit of the most dangerous motherf-ckers on the planet, the deadliest folks alive are here to put a bullet in the brain of everything that walks, crawls, flies, or hides in shadows. And if it doesn’t have a brain, all the better — we’ve got a gun for that, too. Witches and wraiths. Demons and deadites. Goblins and ghosts. There have always been monsters. Now there are monster killers, and the MKS will kill it, and kill it good.
Comix International was a short-lived magazine comprised entirely of reprinted material (in color) from other Warren publications. With stories by Richard Corben, Reed Crandall, Wally Wood, Bernie Wrightson, and others. The name Comix International was originally to have been used for an underground title put together for Warren by Keith Green which never appeared.
The most notorious name in terror is back with a vengeance! From the publisher that drove Tales from the Crypt, Vault of Horror, Haunt of Fear, and many more into the depraved hearts of an unsuspecting world, the immortal EC COMICS returns . . . with its first all-new series in nearly 70 years! What the Comics Code Authority couldn’t kill has only made it stronger . . . EC Comics lives again in Epitaphs from the Abyss!
Heavy Metal is an American science fiction and fantasy comics magazine, published beginning in 1977. The magazine is known primarily for its blend of dark fantasy/science fiction and erotica and steampunk comics.
Unlike the traditional American comic books of that time bound by the restrictive Comics Code Authority, Heavy Metal featured explicit content. The magazine started out primarily as a licensed translation of the French science-fantasy magazine Métal hurlant, including work by Enki Bilal, Philippe Caza, Guido Crepax, Philippe Druillet, Jean-Claude Forest, Jean Giraud (a.k.a. Moebius), Chantal Montellier, and Milo Manara.
As cartoonist/publisher Kevin Eastman saw it, Heavy Metal published European art which had not been previously seen in the United States, as well as demonstrating an underground comix sensibility that nonetheless “wasn’t as harsh or extreme as some of the underground comix – but . . . definitely intended for an older readership.
When the children of Archer’s Peak—a sleepy town in the heart of America—begin to go missing, everything seems hopeless. Most children never return, but the ones that do have terrible stories—impossible details of terrifying creatures that live in the shadows. Their only hope of finding and eliminating the threat is the arrival of a mysterious stranger, one who believes the children and claims to be the only one who sees what they can see. Her name is Erica Slaughter. She kills monsters. That is all she does, and she bears the cost because it must be done.
On April 1, 2015, a Rick and Morty comic book adaptation debuted with its first monthly issue, entitled “BAM!” The series is written by Zac Gorman and illustrated by CJ Cannon.[71] Artist Tom Fowler wrote a multi-issue story arc that began in March 2016. Using the television series’ established premise of alternate timelines, the comic book expressly features the Rick and Morty (and supporting cast) of a different timeline, allowing the comics to tell stories without conflicting with the canon of the show.
EHT Comics 