Writer Greg Rucka and artist Shawn Martinbrough became the creative team as of #742 (March 2000) and created the Sasha Bordeaux character is #751 (Dec. 2000). Issue #800 (Jan. 2005) was written by Andersen Gabrych and drawn by Pete Woods. Paul Dini became the writer of the series as of issue #821 (Sept. 2006) and created a new version of the Ventriloquist in #827 (March 2007).
DC Special Series was an umbrella title for one-shots and special issues published by DC Comics between 1977 and 1981. Each issue featured a different character and was often in a different format than the issue before it. DC Special Series was published in four different formats: Dollar Comics, 48 page giants, digests, and treasury editions. Neither the umbrella title nor the numbering system appear on the cover; the title “DC Special Series” appeared only on the first page in the indicia. Most issues featured new material, but eight issues were reprints of previously published material.
World’s Finest was initially a 96 page quarterly anthology, featuring various DC characters – always including Superman and Batman – in separate stories. Comics historian Les Daniels noted that “Pairing Superman and Batman made sense financially, since the two were DC’s most popular heroes.” When superheroes fell out of vogue in the early 1950s, DC shortened the size of the publication to that of the rest of its output, leaving only enough space for one story; this led to Superman and Batman appearing in the same story together starting with World’s Finest Comics #71 (July 1954). The series continued to feature Superman and Batman team-ups until issue #197. Noted Batman artist Neal Adams first drew the character in an interior story in “The Superman-Batman Revenge Squads” in issue #175 (May 1968).
Frank Miller‘s limited series The Dark Knight Returns (February–June 1986), which tells the story of a 55-year old Batman coming out of retirement in a possible future, reinvigorated the character. The Dark Knight Returns was a financial success and has since become one of the medium’s most noted touchstones. The series also sparked a major resurgence in the character’s popularity.
That year Dennis O’Neil took over as editor of the Batman titles and set the template for the portrayal of Batman following DC’s status quo-altering miniseries Crisis on Infinite Earths. O’Neil operated under the assumption that he was hired to revamp the character and as a result tried to instill a different tone in the books than had gone before. One outcome of this new approach was the “Year One” storyline in Batman #404–407 (February–May 1987), in which Frank Miller and artist David Mazzucchelli redefined the character’s origins. Writer Alan Moore and artist Brian Bolland continued this dark trend with 1988’s 48-page one-shot Batman: The Killing Joke, in which the Joker, attempting to drive Commissioner Gordon insane, cripples Gordon’s daughter Barbara, and then kidnaps and tortures the commissioner, physically and psychologically.
The Batman comics garnered major attention in 1988 when DC Comics created a 900 number for readers to call to vote on whether Jason Todd, the second Robin, lived or died. Voters decided in favor of Jason’s death by a narrow margin of 28 votes (see Batman: A Death in the Family). The following year saw the release of Tim Burton‘s Batman feature film, which firmly brought the character back to the public’s attention, grossing millions of dollars at the box office, and millions more in merchandising.
Superman/Batman was a monthly series published by DC Comics that features the publisher’s two most popular characters: Superman and Batman. Superman/Batman premiered in August 2003 and was an update of the previous series, World’s Finest Comics, in which Superman and Batman regularly joined forces.
Superman/Batman explored the camaraderie, antagonism, and friendship between its titular characters. Jeph Loeb, the series’ first writer, introduced a dual-narrator technique to present the characters’ often opposing viewpoints and estimations of each other, which subsequent series writers have maintained. Before the 1985 limited series Crisis on Infinite Earths, the two iconic characters were depicted as the best of friends. Frank Miller‘s landmark series The Dark Knight Returns was the first DC story that depicts the heroes at odds with each other, as opposed to pre-Crisis incarnations. This dynamic became DC Universe canon with John Byrne‘s The Man of Steel, a Superman reboot published in 1986.
Batman Versus Predator is a crossover featuring a duel between Batman and a member of the titular extraterrestrial race from the Predator film franchise. It was written by Dave Gibbons with art by Andy and Adam Kubert, and was published by DC Comics and Dark Horse Comics in 1991. Adam Kubert won an Eisner Award in 1992 for his contribution.
The Giant line of comics mixes all-new original material by some of DC’s top creators with reprints for a 100-page package.
Creators working on the new material include such fan-favorites as Tom King, Brian Michael Bendis and the Harley Quinn writing team of Jimmy Palmiotti and Amanda Conner, each working on characters outside of their traditional range in the regular DC line, with Bendis working on his first solo Batman material in September — a 12-part story beginning in Batman Giant No. 3 — and Tom King taking on Superman with artist Andy Kubert for their own yearlong epic beginning in Superman Giant No. 3. Not to be left behind, Palmiotti and Conner will launch a 12-part Wonder Woman story in the third Justice League issue.
DC Comics ended the DC Rebirth branding in December 2017, opting to include everything under a larger DC Universe banner and naming. The continuity established by DC Rebirth continues across DC’s comic book titles, including volume 1 of Detective Comics and volume 3 of Batman.
After the conclusion of Batman (vol. 3) #85 a new creative team consisting of James Tynion IV with art by Tony S. Daniel and Danny Miki replaced Tom King, David Finch and Mikel Janín.
James Tynion IV & Jorge Jimenez continued the series in 2021.
Batman: Shadow of the Bat ran for 96 issues, from 1992 to 2000. The stories took place in Batman’s then-current continuity along with Detective Comics and Batman, in contrast to Batman: Legends of the Dark Knight, which focused on Batman’s early years. Batman: Shadow of the Bat looked into the psyche of the various cast members of the Batman comics. It was also notable for introducing the villain Victor Zsasz into the Batman mythos.
Starting in 1969, writer Dennis O’Neil and artist Neal Adams made a deliberate effort to distance Batman from the campy portrayal of the 1960s TV series and to return the character to his roots as a “grim avenger of the night”. O’Neil said his idea was “simply to take it back to where it started. I went to the DC library and read some of the early stories. I tried to get a sense of what Kane and Finger were after.”
O’Neil and Adams first collaborated on the story “The Secret of the Waiting Graves” (Detective Comics #395, January 1970). Few stories were true collaborations between O’Neil, Adams, Schwartz, and inker Dick Giordano, and in actuality these men were mixed and matched with various other creators during the 1970s; nevertheless the influence of their work was “tremendous”. Giordano said: “We went back to a grimmer, darker Batman, and I think that’s why these stories did so well…” While the work of O’Neil and Adams was popular with fans, the acclaim did little to improve declining sales; the same held true with a similarly acclaimed run by writer Steve Englehart and penciler Marshall Rogers in Detective Comics #471–476 (August 1977 – April 1978), which went on to influence the 1989 movie Batman and be adapted for Batman: The Animated Series, which debuted in 1992. Regardless, circulation continued to drop through the 1970s and 1980s, hitting an all-time low in 1985.
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