Hillbilly is a fantasy adventure series by Eric Powell (creator of The Goon), set in a fantasy realm drawing less from Tolkien and more from the myths and folklore of rural Appalachia. Unlike The Goon, it’s more-or-less kid-friendly, if still reasonably dark. Rondel is a wanderer, travelling from place to place.
Sword of Sorcery was an American sword-and-sorcery comics anthology featuring Fafhrd and the Gray Mouser, heroes and rogues created by Fritz Leiber. Published bi-monthly by DC Comics, it ran for five issues in 1973, with a cover price of 20¢. The title was written by Denny O’Neil and featured art by Howard Chaykin, Walt Simonson, and Jim Starlin.
In June 2012, the series returned with a revival of Amethyst, Princess of Gemworld by writer Christy Marx and artist Aaron Lopresti. The title included a backup feature starring Beowulf written by Tony Bedard and drawn by Jesus Saiz.
When the series was relaunched in late 1986 under its new title, the creative team initially was writer Marv Wolfman and artist Jerry Ordway. John Byrne replaced Wolfman with issue #436 (January 1988) and Ordway became both writer and artist with issue #445 (October 1988). Writer/artist Dan Jurgens worked on the title from 1989–1991. Hank Henshaw, a character who would later become the Cyborg Superman, first appeared in issue #466 (May 1990). By the late 1980s, the plots of the Superman books were often linked. To coordinate the storyline and sequence of event, from January 1991 to January 2002, “triangle numbers” (or “shield numbers”) appeared on the cover of each Superman comic book. During these years, the Superman storylines ran with the story continuing through the titles Superman, Action Comics and later in two further series, Superman: The Man of Steel and Superman: The Man of Tomorrow.
Story and art by Everett Peck. He’s been up–he’s been down–he’s fallen asleep with the TV on! New, hot from this previous engagement in Dark Horse Presents, the tough duck private dick, stars in his first feature length special. The story wouldn’t be complete without Cornfed, Fluffy, and Uranus hanging around waiting for the next dose of abuse from their feathered “friend.”
The comic book Battlestar Galactica, based on the ABC television series of the same name, was published monthly by Marvel Comics from March 1979 through January 1981, and lasted 23 issues.
Although there were other attempts to adapt Battlestar Galactica into a comic book format, the Marvel series is considered by many to have been the most successful in terms of run, sales, and content.
This was accomplished against some notable odds. Although Roger McKenzie was most often the writer, and Walt Simonson the most regular artist, the book also had a heavy rotation of guest writers and artists.
Marvel Comics’ began its adaptation of Battlestar Galactica with Marvel Super Special #8, a magazine format comic written by Roger McKenzie and drawn by Ernie Colón which was released as a tie-in to the start of the series. Based on an early script of the three hour series premiere “Saga of a Star World”, this adaptation, which gave a relatively short treatment to the third hour, was also released in a tabloid format and then later as a paperback as well. The tabloid version was also printed by Whitman Comics. Its success led Marvel to print a regular monthly comic depicting the adventures of the ragtag fleet.
A coming-of-age tale told through the eyes of a group of French orphans during World War II who are saved by a brave and daring American boy named Peter. As they travel together, they get tangled up in the French Resistance and their efforts against a growing German presence under the leadership of a fanatical hook-handed SS officer hellbent on wiping them out!
Stranded on an isolated planet, Ann McKay takes shelter in a remote village that is being terrorized by an Alien. She soon discovers that its inhabitants are hiding a horrifying secret from her. But to discover the truth she has to face her own innermost demons, and try to save the souls of the villagers at the same time.
Kara Zor-El has seen some epic adventures over the years, but finds her life without meaning or purpose. Here she is, a young woman who saw her planet destroyed and was sent to Earth to protect a baby cousin who ended up not needing her. What was it all for? Wherever she goes, people only see her through the lens of Superman’s fame. Just when Supergirl thinks she’s had enough, everything changes. An alien girl seeks her out for a vicious mission. Her world has been destroyed, and the bad guys responsible are still out there. She wants revenge, and if Supergirl doesn’t help her, she’ll do it herself, whatever the cost. Now a Kryptonian, a dog, and an angry, heartbroken child head out into space on a journey that will shake them to their very core.
Daniel Ketch debuted in Ghost Rider vol. 3, #1 (May 1990). This Ghost Rider was nearly identical to the previous, although his costume was now a black leather biker jacket with spiked shoulder-pads, grey leather pants, and a mystic chain he wore across his chest, which responded to his mental commands and served as his primary melee weapon. His new motorcycle resembled a futuristic machine and the front of it could lower to serve as a battering ram. Like the original Ghost Rider’s bike, the wheels were composed of mystic hellfire. Unlike the relationship between the previous Ghost Rider and the demon with which he was bonded, Ketch and his demon — who in vol. 2, #91 (December 1997) is revealed to be Marvel’s incarnation of the Angel of Death/Judgment — are cooperative with each other. At the close of the series with vol. 2, #93 (Feb. 1998), Ketch apparently died. The following year, however, Peter Parker: Spider-Man #93 (July 1999) revealed Ketch was still alive. Nearly a decade later, Marvel published the long-completed final issue as Ghost Rider Finale (Jan. 2007), which reprints the last issue and the previously unpublished #94.
OMAC (Buddy Blank) was created in 1974 by Jack Kirby and published by DC Comics. The character was created towards the end of Kirby’s contract with the publisher, following the cancellation of his New Gods series and was reportedly developed strictly due to Kirby needing to fill his contractual quota of 15 pages a week. As envisioned by Kirby, OMAC is essentially Captain America set in the future, an idea Kirby had toyed with some years earlier while at Marvel Comics, but had never realized.
Set in the near future (“The World That’s Coming”), OMAC is a corporate nobody named Buddy Blank who is changed via a “computer-hormonal operation done by remote control” by an A.I. satellite called Brother Eye into the super-powered One-Man Army Corps (OMAC).
