Mort Weisinger retired from DC in 1970 and his final issue of Action Comics was issue #392 (September 1970). Murray Boltinoff became the title’s editor until issue #418. Metamorpho was the backup feature in issues #413-418 after which the character had a brief run as the backup in World’s Finest Comics. Julius Schwartz became the editor of the series with issue #419 (December 1972) which also introduced the Human Target by Len Wein and Carmine Infantino in the back-up feature. Green Arrow became a backup feature in #421 and ran through #458, initially rotating with the Human Target and the Atom. Between issues #423 (April 1973) and #424 (June 1973), the series jumped ahead by one month due to DC’s decision to change the cover dates of its publishing line.
A new version of the Toyman was created by Cary Bates and Curt Swan in issue #432 (February 1974). Martin Pasko wrote issue #500 (October 1979) which featured a history of the Superman canon as it existed at the time and was published in the Dollar Comics format.
After issue #99 (March 1968), the Tales of Suspense series was renamed Captain America. An Iron Man story appeared in the one-shot comic Iron Man and Sub-Mariner (April 1968), before the “Golden Avenger”] made his solo debut with The Invincible Iron Man #1 (May 1968). The series’ indicia gives its copyright title Iron Man, while the trademarked cover logo of most issues is The Invincible Iron Man. Artist George Tuska began a decade long association with the character with Iron Man #5 (Sept. 1968). Writer Mike Friedrich and artist Jim Starlin‘s brief collaboration on the Iron Man series introduced Mentor, Starfox, and Thanos in issue #55 (Feb. 1973). Friedrich scripted a metafictional story in which Iron Man visited the San Diego Comic Convention and met several Marvel Comics writers and artists. He then wrote the multi-issue “War of the Super-Villains” storyline which ran through 1975.
Iron Man #6 VF- $45Iron Man #11 VF+ $75Iron Man #12 VF+ $129Iron Man V1 #16 FN $27Iron Man V1 #20 VF+ $49
The Next Men characters made a prototypical appearance as “Freaks” in a lithography plate that was published within the History of the DC Universe Portfolio in 1986. Byrne had originally pitched the series to DC Comics, but the series never surfaced there. With some changes, Byrne changed the concept to fit in with his work on the graphic novel2112, to become the John Byrne’s Next Men series. Two characters from the “Freaks” artwork somewhat retained their physical looks and became the lead characters of the Next Men series: heroine Jasmine and villain Aldus Hilltop.
Next Men #0 NM $4Next Men #1 NM $4Next Men #8 NM $8Next Men #9 NM $4Next Men #10 NM $4Next Men #12 NM $4Next Men #16 NM $4
The series was published for 85 issues from February–March 1969 to October 1978. Its tagline was “It’s 12 o’clock… The Witching Hour!” and was changed to “It’s midnight…” from issue #14 onwards. The series was originally edited by Dick Giordano, who was replaced by Murray Boltinoff with issue #14.Nick Cardy was the cover artist for The Witching Hour for issues #1–6, 11–12, 15–16, 18–52, and 60. Stories in the comic were “hosted” and introduced by three witches, Morded, Mildred, and Cynthia.
During the 80’s Frank Miller was hired to continue the title and did so in a similar vein to previous writer Roger McKenzie. Resuming the drastic metamorphosis the previous writer had begun, Miller took the step of essentially ignoring all of Daredevil’s continuity prior to his run on the series; on the occasions where older villains and supporting cast were used, their characterizations and history with Daredevil were reworked or overwritten. Most prominently, dedicated and loving father Jack Murdock was reimagined as a drunkard who physically abused his son Matt, entirely revising Daredevil’s reasons for becoming a lawyer. Spider-Man villain Kingpin was introduced as Daredevil’s new nemesis, displacing most of his large rogues gallery. Daredevil himself was gradually developed into an antihero. In issue #181 (April 1982), he attempts to murder one of his arch-enemies by throwing him off a tall building; when the villain survives as a quadriplegic, he breaks into his hospital room and tries to scare him to death by playing a two-man variation on Russian roulette with a secretly unloaded gun.Comics historian Les Daniels noted that “Almost immediately, [Miller] began to attract attention with his terse tales of urban crime.” Miller’s revamping of the title was controversial among fans, but it clicked with new readers, and sales began soaring, the comic returning to monthly status just three issues after Miller came on as writer.
The Grendel ongoing series published by Comico started in 1986 and lasted 40 issues. It was written by Matt Wagner and drawn by a variety of artists, including the Pander Brothers, Bernie Mireault, Tim Sale, John K. Snyder III and others. It began with a story set in the near future, with Christine Spar, Hunter’s posthumous biographer, taking on the identity of Grendel to pursue a mission of revenge. The identity passed briefly, and tragically, to her deluded boyfriend Brian Li Sung. After a brief return to stories of Hunter Rose (actually two in-universe fictional novels written by Captain Wiggins, a supporting character from the Christine Spar arc), Wagner then spun the series further into the future, with the Grendel identity affecting a variety of people. The name “Grendel” took on several meanings as the stories portrayed a dystopian future. Grendel became a synonym for The Devil with the title held by the emperor of the world, (Grendel-Khan) and members of a warrior society identical to samurai.
After helping Barry Allen—the speedster superhero The Flash—restore the timeline back to its original state,Thomas Wayne—the vigilante Batman—finds himself once again in the aberrant timeline known as the Flashpoint, whose existence Batman is determined to change and replace with another version of the DC Universe (DCU), all for the sole purpose of erasing the death of his son Bruce.
JIm Starlin took over as writer with issue #34 after several fill-in issues, and incorporated Thanos, Adam Warlock, and Drax the Destroyer into the series. Under Starlin and later Ron Marz, the series would receive acclaim and sales boost due to Silver Surfer’s involvement with Starlin’s Infinity Trilogy, with George Pérez and J. M. DeMatteis also having brief writing stints on the series as well. Additional artists included Tom Grindberg, Ron Garney, and Jon J. Muth, as well as periodic guest spots by John Buscema. The title experienced great initial success which allowed Marvel to push the character into other media, including a 1990 video game, 1992 trading card set, and 1998 animated series, as well as spinning off a variety of other comics series including Cosmic Powers, Cosmic Powers Unlimited, Captain Marvel vol. 2, and Star Masters. It ran 146 issues, through 1998.
The Darkness is a cosmic entity predating recorded history. It is the embodiment of the empty void of chaos which existed prior to the coming of God’slight – embodied as the Angelus. As the cosmos formed in its place, the now-usurped Darkness grew to resent God and His creation. Growing powerful enough to manifest itself and conjure a legion of demons, the Darkness declared war upon the Angelus and her host. This lasted for eons until a truce was found to prevent mutual destruction. To seal the covenant, the two powers mated and conceived the Witchblade.
Some time after this, the Darkness began inhabiting human vessels – inherited through the sons of its chosen bloodline; the father passing the curse to his child at the moment of conception, expiring as the force leaves his body. The power then awakens on the son’s 21st birthday. A wielder of the Darkness has been present in every major time period and continental power in history. These hosts have usually been of a violent predisposition, such as dictators and warlords. Many have also been of a criminal background; namely murderers, thieves, and molesters.
In response to the restrictions imposed by the Comics Code Authority, DC began a new science-fiction series in 1956. The series featured artwork by Murphy Anderson, Gil Kane, and many others, with stories by John Broome, Gardner Fox, and additional writers. It was an anthology comic for many years, publishing a variety of science fiction stories. The series featured Space Ranger as of issue #40 and running through #82 (April–May 1964) Other features included the “Green Glob” (issues #85–98, 100, 102, 103) and “Automan” (issues #91, 94, 97). The series’ last issue as Tales of the Unexpected was #104 (December 1967–January 1968). As of issue #105 (February–March 1968), the title was shortened to The Unexpected.
Tales of the Unexpected #101 FN+ $24Tales of the Unexpected #103 FN+ $24
EHT Comics 