The Gunslinger Born is an expansion and interpretation of events covered in The Dark Tower series, beginning with Roland Deschain‘s manhood test against Cort and ending with the last events of the flashback sequences in Wizard and Glass. Later arcs will “cover the time period between Roland leaving Hambry and the fall of Gilead“. The Gunslinger Born is followed by The Long Road Home, whose first issue was released on March 5, 2008.
In 1991, Jim Shooter obtained rights to three Gold Key characters: Doctor Solar, Man of the Atom; Turok, Son of Stone; and Magnus, Robot Fighter. He intended to use those characters to launch his new comic book line, Valiant Comics. Several months later, the company launched Magnus, Robot Fighter.
The series began where the original one left off. The artists took great care to replicate the setting and trappings of the original stories. But as the new series progressed, it began to deviate from the original concept.The term “Freewills” appeared in the Valiant run, introducing the concept that the rogue robots seen previously were not simply the product of random malfunctions, but were the result of a common phenomenon which allowed robots to become sentient. While some of them are malevolent, others merely want to be free. It was also learned that 1A is a freewill. With Magnus’s help, a colony of benevolent Freewills is established called the “Steel Nation.” At the same time, Magnus becomes disgusted with North Am’s elite. He journeys to the lower levels of North Am and befriends a group of social outcasts known as Gophs.
Our gal Catwoman turns 80 (and looking very good, if we meow say), and DC is celebrating with nothing less than with a huge soiree, invite only, packed with creators who mean the most to her and to whom she means the most! Stories featured in this 100-page spectacular include a tail-sorry, tale-that takes place at the end of the Brubaker/Stewart Catwoman run, in honor of artist Darwyn Cooke. Plus, Catwoman is caught by an exotic cat collector, runs into a wannabe thief trying to prove himself as her apprentice, encounters a mystery involving memorabilia from alternate continuities, and of course some Bat/Cat fun.
This title allowed new and lesser-known writers and artists to write and draw X-Men comics. The comics were also usually self-contained stories; with the exception of a tie-in to the Onslaught crossover. This was particularly unique during the late 1990s when most X-Men titles frequently had story arcs that were several issues long. It ran as a quarterly feature releasing four issues per year until late 2002 when it converted into a monthly title.
In the confines of a psychiatric hospital a suicidal young woman meets an enigmatic stranger who believes he is an angelic presence not of this earth gifted with the powers of GOD. Is she being seduced into a cult … or is she bearing witness to a miracle?
The 1980s saw radical revisions of Superman. DC decided to remove the multiverse in a bid to simplify its comics line. This led to the rewriting of the back story of the characters DC published, Superman included. John Byrne rewrote Superman, removing many established conventions and characters from continuity, including Superboy and Supergirl. Byrne also re-established Superman’s adoptive parents, The Kents, as characters. In the previous continuity, the characters had been written as having died early in Superman’s life (about the time of Clark Kent’s graduation from high school).
The uncontrollable rage of the Hulk has reached an all-new level, and nobody – including the Avengers – is prepared to handle it. But is it really the Hulk that people should be afraid of, or is there something missing to this puzzle? Join the creative team of Donny Cates and Ryan Ottley as they look to the stars for the next era of HULK!
In 1987, Dark Horse Comics acquired the rights to Godzilla and for the next 12 years published various comic books and trade paperbacks based on the character. These ran the gamut from back-up stories in anthology titles, to one-shots, to miniseries, to an ongoing series, as well as various reprints in the trade paperback format.
In 1992, an illustration of Godzilla (provided by Arthur Adams) was published in San Diego Comic Con Comics #1. Also that same year the one-shot issue Godzilla Color Special #1 was published. It would be reprinted as simply Dark Horse Classics: Godzilla #1 in 1998.
Superboy became Superboy starring the Legion of Super-Heroes with issue #197 (August 1973). Crafted by Bates and Cockrum, the feature proved popular and saw such events as the wedding of Bouncing Boy and Duo Damsel in Superboy #200 (Feb 1974). Cockrum was replaced on art by Mike Grell as of issue #203 (August 1974) which featured the death of Invisible Kid. With #231 (September 1977), the book’s title officially changed to Superboy and the Legion of Super-Heroes and also became a “giant-size” title. At this point, the book was written by longtime fan Paul Levitz and drawn by James Sherman, although Gerry Conway frequently wrote as well. Saturn Girl and Lightning Lad were married in All-New Collectors’ Edition #C-55 (1978), a treasury-sized special written by Levitz and drawn by Grell. In #241–245 (July–December 1978) Levitz and Sherman (and then Joe Staton) produced what was at that time the most ambitious Legion storyline: “Earthwar“, a galactic war between the United Planets and the Khunds, with several other villains lurking in the background. During this period, Karate Kid was spun off into his own 20th Century-based self-titled series, which lasted 15 issues. Levitz left the book, to be replaced full-time by Gerry Conway.
Superboy departed from the Legion due to a plot of a villain, and the book was renamed simply Legion of Super-Heroes starting with issue #259 (January 1980). Editor Jack C. Harris hired Steve Ditko as guest artist on several issues, a decision which garnered a mixed reaction from the title’s readership. Jimmy Janes became the regular artist in a lengthy tale by Conway (and later Roy Thomas) involving Ultra Boy’s disappearance during a mission, and his long odyssey to rejoin the team. This story told the tale of the Legionnaire Reflecto (only glimpsed during the “Adult Legion” stories in Adventure Comics), featured villainy by the Time Trapper and Grimbor the Chainsman, and saw Superboy rejoin the team.
The Hulk first appeared in The Incredible Hulk #1 (cover dated May 1962), written by writer-editor Stan Lee, penciled and co-plotted by Jack Kirby, and inked by Paul Reinman. Lee cites influence from Frankenstein and Dr. Jekyll and Mr. Hyde in the Hulk’s creation. The Hulk’s original series was canceled with issue #6 (March 1963).
In the debut, Lee chose gray for the Hulk because he wanted a color that did not suggest any particular ethnic group. Colorist Stan Goldberg, however, had problems with the gray coloring, resulting in different shades of grey, and even green, in the issue. After seeing the first published issue, Lee chose to change the skin color to green. Green was used in retellings of the origin, with even reprints of the original story being recolored for the next two decades, until The Incredible Hulk vol. 2, #302 (December 1984) reintroduced the gray Hulk in flashbacks set close to the origin story. Since then, reprints of the first issue have displayed the original gray coloring, with the fictional canon specifying that the Hulk’s skin had initially been grey. An exception is the early trade paperback, Origins of Marvel Comics, from 1974, which explains the difficulties in keeping the gray color consistent in a Stan Lee written prologue, and reprints the origin story keeping the gray coloration.
Lee gave the Hulk’s alter ego the alliterative name Bruce Banner because he found he had less difficulty remembering alliterative names. Despite this, in later stories he misremembered the character’s name and referred to him as “Bob Banner”, an error which readers quickly picked up on. The discrepancy was resolved by giving the character the official full name of Robert Bruce Banner.
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