Death Dealer – Image (2007)

In 2007, Image Comics/Frazetta Comics published the Death Dealer: Shadows of Mirahan 6 issue miniseries featuring Death Dealer in the first story fully approved by Frank Frazetta. The book’s creators are Nat JonesJay Fotos, and Joshua Ortega. The story was written by Jones, Fotos and Ortega, with pencils and inks by Jones, and colors by Fotos. The story tells of an ancient land, and two warring nations fighting in an epic war. The Death Dealer appears on the field of battle and slaughters both sides. When the two kingdoms forged an alliance, the Dealer disappears for years but returns years later. Image’s Death Dealer comic inspired a series of Dungeons & Dragons adventures published by Goodman Games.

The Flash: Rebirth (2009)

In 2009, writer Geoff Johns and artist Ethan Van Sciver created The Flash: Rebirth, a 6-issue miniseries bringing Barry Allen back to a leading role in the DC Universe as the Flash, much in the same vein as Green Lantern: Rebirth. When asked what Flashes would appear in the series, Johns and Van Sciver said, “All of them.”

Adventures into the Unknown (1960’s)

Adventures Into the Unknown was best known as the medium’s first ongoing horror-comics title. Published by the American Comics Group, initially under the imprint B&I Publishing, it ran 174 issues (cover-dated Fall 1948 – Aug. 1967). The first two issues, which included art by Fred Guardineer and others, featured horror stories of ghosts, werewolves, haunted houses, killer puppets, and other supernatural beings and locales. The premiere included a seven-page abridged adaptation of Horace Walpole‘s seminal gothic novel The Castle of Otranto, by an unknown writer and artist Al Ulmer.

Unlike many American horror comics of the Golden Age, it weathered the public criticism of the early 1950s and survived the aftermath of the Senate Subcommittee on Juvenile Delinquency hearings of April and June 1954 when the comics industry attempted self-regulation with a highly restrictive Comics Code.

Spawn (2020’s)

Spawn began a resurgence in popularity as the title approached its 300th issue, with the title once again becoming a fixture in Diamond’s Top 100. This 300th issue also made Spawn the longest-running independent comic book series of all time.

Star Wars: Dark Force Rising (1997)

The dying Empire’s most cunning and ruthless warlord—Grand Admiral Thrawn—has taken command of the remnants of the Imperial fleet and launched a massive campaign aimed at the New Republic’s destruction. Meanwhile, Han and Lando Calrissian race against time to find proof of treason inside the highest Republic Council—only to discover instead a ghostly fleet of warships that could bring doom to their friends and victory to their enemies. Yet most dangerous of all is a new Dark Jedi, risen from the ashes of a shrouded past, consumed by bitterness…and scheming to corrupt Luke Skywalker to the Dark Side.

Supergirl V7 (2016)

The 2016 DC Comics title relaunch Rebirth incorporates several elements (such as the costume, the setting and some characters) from the Supergirl television series. The DC Rebirth initiative undid the New 52’s modern recreations, bringing DC’s heroes back to their more classic iterations. Supergirl’s new series (Volume 7) was titled Supergirl: Rebirth, written by Steven Orlando. The first arc was pencilled by Brian Ching, who also redesigned Supergirl’s costume in reference to a more classic look.

Immortal X-Men (2022)

Writer-editor Jonathan Hickman and artist/co-plotter Pepe Larraz created the Quiet Council of Krakoa in House of X #6 (October 2019). The Council appeared in many comics in the Dawn of X and Reign of X relaunches, creating and enforcing the laws of Krakoa; prosecuting and delivering judgement on mutants accused of breaking those laws.

In March 2022, the council headlined Immortal X-Men as part of the Destiny of X relaunch. The series also served continuation of Inferno, vol. 2. It was written by Kieron Gillen and drawn by Lucas Werneck, building plot points for the event Sins of Sinister. After being briefly transformed into the Immoral X-Men limited series, Immortal X-Men continued from issue #11.

The Puma Blues (1986)

The Puma Blues was a comic book written by Stephen Murphy and drawn by Michael Zulli. It ran from June 1986 to the beginning of 1989, stretching over 23 regular issues and a single “half-issue” minicomic.

Published first by Aardvark One International and later by Mirage Studios, the story is set around the millennium. and follows Gavia Immer, a governmental fauna agent, as he goes through an existential dilemma while watching videos his father left for him after his death.

The comic book’s detailed artwork by Michael Zulli, which focused primarily on wildlife and nature, was superposed to a loose narrative with a druggy, dreamy, new age apocalyptic atmosphere. This de-structuralizing of the main narrative increased dramatically in later issues, with the second half of the series often taking the form of illustrated prose poetry within an associative narrative.

Wolverines (2015)

The aftermath of Wolverine’s death is explored in the series Wolverines. Sharp, Skel, Neuro, Endo, Junk, and the “Wolverines” (a team formed from the fallout of his death by Daken, Lady Deathstrike, Mystique, Sabretooth, and X-23) try to find Logan’s adamantium-covered body, which is taken by Mister Sinister. The group infiltrate Mister Sinister’s fortress to retrieve the body, but it is taken by the X-Men after a battle.

Jupiter’s Legacy (2013)

Jupiter’s Legacy is influenced by Star WarsKing KongRoman mythology and origin stories from the Golden Age of Comics. It is written as Millar’s treatise on superheroes’ connection to the American ideal. The first few issues of the opening story arc explores the generational conflict between a group of aging superheroes known as the Union, who used the powers they gained in 1932 for the betterment of mankind, in particular their leader, Sheldon Sampson (aka the Utopian), and their children, who are daunted by the prospect of living up to their parents’ legacy. Other conflicts and themes in the book include sociopolitical and economic differences among the older heroes and the end of capitalism, in the form of Sheldon’s differences with his brother, Walter, which were inspired by Millar’s reaction to the Great Recession.