Story and art by Everett Peck. He’s been up–he’s been down–he’s fallen asleep with the TV on! New, hot from this previous engagement in Dark Horse Presents, the tough duck private dick, stars in his first feature length special. The story wouldn’t be complete without Cornfed, Fluffy, and Uranus hanging around waiting for the next dose of abuse from their feathered “friend.”
The comic book Battlestar Galactica, based on the ABC television series of the same name, was published monthly by Marvel Comics from March 1979 through January 1981, and lasted 23 issues.
Although there were other attempts to adapt Battlestar Galactica into a comic book format, the Marvel series is considered by many to have been the most successful in terms of run, sales, and content.
This was accomplished against some notable odds. Although Roger McKenzie was most often the writer, and Walt Simonson the most regular artist, the book also had a heavy rotation of guest writers and artists.
Marvel Comics’ began its adaptation of Battlestar Galactica with Marvel Super Special #8, a magazine format comic written by Roger McKenzie and drawn by Ernie Colón which was released as a tie-in to the start of the series. Based on an early script of the three hour series premiere “Saga of a Star World”, this adaptation, which gave a relatively short treatment to the third hour, was also released in a tabloid format and then later as a paperback as well. The tabloid version was also printed by Whitman Comics. Its success led Marvel to print a regular monthly comic depicting the adventures of the ragtag fleet.
A coming-of-age tale told through the eyes of a group of French orphans during World War II who are saved by a brave and daring American boy named Peter. As they travel together, they get tangled up in the French Resistance and their efforts against a growing German presence under the leadership of a fanatical hook-handed SS officer hellbent on wiping them out!
Stranded on an isolated planet, Ann McKay takes shelter in a remote village that is being terrorized by an Alien. She soon discovers that its inhabitants are hiding a horrifying secret from her. But to discover the truth she has to face her own innermost demons, and try to save the souls of the villagers at the same time.
Kara Zor-El has seen some epic adventures over the years, but finds her life without meaning or purpose. Here she is, a young woman who saw her planet destroyed and was sent to Earth to protect a baby cousin who ended up not needing her. What was it all for? Wherever she goes, people only see her through the lens of Superman’s fame. Just when Supergirl thinks she’s had enough, everything changes. An alien girl seeks her out for a vicious mission. Her world has been destroyed, and the bad guys responsible are still out there. She wants revenge, and if Supergirl doesn’t help her, she’ll do it herself, whatever the cost. Now a Kryptonian, a dog, and an angry, heartbroken child head out into space on a journey that will shake them to their very core.
OMAC (Buddy Blank) was created in 1974 by Jack Kirby and published by DC Comics. The character was created towards the end of Kirby’s contract with the publisher, following the cancellation of his New Gods series and was reportedly developed strictly due to Kirby needing to fill his contractual quota of 15 pages a week. As envisioned by Kirby, OMAC is essentially Captain America set in the future, an idea Kirby had toyed with some years earlier while at Marvel Comics, but had never realized.
Set in the near future (“The World That’s Coming”), OMAC is a corporate nobody named Buddy Blank who is changed via a “computer-hormonal operation done by remote control” by an A.I. satellite called Brother Eye into the super-powered One-Man Army Corps (OMAC).
EVIL HAS BEEN UNLEASHED ON THE UNIVERSE. Thanos, possibly the most evil individual in the Marvel Universe, is back…and he’s out for vengeance on all who would oppose him. Unfortunately for the Mad Titan, he’s also heading for an unexpected reckoning…with his family. Take an ongoing walk on the dark side of the galaxy, following the deadly trail of destruction left in the wake of…THANOS!
Whiz Comics #2 (cover-dated Feb. 1940) was published in late 1939. The comic’s lead feature introduced audiences to Billy Batson, an orphaned boy who, by speaking the name of the ancient wizard Shazam, is struck by a magic lightning bolt and transformed into the adult superhero Captain Marvel. Shazam’s name was an acronym derived from the six immortal elders who grant Captain Marvel his superpowers: Solomon, Hercules, Atlas, Zeus, Achilles and Mercury.
In addition to introducing the main character, his alter ego, and his mentor, Captain Marvel’s first adventure in Whiz Comics #2 also introduced his archenemy, the evil Doctor Sivana, and found Billy Batson talking his way into a job as an on-air radio reporter with station WHIZ. Captain Marvel was an instant success, with Whiz Comics #2 selling over 500,000 copies. By 1941, he had his own solo series, Captain Marvel Adventures, while he continued to appear in Whiz Comics, as well as periodic appearances in other Fawcett books, including Master Comics.
The series was created by a British collaboration consisting of writer Alan Moore, artist Dave Gibbons, and colorist John Higgins. Watchmen originated from a story proposal Moore submitted to DC featuring superhero characters that the company had acquired from Charlton Comics. As Moore’s proposed story would have left many of the characters unusable for future stories, managing editor Dick Giordano convinced Moore to create original characters instead.
Moore used the story as a means to reflect contemporary anxieties and to deconstruct and parody the superhero concept. Watchmen depicts an alternate history where superheroes emerged in the 1940s and 1960s and their presence changed history so that the United States won the Vietnam War and the Watergate scandal was never exposed. In 1985, the country is edging toward World War III with the Soviet Union, freelance costumed vigilantes have been outlawed and most former superheroes are in retirement or working for the government. The story focuses on the personal development and moral struggles of the protagonists as an investigation into the murder of a government-sponsored superhero pulls them out of retirement.
Writer/artist Dan Jurgens worked on the title from 1989–1991. Hank Henshaw, a character who would later become the Cyborg Superman, first appeared in issue #466 (May 1990). By the late 1980s, the plots of the Superman books were often linked. To coordinate the storyline and sequence of event, from January 1991 to January 2002, “triangle numbers” (or “shield numbers”) appeared on the cover of each Superman comic book. During these years, the Superman storylines ran with the story continuing through the titles Superman, Action Comics and later in two further series, Superman: The Man of Steel and Superman: The Man of Tomorrow.
