In 1977, the group returned to its own title continuing the number with #81. During this period, they were joined by Deadman and Swamp Thing, and June Robbins got a uniform and official status. No explanation was given for Corinna Stark’s departure, nor June’s joining the team. The revived series was canceled with issue #87 in 1978.
Howard the Duck, was created by Steve Gerber and artist Val Mayerik. The character first appeared in Adventure into Fear #19 (Dec. 1973). He graduated to his own backup feature in Giant-Size Man-Thing, confronting such bizarre horror-parody characters as Hellcow and the Man-Frog, before acquiring his own comic book title with Howard the Duck #1 in 1976.
The second Grendel anthology, in the tradition of the multiple Eisner Award-winning Grendel: Black, White, & Red. Each written by the Devil’s acclaimed creator, Matt Wagner, these short stories are vignettes of the devious misdeeds of Hunter Rose, the first incarnation of Grendel. The tales are illustrated in stark black, white, and blood red by some of the top talents in comics, including Zander Cannon, Andy Kuhn, Ashley Wood, Tom Fowler, Mike Huddleston, Cliff Chiang, John K. Snyder, and more.
The character Nemesis, also known as Thomas Tresser, debuted in an eight-page backup story in issue #166 (September 1980) written by Cary Burkett and drawn by Dan Spiegle. The Tresser character was created by Burkett in 1979, and named for an actor with whom Burkett was rooming in New Hampshire.
Alan Brennert wrote four issues of The Brave and the Bold featuring Batman teaming with the Creeper, Hawk and Dove, the Robin of Earth-Two, and the Catwoman.
The title’s final issue featured a team-up of the Batmen of Earth-One and Earth-Two and included a preview of Batman and the Outsiders, the title that replaced The Brave and the Bold on DC’s schedule and became Aparo’s next regular assignment.
The series was launched with an April 1985 cover dated issue by writer Louise Simonson and penciller Greg LaRocque and featured the return of Spider-Man’s alien black costume, which attempted to rebond with Peter Parker. Peter managed to rid himself of the costume again using church bells and the alien was presumed to have died after that. The first issue featured a cover painting by artist Charles Vess.
In issue #18 (September 1986), Peter Parker is pushed in front of an oncoming train. He thinks to himself that this should not have happened, as his spider-sense would have warned him of the danger. Writer David Michelinie has said that he wrote this as the first “teaser” appearance of the characterVenom, whom he was planning to introduce at a later date. Venom is an amalgam of reporter Eddie Brock and the alien costume. The costume could nullify Spider-Man’s spider-sense, and this was the first clue of a puzzle that Michelinie was planning to weave to introduce Venom.
Web of Spider-Man Annual #2 (1986) featured stories drawn by Arthur Adams and Mike Mignola. A followup to the Spider-Man vs. Wolverine one-shot appeared in issue #29. The “Kraven’s Last Hunt” storyline by writer J.M. DeMatteis and artists Mike Zeck and Bob McLeod began in issue #31 (October 1987).
The first 18 issues featured the “Archie gang” in stories that were a bit more “off the wall” than the normal Archie series. The idea was to produce stories that made no sense. The title Mad House was written as two words instead of one to suggest a false connection to MAD Magazine and recapture its success. Beginning with issue 19, the Archie gang was dropped (though it was still called Archie’s Mad House), and the title began featuring monsters, space stories and other wacky short stories. The gags in the comics often parodied the latest fads and popular culture. For a time, it would focus on stories with what were intended to be one-off characters. There were, however, exceptions to this rule. Characters becoming popular enough would appear again.
Coming off their previous project, Earth X from Marvel Comics, Alex Ross, Jim Krueger, and Doug Braithwaite started on Justice, a 12-issue bi-monthly series. Ross described the series as a full-on superhero war, the Super Friends versus the Legion of Doom, to the death. In many ways, Justice is a follow-up to Ross’ and Paul Dini‘s The World’s Greatest Super-Heroes.
Ross had stated that, following Kingdom Come, he wanted to break away from the 1990s fixation with superhuman wars, and focused on The World’s Greatest Super-Heroes. It was only following that that he could return to the war stories he is known for, like Kingdom Come.
Nextwave is a humorous comic book series by Warren Ellis and Stuart Immonen, published by Marvel Comics between 2006 and 2007. Nextwave consistently features extreme violence and comedy, and simultaneously satirizes and celebrates Marvel’s superhero comics. The series frequently uses flashback scenes in which existing Marvel characters such as Captain America, Ulysses Bloodstone and the Celestials act grossly out of character for comedic purposes. In an interview, Ellis said, “I took The Authority and I stripped out all the plots, logic, character and sanity.” “It’s an absolute distillation of the superhero genre. No plot lines, characters, emotions, nothing whatsoever. It’s people posing in the street for no good reason. It is people getting kicked, and then exploding. It is a pure comic book, and I will fight anyone who says otherwise. And afterwards, they will explode.”
Jimmy Sangster might have left Maryland for the vampire-infested city of “Killadelphia,” but there is still untold evil lurking the streets of Baltimore. The demon Corson has surfaced from the underworld to possess a once-wronged man, and his vengeance will come at the cost of humanity’s despair! But Jimmy’s former lover Nita Hawes—a woman with demons of her own—has begun a quest to root the evil out of her city. Guided by the ghost of her dead brother, she must come to terms with her own past, lest she join her brother in a state worse than death!
Since the beginning of The New 52, Scott Snyder has been the writer of the flagship Batman title. His first major story arc was “Night of the Owls“, where Batman confronts the Court of Owls, a secret society that has controlled Gotham for centuries. The second story arc was “Death of the Family“, where the Joker returns to Gotham and simultaneously attacks each member of the Batman family. The third story arc was “Batman: Zero Year“, which redefined Batman’s origin in The New 52. It followed Batman #0, published in June 2012, which explored the character’s early years. The final storyline before the Convergence (2015) event was Endgame, depicting the supposed final battle between Batman and the Joker when he unleashes the deadly Endgame virus onto Gotham City. The storyline ends with Batman and the Joker’s supposed deaths. Starting with #41, Commissioner James Gordon takes over Bruce’s mantle as a new, state-sanctioned, mecha Batman, debuting in the Free Comic Book Day special comic Divergence. However, Bruce Wayne is soon revealed to be alive, albeit now suffering almost total amnesia of his life as Batman and only remembering his life as Bruce Wayne through what he has learned from Alfred. Bruce Wayne finds happiness and proposes to his girlfriend, Julie, but Mr. Bloom heavily injures Jim Gordon and takes control of Gotham City and threatens to destroy the city by energizing a particle reactor to create a “strange star” to swallow the city. Bruce Wayne discovers the truth that he was Batman and after talking to a stranger who smiles a lot (it is heavily implied that this is the amnesic Joker) he forces Alfred to implant his memories as Batman, but at the cost of his memories as the reborn Bruce Wayne. He returns and helps Jim Gordon defeat Mr. Bloom and shut down the reactor. Gordon gets his job back as the commissioner, and the government Batman project is shuttered.
