Dark Horse Presents was the first comic book published by Dark Horse Comics in 1986 and was their flagship title until its September 2000 cancellation. The second incarnation was published on MySpace, running from July 2007 until August 2010. A third incarnation began in April 2011, released in print form once again.
After the end of Grant Morrison‘s run on X-Men vol. 2 titled New X-Men, the title was used for a new series, New X-Men: Academy X. The title was later shortened to simply New X-Men.
New X-Men: Academy X was launched during the X-Men ReLoad event. The Academy X subtitle was dropped from the title when the new creative team of Craig Kyle and Christopher Yost took over the series with issue #20.
Whereas the other X-Men comics mostly deal with established adult mutants, this series concentrates on the lives of young students residing at the Xavier Institute for Higher Learning as they learn to control their powers.
After the 2007 crossover X-Men: Messiah Complex, the New X-Men title was canceled and briefly relaunched as Young X-Men for 12 issues. The series was written by Marc Guggenheim. After the first arc of Young X-Men, the characters began appearing in the pages of Uncanny X-Men. With the cancellation of Young X-Men the characters were folded onto the main X-Men books, appearing most prominently in the pages of X-Men: Legacy, Wolverine and the X-Men, and most recently, in X-Men.
On February 20, 2015, Oni Press announced that they would be releasing an official Comic Book series based on Invader Zim, in collaboration with Jhonen Vasquez and Nickelodeon. Jhonen Vasquez said: “I’m always confused when people say how much they miss Invader Zim because the show never stopped running in my head, and then I remember everyone else isn’t in my head”. A pre-issue 0 was released on May 23, 2015 as a zine and foreshadow to the comic book series. The first issue was released on July 8, 2015, and since then most issues are released on a monthly basis.
The comic was originally going to be canon, but James Tynion IV, who took over the writing duties on Batman (Volume 3) from Tom King, said that Batman/Catwoman was moving away from the “bounds of continuity” per his understanding and it would have no effect on the main Batman title.
King later stated it was a standalone series and was his version of how Batman and Catwoman’s ending should be. He also hoped it would lead to “breaking the mold” in DC about Batman’s status quo. The series follows the duo’s romance through multiple eras, unlike the current Prime Earth continuity.
Marvel began The Amazing Spider-Man anew with (vol. 2) #1 (Jan. 1999). Howard Mackie wrote the first 29 issues. The relaunch included the Sandman being regressed to his criminal ways and the “death” of Mary Jane, which was ultimately reversed. Other elements included the introduction of a new Spider-Woman (who was spun off into her own short-lived series) and references to John Byrne’s miniseries Spider-Man: Chapter One, which was launched at the same time as the reboot. Byrne also penciled issues #1–18 (from 1999 to 2000) and wrote #13–14, John Romita Jr. took his place soon after in October 2000. Mackie’s run ended with The Amazing Spider-Man Annual 2001, which saw the return of Mary Jane, who then left Parker upon reuniting with him.
With issue #30 (June 2001), J. Michael Straczynski took over as writer and oversaw additional storylines – most notably his lengthy “Spider-Totem” arc, which raised the issue of whether Spider-Man’s powers were magic-based, rather than as the result of a radioactive spider’s bite. Additionally, Straczynski resurrected the plot point of Aunt May discovering her nephew was Spider-Man, and returned Mary Jane, with the couple reuniting in The Amazing Spider-Man (vol. 2) #50. Straczynski gave Spider-Man a new profession, having Parker teach at his former high school.
Issue #30 began a dual numbering system, with the original series numbering (#471) returned and placed alongside the volume two number on the cover. Other longtime, rebooted Marvel Comics titles, including Fantastic Four, likewise were given the dual numbering around this time. After (vol. 2) #58 (Nov. 2003), the title reverted completely to its original numbering for issue #500 (Dec. 2003). Mike Deodato, Jr. penciled the series from mid-2004 until 2006.
Monstress is an epic fantasy comics series written by Marjorie Liu and drawn by Sana Takeda, published since 2015 by Image Comics.
The series is set in a matriarchal “alternate Asia” riven by war between the Arcanics, magical creatures who sometimes can pass for human, and the Cumea, an order of sorceresses who consume Arcanics to fuel their power. The main character, Maika, is an Arcanic who is set on learning more about, and avenging, her dead mother. According to Liu, among the series’s themes are the inner strength required to withstand constant dehumanization, as well as the power of friendship among women.
The first, triple-sized issue of Monstress received critical praise. Writing for Kotaku, Evan Narcisse called it “a gorgeous comic book about racism, war and slavery”, noting the intricate detail of Takeda’s manga-inspired art. In the A.V. Club, Caitlin Rosberg described the leading characters, all women, as “deeply flawed and showing layers of nuanced characterization that you don’t often see in comic books”, and appreciated the series’s “sense of in-between-ness—(…) neither traditionally Western nor manga, paced like a novel but drawn like a comic”.
An all-new Venom from some of comics’ greatest talents! Marvel mainstay Al Ewing, who himself has just ended a character-redefining run on Immortal Hulk, is being joined by Ram V, a horror maestro all his own, to craft a mind-bending and gut-wrenching tale of symbiosis the likes of which the Marvel Universe has never seen! Aa if that wasn’t enough, they’ve been joined by Bryan Hitch, who is leaving it all on the page.
On an apparently routine supply run, Philip and Joy Strunk deliver a shipment of synthetic photo receptors to Caspar Nordling, biotechnologist for Grant Corporation. When the Strunks discover that Nordling’s experiments have exceeded Stanislaw Mayakovsky’s work (as seen in Aliens: Hive), they realize that there’s more to Nordling — and the Aliens — than meets the eye.
Karen Berger became editor of the series with #292 (May 1981), her first for DC Comics. Under Berger, the series experimented with long-form storylines in the popular I…Vampire serial created by writer J. M. DeMatteis. “I… Vampire” revolved around the heroic vampire, Andrew Bennett, who sought to defeat his nemesis and former lover Mary, the Queen of Blood. This series began in #290 (March 1981) and would last until #319 (August 1983), two issues before the title ended with #321 (October 1983).
Tales of Suspense became Captain America with #100 (April 1968) This series — considered Captain America volume one by comics researchers and historians, following the 1940s Captain America Comics and its 1950s numbering continuation of Tales of Suspense — ended with #454 (Aug. 1996).
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