Using the end of the New 52 initiative as a launching point, DC Comics began a second relaunch of its entire line of titles called DC Rebirth in 2016. Suicide Squad (vol. 5) #1 (August 2016) was the debut bimonthly relaunch of the team’s comic book title which consisted of Amanda Waller, Deadshot, Rick Flag, Captain Boomerang, Harley Quinn, Killer Croc, Katana & Enchantress. The Suicide Squad was given a new look, reflecting the team’s appearance in the DC Extended Universe.
The mutant best known as Wolverine has lived many lives under many identities and in many places, but never before has the fate of the future been so entwined with the past! Fan-favorite eras of Wolverine’s saga are explored anew, along with never-before-seen episodes as Logan must travel to various points in time to prevent the death of a key figure in mutant history. But these LIVES are only one side of the story…
Designed to compete with DC Comics‘ successful launches of House of Mystery and House of Secrets,[2] Tower of Shadows, like its companion comic Chamber of Darkness, sold poorly despite the roster of artists featured. After its first few issues, the title, published bimonthly, began including reprints of “pre-superhero Marvel” monster stories and other SF/fantasy tales from Marvel’s 1950s and early 1960s predecessor, Atlas Comics. After the ninth issue, the title changed to Creatures on the Loose, and the comic became a mix of reprints and occasional sword and sorcery/SF series.
The 1980s saw radical revisions of Superman. DC decided to remove the multiverse in a bid to simplify its comics line. This led to the rewriting of the back story of the characters DC published, Superman included. John Byrne rewrote Superman, removing many established conventions and characters from continuity, including Superboy and Supergirl. Byrne also re-established Superman’s adoptive parents, The Kents, as characters. In the previous continuity, the characters had been written as having died early in Superman’s life (about the time of Clark Kent’s graduation from high school).
In 1979, The Unexpected converted to the Dollar Comics format and incorporated House of Secrets and The Witching Hour. Each “Unexpected” story would always include the word in its last panel. After the merge, this was only true of the Unexpected section; there would then be complete, ad-free issues of The Witching Hour, hosted by its witches, and The House of Secrets, hosted by Abel. The Witching Hour feature was alternated with Doorway to Nightmare starring Madame Xanadu, which appeared in issues #190, 192, 194, and 195.
Four years after his debut, Superboy became only the sixth DC superhero to receive his own comic book when Superboy #1 (March–April 1949) was published. The series became the first new DC superhero title to succeed since World War II. Superboy saw the debuts of the first Superbaby story, (about Clark’s adventures as a super-powered toddler), and of Clark’s two closest friends: Lana Lang, who also serves as a romantic interest for Superboy; and Pete Ross, who later discovers and helps protect Clark’s secret identity. Other notable stories to appear in Superboy include the story of the first Bizarro and the first appearances of Legion of Super-Heroes members Mon-El and Ultra Boy.
Jean Grey and Sabretooth return to Earth 616. Weapon X and his Black Legion attack the last human city where Weapon X slays both Magneto and Rogue, leaving Jean Grey and Sabretooth the last two X-Men alive. Jean telepathically nudges clones of the Scarlet Witch to recreate the Decimation and remove all mutants’ powers across the globe. However, this was only successful within a radius of 12 feet, so Jean Grey and Sabretooth are both left de-powered. The human coalition distracts Weapon X with a bomb long enough for the group to escape as the city explodes behind them. Harper Simons joins with the human team, the X-Terminated. Others who work with the X-Terminated are Doctor Moreau and Bolivar Trask.
In this cyberpunk iteration of a possible future, computer technology has advanced to the point that many members of the public possess cyberbrains, technology that allows them to interface their biological brain with various networks. The level of cyberization varies from simple minimal interfaces to almost complete replacement of the brain with cybernetic parts, in cases of severe trauma. This can also be combined with various levels of prostheses, with a fully prosthetic body enabling a person to become a cyborg. The heroine of Ghost in the Shell, Major Motoko Kusanagi, is such a cyborg, having had a terrible accident befall her as a child that ultimately required that she use a full-body prosthesis to house her cyberbrain. This high level of cyberization, however, opens the brain up to attacks from highly skilled hackers, with the most dangerous being those who will hack a person to bend to their whims.
Doctor Strange: Master of the Mystic Arts, also known as Doctor Strange vol. 2, ran 81 issues (June 1974-February 1987). Doctor Strange #14 featured a crossover story with The Tomb of Dracula #44, another series which was being drawn by Gene Colan at the time. In Englehart’s final story, he sent Dr. Strange back in time to meet Benjamin Franklin. In 2010, Comics Bulletin ranked Englehart’s work on Doctor Strange with artists Brunner and Colan ninth on its list of the “Top 10 1970s Marvels.”
When the children of Archer’s Peak—a sleepy town in the heart of America—begin to go missing, everything seems hopeless. Most children never return, but the ones that do have terrible stories—impossible details of terrifying creatures that live in the shadows. Their only hope of finding and eliminating the threat is the arrival of a mysterious stranger, one who believes the children and claims to be the only one who sees what they can see. Her name is Erica Slaughter. She kills monsters. That is all she does, and she bears the cost because it must be done.
EHT Comics 