The most notorious name in terror is back with a vengeance! From the publisher that drove Tales from the Crypt, Vault of Horror, Haunt of Fear, and many more into the depraved hearts of an unsuspecting world, the immortal EC COMICS returns . . . with its first all-new series in nearly 70 years! What the Comics Code Authority couldn’t kill has only made it stronger . . . EC Comics lives again in Epitaphs from the Abyss!
The initial Justice League lineup included seven of DC Comics’ superheroes who were regularly published at that time: Superman, Batman, Aquaman, Flash, Green Lantern, Martian Manhunter, and Wonder Woman. Rarely featured in most of the stories, Superman and Batman did not even appear on the cover most of the time. Three of DC’s other surviving or revived characters, Green Arrow, the Atom, and Hawkman were added to the roster over the next four years.
The title’s early success was indirectly responsible for the creation of the Fantastic Four. In his autobiography Stan Lee relates how in 1961, during a round of golf, DC publisher Jack Liebowitz mentioned to Marvel-Timely owner Martin Goodman how well DC’s new book (Justice League) was selling. Later that day Goodman, a publishing trend-follower aware of the JLA’s strong sales, told Lee, his comics editor, to come up with a team of superheroes for Marvel.
Steve Gerber’s posthumous Man-Thing story “The Screenplay of the Living Dead Man”, with art by Kevin Nowlan, originally planned as a 1980s graphic novel before being left uncompleted by the artist, was revived in the 2010s and appeared as a three-issue miniseries cover-titled The Infernal Man-Thing (Early Sept.-Oct. 2012). The story was a sequel to Gerber’s “Song-Cry of the Living Dead Man” in Man-Thing #12 (Dec. 1974).
Mark Millar & Greg Capullo join forces to create the smash hit sci-fi / fantasy story: REBORN. Where do you go when you die? Not heaven or hell; somewhere else. Somewhere you have to fight to survive. Somewhere the people from the past are waiting for you—the good and the bad.
Batman and the Monster Men is a limited series written and drawn by Matt Wagner with colors by Dave Stewart, published by DC Comics in 2006. It, along with its sequel Batman and the Mad Monk, are set in between the events of Batman: Year One and Batman: The Man Who Laughs. It is the first part of Matt Wagner‘s two-part Dark Moon Rising series, which are expanded and modernized versions of early Batman stories.
Amazing Spider-Man reverted completely to its original numbering for #500 (Dec. 2003). Mike Deodato, Jr. penciled the series from mid-2004 until 2006. That year Peter Parker revealed his Spider-Man identity on live television in the company-crossover storyline “Civil War“, in which the superhero community is split over whether to conform to the federal government’s new Superhuman Registration Act. This knowledge was erased from the world with the event of the four-part, crossover story arc, “One More Day“, written partially by J. Michael Straczynski and illustrated by Joe Quesada, running through The Amazing Spider-Man #544-545 (Nov.-Dec. 2007), Friendly Neighborhood Spider-Man #24 (Nov. 2007) and The Sensational Spider-Man #41 (Dec. 2007), the final issues of those two titles. Here, the demon Mephisto makes a Faustian bargain with Parker and Mary Jane, offering to save Parker’s dying Aunt May if the couple will allow their marriage to have never existed, rewriting that portion of their pasts. This story arc marked the end of Straczynski’s tenure as writer.
The first series in the line explores the adventures of Will Byers (Noah Schnapp) after he was transported to the horrific extra-dimensional Upside Down at the beginning of season 1. Viewers only saw Will reappear in that season’s finale when he was finally found by his mother Joyce (Winona Ryder), but obviously a lot happened in the interim. This four-issue Stranger Things miniseries — written by Jody Houser, illustrated by Stefano Martino, inked by Keith Champagne, colored by Lauren Affe, and lettered by Nate Piekos — will finally give fans a look at what happened to Will in the Upside Down.
Our gal Catwoman turns 80 (and looking very good, if we meow say), and DC is celebrating with nothing less than with a huge soiree, invite only, packed with creators who mean the most to her and to whom she means the most! Stories featured in this 100-page spectacular include a tail-sorry, tale-that takes place at the end of the Brubaker/Stewart Catwoman run, in honor of artist Darwyn Cooke. Plus, Catwoman is caught by an exotic cat collector, runs into a wannabe thief trying to prove himself as her apprentice, encounters a mystery involving memorabilia from alternate continuities, and of course some Bat/Cat fun.
The Defenders had a rotating line-up from 1972 until 1986, with Dr. Strange and the Hulk being more or less constant members along with a number of other mainstays such as Valkyrie, Nighthawk, Hellcat, the Gargoyle, Beast, the Son of Satan and Luke Cage, and a large number of temporary members. The publication was retitled near the end of the run as The New Defenders but featured none of the original members and only Valkyrie, the Beast and the Gargoyle of the former long-term members. The concept was modified in the 1993–95 series Secret Defenders, in which Dr. Strange assembled different teams for each individual mission. Later, the original team were reunited in a short-lived series by Kurt Busiek and Erik Larsen. In the 2000s, Marvel published a new miniseries featuring the classic line-up. Writer Matt Fraction and artist Terry Dodson launched a new Defenders series in December 2011.
The series is set between 2006–2008 in a world where superheroes exist. However, most of the superheroes in the series’ universe are corrupted by their celebrity status and often engage in reckless behavior, compromising the safety of the world. For this reason, a superpowered CIA squad, known informally as “The Boys”, is charged with monitoring the superhero community; the name is Butcher’s contribution, a reference from his neighborhood that those in power would send “the boys” to handle anyone causing trouble.
Ennis has said that the series would “out-Preacher Preacher“, presumably referring to the extreme violence and sexuality that were that series’ hallmark, and that the series would end with its seventy-second issue.
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