Black Cat (1948)

Linda Turner is the daughter of silent film Western actor Tim Turner, and a former Hollywood stunt woman. Linda has successfully made the transition from stunt woman to lead actress. During the filming of an unnamed picture, Linda suspects the film’s director, Garboil (no first name given), of being a Nazi spy or at the very least an American Bund member. In order to follow him and gain corroborating evidence, she disguises herself in a backless blue blouse, red shorts, blue flared gloves, red buccaneer boots and a blue opera mask and calls herself the Black Cat.

According to Jess Nevins’ Encyclopedia of Golden Age Superheroes, most of the Black Cat’s opponents are ordinary criminals and Axis agents, but she does fight a female mad scientist, the criminal brothers known as the Three Black Cats, a vampire, and after the war Russians in Afghanistan.

In 1944, The Black Cat’s costume was modified slightly, becoming a one piece blue bathing suit with buccaneer boots, flared gloves and opera mask, all in blue, and a red belt. This look would remain for the rest of her career.

Lady Death – The Reckoning (1994)

Lady Death was originally published by Chaos Comics and remains one of the best examples of the bad girl titles that took the American comic book industry by storm during the late 1990s. The earliest issues of Lady Death were written by Brian Pulido and illustrated by Steven Hughes. Lady Death was originally conceived as a violent anti-hero, but subsequent iterations have toned down the more controversial aspects of the character.

 

Jaguar God (1995)

Inspired by a Frank Frazetta painting, Glenn Danzig’s powerful and violent story of a prehistoric hero is brought to life by Mark Morales & team’s artwork. The Jaguar God is the protector of the land and the people of Yagua. He takes on prisoners, and destroys anyone or anything that dares to venture in with bad intent. Powerful story and beautiful color illustrations make this 4 in a series a treat for action buff in the vein of Conan the Barbarian.

Grim Ghost (1975)

The Grim Ghost is a fictional character, a superhero created by writer Michael Fleisher and artist Ernie Colón that debuted in The Grim Ghost #1 (cover-dated Jan. 1975) from Atlas/Seaboard Comics. The series lasted three issues before the company went out of business in January 1976. A new ongoing series published by a revival of Atlas Comics in association with Ardden Entertainment, debuted in 2010.

Doctor Solar Man of the Atom – Gold Key (1962)

Doctor Solar premiered in issue #1 of Doctor Solar, Man of the Atom in Summer 1962 (cover date October 1962) in the first batch of comics released by Gold Key, with Solar being Gold Key’s first original character. Though Gold Key did not have as large a distribution network as Dell Comics, the Gold Key comics stood out on the newsstand shelves due to their cover art and a 12 cent price (Dell Comics sold for 15 cents). The first two issues of Solar appeared with cover paintings by Richard M. Powers; beyond the second issue the cover paintings were done by George Wilson. The interior artwork in the first several issues also had unique features: the superhero, Dr. Solar, did not have a costume until the fifth issue, rectangular word balloons and no black holding line around each panel. Following from practise of Dell Comics, and thanks to Western Publishing’s reputation of publishing other children-friendly books, Doctor Solar, Man of the Atom was able to be distributed without the Comics Code Authority symbol. The original creative team of writer Paul S. Newman and artist Bob Fujitani lasted until issue #5 when Frank Bolle took over the art work. With the exception of issue #7 written by Otto Binder, Newman wrote the comic book until issue #10 when Dick Wood took over for the remainder of the series. Other artists that contributed included Mel Crawford, Win Mortimer, Alden McWilliams (issues #20-23), Ernie Colón (issues #24-26), José Delbo (issue #27).

Berni Wrightson: Master of the Macabre (1983)

Berni Wrightson Master of the Macabre was created by Bruce Jones with the full cooperation of the master himself. Originally published by Pacific Comics, it reprints Wrightson’s early horror stories, some of which appear here in color for the first time. The series ended with issue #4 but was briefly continued when it was picked up by Eclipse, which published issue #5.

Den (1988)

Among the stories Richard Corben had drawn for Heavy Metal he continued the saga of his most famous creation, Den which had begun in the short film Neverwhere (Neil Gaiman used the same title, Neverwhere, later, but the two creations have nothing in common) and a short story in the underground publication Grim Wit No. 2. The saga of Den is a fantasy series about the adventures of a young underweight nerd who travels to Neverwhere, a universe taking inspirational nods from Robert E. Howard‘s Hyborian AgeEdgar Rice Burroughs‘s Barsoom and H. P. Lovecraft‘s horror dimensions. There, the boy becomes an enormously endowed nude muscleman who has erotic adventures in a world of outrageous dangers, hideous monsters, and buxom nude women who lustfully throw themselves at him. This story was adapted in a highly abridged form in the animated film Heavy Metal, where Den was voiced by John Candy in an abbreviated adaptation that involved Corben himself that he felt was satisfactory.

From 1986–1994 Corben operated his own publishing imprint, Fantagor Press. Among the titles Fantagor published were DenDen SagaHorror in the DarkRip in Time, and Son of Mutant World. Fantagor went out of business after the 1994 contraction of the comics industry.

Grimjack (1984)

Grimjack is the main character of a comic book originally published by the American company First ComicsJohn Ostrander and Timothy Truman are credited as co-creators of the character, although Ostrander had been developing Grimjack with artist Lenin Delsol before Truman’s arrival on the project according to Ostrander’s own text piece in Grimjack #75. In that same essay, the writer also revealed having initially conceived the character to be the star of a series of prose stories, set in a post-apocalyptic Chicago.

Popeye (1936)

Popeye Story book published in 1936 by King Features. Full color, oversized format 9 1/4-in. x 13-in. Bound in linen-like material. Published before the Feature Book series

Batman / Grendel (1993)

A two-part Batman/Grendel crossover, Devil’s Riddle and Devil’s Masque, was written and drawn by Wagner and colored by Wagner at the time of the Comico series, but was delayed by Comico’s bankruptcy. It was finally published by DC in 1993.

The story assumes that Hunter Rose and Batman live in the same fictional universe and are contemporaries. Bored with Argent the wolf and the NYPD, Hunter Rose comes to Gotham City to challenge the city’s protector to stop him before he commits an audacious crime. Hunter Rose becomes increasingly impressed with Batman but is still able to pull off his crime. However, Batman’s interference proves to be more trouble than he expected and Grendel winds up unintentionally endangering the life of a child and indirectly causing the death of a person he did not consider an enemy. Grendel and Batman’s final battle ends with the assassin just barely escaping Gotham, his arm broken by the Dark Knight in the process.

Although this story can be seen as out of continuity, Hunter Rose is depicted with a broken arm in the “Devil’s Advocate” short, featured inGrendel: Black, White, & Red.