Iron Man V5 (2020)

Tony Stark is looking to restart his engine. He decides he’s going back to basics, putting away his high-tech toys and high-profile image so he can get his hands dirty again. It’s time to dig into the guts of real machines, put on some old-fashioned metal and fly.

But can he really lay that Stark-sized ego down? Life isn’t that simple, something that old friends and frustrating foes are quick to point out. If you strip down a billionaire to his bolts, does he run solid or just overheat?

Tony’s going to find out once a threat to the entire universe rears its head from the past. As he suits up again, Tony remains sure of one thing: he’s still IRON MAN down to his flesh and blood core.

Thor (Silver Age)

Thor debuted in the science fiction/fantasy anthology title Journey into Mystery #83 (cover-date Aug. 1962), and was created by editor-plotter Stan Lee, scripter Larry Lieber, and penciller-plotter Jack Kirby. A different version of the mythological Thor had appeared previously in Venus #12-13 (Feb.-April 1951).

In a 1984 interview Kirby said “I did a version of Thor for D.C. in the Fifties before I did him for Marvel. I created Thor at Marvel because I was forever enamored of legends, which is why I knew about Balder, Heimdall, and Odin. I tried to update Thor and put him into a superhero costume, but he was still Thor.” And in a 1992 interview, Kirby said “[I] knew the Thor legends very well, but I wanted to modernize them. I felt that might be a new thing for comics, taking the old legends and modernizing them.”

Journey into Mystery was retitled Thor (per the indicia, or The Mighty Thor per most covers) with issue #126 (March 1966). “Tales of Asgard” was replaced by a five-page featurette starring the Inhumans from #146–152 (Nov. 1967 – May 1968), after which featurettes were dropped and the Thor stories expanded to Marvel’s then-standard 20-page length.

ROM Spaceknight – Marvel (1979)

To build interest in the ROM toy, Parker Brothers licensed the character to Marvel Comics, which created a comic book featuring Rom. The comic expanded on the premise that Rom was a cyborg and gave him an origin, personality, set of supporting characters and villains, as well as interaction within the Marvel Universe. The comic was written by Bill Mantlo and initially illustrated by artist Sal Buscema. Buscema stated in a 2010 interview, “I liked the character. And I liked what they did with it. I thought the concept was quite good. It was unique. It made it attractive to do. I almost hate to say this, but it was pretty easy to draw, too.” Buscema was the main artist for the series from its creation through 1984. Steve Ditko took over for the final two years of the original run.

Ultimately, the toy failed and only sold 200,000 to 300,000 units in the US, with creator McCoy blaming the failure on poor packaging and marketing. Parker Brothers subsequently abandoned the line.

The comic book outlasted the toy which it was created to support. The series lasted for 75 issues (not including the four annual issues) from December 1979 to February 1986. Rom’s regular encounters with mainstream heroes and villains established him as part of Marvel continuity.

 

Beware (1973)

Beware was an 8 issues series that ran from March, 1973 to May, 1974. The series contained reprints of Atlas comics with new covers by Bill EveretJohn Romita & Gil Kane The title continued as Tomb of Darkness with issue #9 in July of 1974.

Deadpool V3 (2012)

As part of Marvel’s Marvel NOW! initiative a new Deadpool ongoing series was launched. He is also a member of the Thunderbolts. In the 27th issue of his new series, as part of “All-New Marvel NOW!”, Deadpool was married for the third time. Initially a secret, his bride was revealed in the web comic Deadpool: The Gauntlet to be Shiklah, Queen of the Undead. Deadpool also discovers that he has a daughter by the name of Eleanor from a former flame of Deadpool named Carmelita.

Ultimate X-Men (2001)

Published by Marvel Comics, from 2001 to 2009, the series is a modernized re-imagining of Marvel’s long-running X-Men comic book franchise as part of the Ultimate Marvel imprint. The Ultimate X-Men exist alongside other revamped Marvel characters in Ultimate Marvel titles including Ultimate Spider-ManUltimate Fantastic Four and The Ultimates.

The Punisher V2 (1990’s)

Over the course of the 90’s, the Punisher would be shown fighting virtually every known criminal organization including the Italian Mafia, the Russian Mafia, the Japanese Yakuza, the Colombian and Mexican drug cartels, the Aryan Brotherhood, the Chinese Triads, Jamaican Yardies, the Irish Mob, biker gangs, street gangs, gunrunning militias, muggers, killers, rapists, psychopaths, violent racists, sadists, pedophiles, and corrupt city officials. He also assaults criminal business enterprises such as drugs, weapons smuggling,money laundering, and human trafficking.

Black, White & Blood (2021)

Centers around a specific Marvel character or group, exploring different facets of their history, personalities, and adventures and features a rotating cast of all-star creators, with art entirely colored in white, black and red. Often structured as anthologies, featuring multiple short stories by various creators within each issue.

Silver Surfer V1 (1968)

The Silver Surfer debuted as an unplanned addition to Fantastic Four #48 (March 1966). The comic’s writer-editor, Stan Lee, and its penciller and co-plotter, Jack Kirby, had by the mid-1960s developed a collaborative technique known as the “Marvel Method“: the two would discuss story ideas, Kirby would work from a brief synopsis to draw the individual scenes and plot details, and Lee would finally add the dialog and captions. When Kirby turned in his pencil art for the story, he included a new character he and Lee had not discussed. As Lee recalled in 1995, “There, in the middle of the story we had so carefully worked out, was a nut on some sort of flying surfboard”. He later expanded on this, recalling, “I thought, ‘Jack, this time you’ve gone too far'”. Kirby explained that the story’s agreed-upon antagonist, a god-like cosmic predator of planets named Galactus, should have some sort of herald, and that he created the surfboard “because I’m tired of drawing spaceships!” Taken by the noble features of the new character, who turned on his master to help defend Earth, Lee overcame his initial skepticism and began adding characterization. The Silver Surfer soon became a key part of the unfolding story.

Machine Man V2 (1984)

In October 1984 – January 1985, the Machine Man title was resurrected, in a four-issue miniseries written by Tom DeFalco with art by Herb Trimpe (breakdowns only, issues #1-3) and Barry Windsor-Smith (finishes only, issues #1-3 & full art for issue #4), with Windsor-Smith also coloring the entire miniseries & co-plotting issue #4 with DeFalco. This series turned out to be one of the most popular of all the Machine Man titles, tying with previous continuity, but with the action set in the distant cyberpunk future of 2020, starting with Machine Man’s reassembly.

The miniseries was first reprinted as a 96 page trade paperback in 1988 (ISBN 0-07135-458-6), with brand new cover art by Barry Windsor-Smith.

The miniseries was republished again in 1994 as two double-size books, with the name Machine Man 2020. Characters from this alternate future have made appearances in other Marvel books, namely Arno Stark, the mercenary Iron Man 2020.

In 1990, Machine Man guest-starred in Iron Man Annual #11 (part of the “Terminus Factor” storyline). That story created strong hints that the 2020 Machine Man may turn out not to be the true X-51, but instead a duplicate created by Sunset Bain.