The series focuses on a number of women who have been imprisoned at an off-planet prison known as the Auxiliary Compliance Outpost for being “non-compliant.” Narrative arcs move back and forth through time, presenting how the women were arrested in the first place as well as their various experiences within the prison.
Darkhawk appeared in a self-titled monthly series for 50 issues that was published by Marvel Comics from March 1991 to March 1995, and included three standalone annuals. Although created by DeFalco and Manley, DeFalco was never credited as a writer of the series. The original writer was Danny Fingeroth.
After his own series ended, Darkhawk co-starred or cameoed in other titles over the following years, such as New Warriors, Avengers/JLA, and Iron Man, eventually resurfacing in Runaways Vol.2 #1-6, followed by Marvel Team Up Vol.3 #15 and the short-lived Loners series. New Warriors writer Fabian Nicieza said in 1992 that “People keep coming up to me and asking, ‘Is Darkhawk a member of the New Warriors or not?’ Well, yes and no. The New Warriors isn’t an official group with a rule book and charter and the like. They’re more of a club for super-powered teens. So if Darkhawk wants to hang out on a Friday evening and talk about his powers, then he’ll stop by the New Warriors’ crash pad.”
Murdered by his sadistic parents, Obadiah Archer returns from the dead with uncanny physical abilities and a mission: to punish all evil-doers like his parents; Learning martial arts in the Orient, Archer soon becomes the world’s greatest fighter!; He soon encounters Armstrong, a free-spirited immortal with the strength of ten men!; They have just met when they are attacked by Armstrong’s foes, the Sect.; Can they survive their crazy friendship?
Cletus Kasady has renewed his killing spree, and the FBI is following the trail of bodies. They think they’re ready: They have the latest sonic tech, and a specialist team including military hero/astronaut John Jameson and a reformed Eddie Brock! And when they pursue Carnage into an abandoned coal mine, the trap is set — but is it for him, or for them?
Lex Luthor: Man of Steel (later collected as simply Luthor) is a five-issue monthly limited series written by Brian Azzarello and illustrated by Lee Bermejo, which features Superman‘s nemesis Lex Luthor as the protagonist.
It explores Luthor’s motivations behind being a constant foe to the Man of Steel inside a city that has largely embraced him. Luthor views Superman as a demigod who looks down on humanity and believes that in order to “save” the human race from extraterrestrial threats, Superman must be stopped.
Based on the smash cinematic blockbuster, this graphic novelization recounts the reawakening of dormant heroism that has seemingly been stifled by social conformity and lowered mid-life expectations. Bob Parr, his wife Helen, daughter Violet, son Dash, and baby Jack-Jack grapple with the banality of a comfortable suburban existence and yearn to reaffirm their individuality by expressing their unique “super”-powers.
Unlike most movie adaptations, this succeeds in both being faithful to and expanding the original plotline. It helps when the artist is a Pixar storyboarder and the writer is the film’s director. Serving up high quality art and narrative, this tale lives up to expectations.
A new storm brews over Central City and disproves the old adage about lightning never, well…you know. Just as Barry begins to feel overwhelmed fighting crime, a new speedster debuts—but just where did this amazing new friend come from?
Spinning directly out of the epic events of DC UNIVERSE: REBIRTH #1, the Fastest Man Alive finds himself at the center of a DC Universe at a crossroads.
Moonshadow was originally a twelve-issue maxi-series by Marvel Comics under the Epic imprint. It was the first American comic book whose art was done entirely by painting. The series was subsequently reprinted as a single volume in 1989. Also in 1989, a limited edition hardcover was also released by Graphitti Designs. Only 1200 copies of this edition were published, each individually numbered and signed by DeMatteis and Muth.
The story takes the form of an eclectic and quirky fairy tale with satirical elements and dealing with philosophical concerns. It is told via the framing device of Moonshadow, now 120, looking back on his earlier life. The action concerns the events leading up to the “awakening” of Moonshadow, the child of a hippy mother and an enigmatic alien father. The alien, who resembles a glowing orb of light bearing a stylized human face, abducted Moonshadow’s mother from Earth in 1968 along with her black pet cat, Frodo. When the idealistic and naive Moonshadow is orphaned at approximately age 15, he becomes friends with a venal and opportunistic furry humanoid named Ira. Moonshadow and Ira and Frodo the cat set out to find a life for themselves in the stars.
In 1994, DC Comics, under their Vertigo imprint, republished the individual issues as a limited series. The Compleat Moonshadow followed in 1998. This edition also included Farewell, Moonshadow, a one-issue sequel, also published by Vertigo, which, set long after the action of the first miniseries, acts as a coda to the series. The Compleat Moonshadow included textual revisions to the original series.
This six-issue comic book series was written by John Wagner and illustrated by Kilian Plunkett; Steve Perry was a story consultant. It focuses on Boba Fett and his fellow bounty hunters (first seen briefly in The Empire Strikes Back) as well as Jix, a hireling of Darth Vader who infiltrates Jabba the Hutt’s gang of bikers (led by Gizman) to prevent their attempt to kill Luke Skywalker.
Two separate mini-comics were released with Micro Machines toys (with three alternative covers) and Ertl model kits. A pop-up comic was also made, entitled Battle of the Bounty Hunters. A one-shot comic titled The Jabba Tape also features Gizman around the time of Return of the Jedi and was illustrated by Plunkett.
Tueur de Monde (translation: Killer of the World) follows a space traveller named Fildegar, a human crew member on a tubular vessel called the Laché Tout (Drop Everything), a floating greenhouse filled with fields of flowers. When Fildegar is not nurturing the flora inside the ship, he passes his time painting frescoes on the corridor walls, gazing into the ship’s central crystal and on rare occasions filing away old photographs which often reminds Fildegar of past memories. Suddenly Fildegar’s ship enters an unknown galaxy and discovers a planet called Bar-Jona inhabited by the contemplative creatures the Tragos. After landing on the planet’s surface and greeting it’s indigenous population, Fildegar inexplicably becomes pulled by some mysterious force and finds himself gazing up at a giant fungi.
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