Tag: DC

Futures End – One Shots (2014)

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In February 2014, DC announced that as part of the celebration of The New 52’s third anniversary, all ongoing titles published in September 2014 feature stories that tie in to The New 52: Futures End. DiDio stated “One of the things we wanted to do was not just look at it through the lens of the weekly series, but also take a month and flash forward, and see what the potential futures of all our characters might be in that month. So in that month, you’ll get a chance to see where, in the next five years, our characters might finish up or might end up being.” He added that like the “Villains Month” event in September 2013, these titles also feature 3D lenticular covers, in addition to the 2D ones, saying, “The covers now will also have the ability to have a ‘flicker’ effect. That means that the images change and show the transformation going on… There is a level of change that is taking place with our characters during the course of this story.”

DC 100 Page Super Spectacular (1971)

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DC 100 Page Super Spectacular was published by DC Comics from 1971 through 1973, featuring only reprints initially and later including new stories. The “100 Page” count included both sides of the front and back covers as pages. Each numbered issue appearing under this title featured a wrap-around cover with all editorial content and no advertisements. Versions after late 1973 included advertisements.

Nightwing V4 – Rebirth (2016)

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Following the erasure of the knowledge regarding his secret identity from most of the world in the final issue of Grayson, Dick went back to the Nightwing identity in the DC Rebirth era solo series, and the costume’s colors were changed back to the traditional black and blue. At the start of the series (rebirth) Nightwing is still a member of the Court of Owls (after Robin War) and he goes on missions around the world for the Court. They give him a partner named “Raptor” and like Nightwing he wears a costume, but he is much more violent than Dick and multiple times Dick has to try to stop him from killing. Throughout the story arc, Dick must work as an undercover agent but also has to keep his morals and not kill even if the Court tells him to.

 

The Brave and the Bold V1 (1970’s)

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The title was the first to feature Neal Adams‘ version of Batman, generating fan interest that led to Adams’ style defining the modern Batman image to this day. In addition, Adams updated Green Arrow‘s visual appearance by designing a new costume for the character in issue #85 (Aug.–Sept 1969). The primary artist for the second half of the run was Jim Aparo, starting with #98 (October–November 1971). Haney frequently disregarded continuity by scripting stories which contradicted DC’s canon or by writing major heroes in an out-of-character fashion. Issue #100 (Feb.–March 1972) featured Batman and “4 Famous Co-Stars” (Green Lantern, Green Arrow, Black Canary, and Robin) in a story by Haney and Aparo. Issues #112 (April–May 1974) to #117 (Feb.–March 1975) of the series were in the 100 Page Super Spectacular format.

The Shadow V1 (1973)

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During the mid-1970s, DC Comics published an “atmospheric interpretation” of the character by writer Dennis O’Neil and artist Michael Kaluta in a 12-issue series (Nov. 1973 – Sept. 1975). Kaluta drew issues 1–4 and 6 and was followed by Frank Robbins and then E. R. Cruz. Attempting to be faithful to both the pulp-magazine and radio-drama character, the series guest-starred fellow pulp fiction hero the Avenger in issue #11.

Mystery in Space – Silver Age

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 “Menace of the Robot Raiders!” (Mystery In Space #53, October 1959) featured one of the most enduring and fondly remembered space heroes of the next ten years, Adam Strange, in a 10-page tale which led to the best known period for the Mystery In Space title. Adam Strange had begun in a three-issue run in Showcase #17 (November–December 1958), and although DC considered that those issues had not sold sufficiently to warrant granting him his own title, his return a year later in Mystery In Space#53 was to last an impressive 42 appearances over the next seven years. The Adam Strange space opera tales were crafted by Gardner Fox in the best Flash Gordon tradition, with the hero caught between two planets and a love a galaxy away, giant menacing robots, dust devils, perils on two worlds, and distinctive art by Carmine Infantino and Murphy Anderson who drew almost all issues until #92 (June 1964). A number of these stories are considered among the finest of the 1960s, including the full-issue tale “The Planet That Came to a Standstill!” (Mystery In Space #75, May 1962), which won comic fandoms Alley Award for the “Best Book-Length Story” of 1962, and was fairly unusual for the time inasmuch as it featured a cross-over with other major DC characters, the Justice League of America.

Superman V2 (1987)

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This series was launched after John Byrne revamped the Superman character in 1986 in The Man of Steel limited series, introducing the post-Crisis on Infinite Earths version of the Superman character.

After that limited series, Action Comics returned to publication and Superman vol. 2, #1 was published. The original Superman series (volume 1) became The Adventures of Superman starting with issue #424. Superman vol. 2 continued publishing until April 2006 at which point DC restored The Adventures of Superman to its original title and canceled the second Superman series.

DC Vs. Vampires (2021)

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The Justice League has long protected Earth from all manner of foreign and alien invaders over the years, always keeping a vigilant eye to the skies for the next threat. But what if the threat was already walking the Earth…hiding in plain sight…watching…waiting for their moment to strike…

Supergirl V1 (1972)

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Supergirl starred in her first solo eponymous monthly series beginning in 1972 until October 1974, when her monthly title merged with Superman’s Girl Friend, Lois Lane, and Superman’s Pal Jimmy Olsen to produce a new title: then-highest DC selling series called The Superman Family, where she eventually became the steady lead story. Linda worked as a student advisor at New Athens Experimental School, before leaving for New York to follow a career in acting with daytime soap Secret Hearts.

Detective Comics (Silver Age)

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In 1964, Julius Schwartz was made responsible for reviving the fading Batman titles. Writer John Broome and artist Carmine Infantino jettisoned the sillier aspects that had crept into the franchise such as Ace the Bathound and Bat-Mite and gave the character a “New Look” that premiered in Detective Comics #327 (May 1964). Schwartz, Gardner Fox, and Infantino introduced, from the William Dozier produced TV series, Barbara Gordon as a new version of Batgirl in a story titled “The Million Dollar Debut of Batgirl!” in issue #359 (Jan. 1967). Mike Friedrich wrote the 30th anniversary Batman story in Detective Comics #387 (May 1969) which was drawn by Bob Brown.