Heroes in Crisis primarily deals with the emotional cost of being a superhero and explores “what violence does to a society”, a common theme in King’s work. King, a former CIA counterterrorism officer, believed this was an important subject that needed to be discussed. King described this creative decision: “Comic books, throughout the whole history of the medium, have been reflective of history. In World War II, there were comics about fighting in World War II. In the seventies, the comics were about psychedelic escape. Today, our moment right now is a moment of violence and living with violence and our comics have to address that”.
Preacher tells the story of Jesse Custer, a preacher in the small Texas town of Annville. Custer was accidentally possessed by the supernatural creature named Genesis in an incident which killed his entire congregation and flattened his church.
Custer, driven by a strong sense of right and wrong, goes on a journey across the United States attempting to (literally) find God, who abandoned Heaven the moment Genesis was born. He also begins to discover the truth about his new powers. They allow him, when he wills it, to command the obedience of those who hear and comprehend his words. He is joined by his old girlfriend Tulip O’Hare, as well as a hard-drinking Irish vampire named Cassidy.
The world of Batman: White Knight expands with this standalone tale! On the night of Bruce Wayne’s traumatic birth, Victor Fries must intervene to save the lives of Martha Wayne and the future Batman. As the evening unfolds, Victor distracts Thomas with the incredible tale of his own father figures-one a Nazi, the other a Jew-and their complex connection to Wayne Laboratories. As the Third Reich roars into power, the deep friendship and working relationship between the Baron von Fries and his research partner, Jacob Smithstein, is in crisis. Ordered by Himmler to speed development of their cryotechnology in service of world domination, Smithstein is forced to go into hiding and compromise his moral code in order to save his wife and infant daughter, Nora, from persecution and certain death. When the S.S. ramps up surveillance over the project, young Victor begins to question his father’s true allegiance. Both families are driven toward an impossible choice and a sinister standoff, and Victor makes a pact with Smithstein that will ripple through generations.
After an appearance in Showcase #80 (February 1969), he received another series beginning May–June 1969 that lasted until February–March 1976. The Showcase appearance and the first three issues of Phantom Stranger consisted of reprints from both the 1950s title and the “Dr. 13: Ghost-Breaker” feature from the last nine issues of Star Spangled Comics at the same time, with new, brief framing sequences. These had Dr. Thirteen, certain that the Phantom Stranger was an impostor, determined to expose him.
Beginning with issue #4 (November-December 1969), the series began featuring all-new material, with stories produced by Robert Kanigher, Len Wein, Jim Aparo, Neal Adams, Tony DeZuniga and others. In these stories, while the Stranger’s past remained a mystery, the writers added a semi-regular cast of characters for him. A demonic sorceress named Tala would become his archenemy; an alchemist/sorcerer named Tannarak was first an enemy and would later assist him against the Dark Circle; and a blind psychic named Cassandra Craft would assist him. Doctor Thirteen, dropped along with the reprints, was given a back-up series here as of #12 (March-April 1971) which morphed into “The Spawn of Frankenstein” in #23 (January-February 1973).
The second volume originally ended with the forty-first issue in November 1975, cover dated March 1976. In January 2010, a forty-second issue was added to the second series during the Blackest Night event, effectively a one-shot.
In response to the restrictions imposed by the Comics Code Authority, DC began a new science-fiction series in 1956. The series featured artwork by Murphy Anderson, Gil Kane, and many others, with stories by John Broome, Gardner Fox, and additional writers. It was an anthology comic for many years, publishing a variety of science fiction stories. The series featured Space Ranger as of issue #40 and running through #82 (April–May 1964) Other features included the “Green Glob” (issues #85–98, 100, 102, 103) and “Automan” (issues #91, 94, 97). The series’ last issue as Tales of the Unexpected was #104 (December 1967–January 1968). As of issue #105 (February–March 1968), the title was shortened to The Unexpected.
Legends served mainly as a launching pad for several new comic series, including the latter-day Flash title, Keith Giffen and J. M. DeMatteis‘ comedy/action take on the Justice League, and the villain-based black ops Suicide Squad. The series also saw the post-Crisis introduction into the DC Universe of Captain Marvel (who was spun off in the miniseries Shazam!: The New Beginning) as well as Wonder Woman, who had been rebooted by DC Comics at the same time Legends was being published.
“Infinite Crisis” is a 2005–2006 comic book storyline published by DC Comics, consisting of an eponymous, seven-issue comic booklimited series written by Geoff Johns and illustrated by Phil Jimenez, George Pérez, Ivan Reis, and Jerry Ordway, and a number of tie-in books. The main miniseries debuted in October 2005, and each issue was released with two variant covers: one by Pérez, and one by Jim Lee and Sandra Hope.
The series storyline was a sequel to DC’s 1985 limited series Crisis on Infinite Earths, which “rebooted” much of the DC continuity in an effort to fix 50 years of contradictory character history. It revisited characters and concepts from that earlier Crisis, including the existence of DC’s Multiverse. Some of the characters featured were alternate versions of comic icons such as an alternate Superman named Kal-L, who came from a parallel universe called Earth-Two. A major theme was the nature of heroism, contrasting the often dark and conflicted modern-day heroes with memories of “lighter” and ostensibly more noble and collegial heroes of American comic books’ earlier days.
Countdown to Infinite Crisis 1 CGC 9.8 White Pages $45
On two separate occasions – April 1996 and June 1997 – Marvel and DC co-published issues under the Amalgam Comics imprint. The issues were presented as if the imprint had existed for decades, with stories and editorial comments referring to a fictional history stretching back to the Golden Age of Comics, including retcons and reboots. For example, they referred to Secret Crisis of the Infinity Hour (an amalgamation of Marvel’s Secret Wars, DC’s Crisis on Infinite Earths, Marvel’s The Infinity Gauntlet, and DC’s Zero Hour), which featured the well-known cover of Crisis on Infinite Earths #7, but with Super-Soldier holding his sidekick’s body, instead of Superman holding Supergirl. Several issues included fake letter columns to provide the illusion of background to the stories, with the “fans'” hometowns formed by amalgamating the names of existing cities.
Batman: The Killing Joke is a 1988 DC Comicsone-shotgraphic novel featuring the characters Batman and the Joker written by Alan Moore and illustrated by Brian Bolland. The Killing Joke provides an origin story for the supervillain the Joker, loosely adapted from the 1951 story “The Man Behind the Red Hood!“, which was written by Batman co-creator Bill Finger. The Joker’s origin is presented via flashback, while simultaneously depicting his attempt to drive Jim Gordon insane and Batman’s desperate attempt to stop him.
Created by Moore, Bolland, and Higgins as their own take on the Joker’s source and psychology, the story became famous for its origin of the Joker as a tragic character; a family man and failed comedian who suffered “one bad day” that finally drove him insane. Moore stated that he attempted to show the similarities and contrasts between Batman and the Joker. The story’s effects on the mainstream Batman continuity also included the shooting and paralysis of Barbara Gordon (a.k.a. Batgirl), an event that eventually leads her to develop the identity of Oracle, secret data broker for the DC Universe‘s superhero community and leader of the superhero team Birds of Prey.
The early 1970s were a time of change for the Man of Steel. As Clark Kent shifted from being a newspaper reporter to a TV newscaster, his alter ego saw the destruction of all remaining Kryptonite on Earth! This period also featured many new villains, including Terra-Man, and the dramatic reintroductions of such foes as Lex Luthor — in green and purple armor!
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