Call of Duty: Black Ops III is a comic book series developed by Dark Horse Comics as a prequel to Call of Duty: Black Ops III. The series is written by Larry Hama and drawn by artist Marcelo Ferreira. It also has art done by colorist Dan Jackson. The first issue of the series was released on November 4. 2015.
Marvel Comics announced Uncanny Avengers by the creative team of Rick Remender and John Cassaday in August 2012. Uncanny Avengers is a new team of Avengers that features a line-up of both classic Avengers and X-Men including Captain America (Steve Rogers), Havok, Rogue, the Scarlet Witch, Thor and Wolverine. The team is formed in response to the events of Avengers vs. X-Men.
Remender said, “There’s something that Cyclops said to (Captain America) on Utopia that’s ringing in his head. He didn’t do enough to help. And Steve (Captain America) is taking that to heart. Coming out of AvX with the landscape shifted and changed as much as it is, there are events that lead Steve to recognizing that he needs to do more”.
Optic Nerve is a series by cartoonist Adrian Tomine. Originally self-published by Tomine in 1991 as a series of mini-comics (which have later been collected in a single volume,32 Stories), the series has been published by Drawn and Quarterly since 1995.
Tomine’s style and subject matter are restrained and realistic. Many are set in Northern California. Many of his stories for Optic Nerve feature Asian American characters, including “Hawaiian Getaway,” “Six-Day Cold,” “Layover,” and “Shortcomings.” Adrian Tomine is Asian American and lives in Brooklyn, New York. Many topics of his stories are at least partly autobiographical.
In the initial self-published issues, as well as the first eight Drawn & Quarterly issues (1995-2001), Optic Nerve was typically a collection of short stories. After an extended hiatus, Tomine resumed the comic in fall of 2004 and began his first multi-issue storyline, “Shortcomings,” with #9. The most recent issue, #13, was published in July 2013.
After four issues as The Dark Mansion Of Forbidden Love, the romance angle was abandoned and the title changed to Forbidden Tales of Dark Mansion. Very much in the same vein as House of Mystery and House of Secrets, Forbidden Tales of Dark Mansion was “hosted” by Charity (the character debuted in issue #7).
The character of Charity later became part of the supporting cast in the Starman series and at some point after the last issue married the policeman Mason O’Dare and is pregnant with his child.
The Amazing Screw-On Head is a one-shot comic book written and drawn by Mike Mignola and published by Dark Horse Comics in 2002, starring the character of the same name. Similar in tone and theme to Mignola’s better known Hellboy, The Amazing Screw-On Head is a black comedy that stars a robot living during the Lincoln administration whose head can be attached to different bodies with different tactical abilities, and who functions as an agent of the U.S. government.
The idea for the character was inspired by action figures, particularly Batman ones, which seemed to Mignola to be the same figurines with different paint jobs. Mignola imagined a robot with a head that screwed onto different bodies to suit the occasion, hence “Screw-on Head”. An animated pilot, based on the plot of the comic, was produced by the Sci-Fi Channel in 2006, with Bryan Fuller as writer and executive producer and Chris Prynoski as director.
In the modern day, MI5 agent Breen is tasked with breaking into The Village in order to extricate a fellow spy. The information she possesses is too valuable to fall into the hands of the mysterious Village, so Breen must engineer his own defection and capture, reduced to a mere number. Yet nothing can prepare the new Number 6 for the bizarreness that awaits him inside the Village…
Vampire Tales ran 11 issues cover-dated 1973 to June 1975. With sister titles including Dracula Lives, Monsters Unleashed and Tales of the Zombie, it was published by Marvel Comics‘ parent company, Magazine Management, and related corporations, under the brand emblem Marvel Monster Group. Published b-monthly, the magazine cost 75 cents.
The magazine starred Morbius the Living Vampire, in a feature written primarily by Don McGregor, with pencilers including Pablo Marcos, Rich Buckler, Tom Sutton, and Mike Vosburg, and later by writer Doug Moench, with artist Sonny Trinidad. The vampire hunter Blade starred in two stories by writer Marv Wolfman and artist Tony DeZuniga, in issues #8-9 (Dec. 1974 – Feb. 1975). Steve Gerber contributed a Morbius story to issue #1 (Aug. 1973) and a story starring Lilith, Dracula’s daughter, to issue #6 (Aug. 1974).
Issue #2 (Oct. 1973) introduced Satana, the Devil’s Daughter, in a four-page teaser by writer-editor Roy Thomas and artist John Romita Sr.; and detective Hodiah Twist and his assistant Conrad Jeavons, created by Don McGregor and penciler Carlos Garzon.
In 1991 DC sought to revive interest in Swamp Thing by bringing horror writer Nancy A. Collins on board to write the series. Starting with Swamp Thing Annual #6, Collins moved on to write Swamp Thing (vol. 2) #110–138, dramatically overhauling the series by restoring the pre-Alan Moore tone and incorporating a new set of supporting cast members into the book. Collins resurrected Anton Arcane, along with the Sunderland Corporation, as foils for the Swamp Thing. Her stories tended to be ecologically based and at one point featured giant killer flowers.
With issue #140 (March 1994), the title was handed over to Grant Morrison for a four-issue story arc, co-written by the then-unknown Mark Millar. As Collins had destroyed the status quo of the series, Morrison sought to shake the book up with a four-part storyline which had the Swamp Thing plunged into a nightmarish dreamworld scenario where he was split into two separate beings: Alec Holland and the Swamp Thing, which was now a mindless being of pure destruction. Millar then took over from Morrison with issue #144, and launched what was initially conceived as an ambitious 25-part storyline where the Swamp Thing would be forced to go upon a series of trials against rival elemental forces. Millar brought the series to a close with issue #171 in a finale where the Swamp Thing becomes the master of all elemental forces, including the planet.
At New York Comic Con 2013, Marvel announced that they had solidified their rights to Miracleman and that Neil Gaiman would finish the story he had started 25 years earlier. The series is being reprinted in a giant-sized format, with each issue containing a reprint of the corresponding issue of the Eclipse Comics series, reprints of select Mick Anglo Marvelman stories, and non-fiction material such as essays, photos, and Marvelman design sketches. The first issue, reprinting the recolored and relettered stories from Warrior #1 & 2/Miracleman #1, was released on January 15, 2014.
The reprints continued, collecting remastered and recolored work of the original run, with hardcover collections following, and in September 2014 the first new Miracleman material under the Marvel Comics banner was announced. Featuring a ‘lost’ story by Grant Morrison that he wrote in the 1980s, and drawn by Joe Quesada, it will be joined by a brand new story by Peter Milligan and Mike Allred.
The reprints proceed through #16 when the series was retitled Miracleman: The Golden Age which reprinted issues 17-22. Miracleman by Gaiman & Buckingham: The Silver Age issues 1 to 3 were announced for release in 2017.
In the far future, with the galaxy divided between interstellar superpowers on the brink of war, a desperate officer of the Earth-based Galactic Union sends five maverick pilots on a bizarre mission: bring back the legendary war machine called Voltron. Journeying to the distant planet Arus, Keith, Lance, Sven, Hunk and Pidge discover the first clue in the centuries old mystery – a clue in the shape of a huge mechanical lion.
