Tag: Comic

The Puma Blues (1986)

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The Puma Blues was a comic book written by Stephen Murphy and drawn by Michael Zulli. It ran from June 1986 to the beginning of 1989, stretching over 23 regular issues and a single “half-issue” minicomic.

Published first by Aardvark One International and later by Mirage Studios, the story is set around the millennium. and follows Gavia Immer, a governmental fauna agent, as he goes through an existential dilemma while watching videos his father left for him after his death.

The comic book’s detailed artwork by Michael Zulli, which focused primarily on wildlife and nature, was superposed to a loose narrative with a druggy, dreamy, new age apocalyptic atmosphere. This de-structuralizing of the main narrative increased dramatically in later issues, with the second half of the series often taking the form of illustrated prose poetry within an associative narrative.

Wolverines (2015)

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The aftermath of Wolverine’s death is explored in the series Wolverines. Sharp, Skel, Neuro, Endo, Junk, and the “Wolverines” (a team formed from the fallout of his death by Daken, Lady Deathstrike, Mystique, Sabretooth, and X-23) try to find Logan’s adamantium-covered body, which is taken by Mister Sinister. The group infiltrate Mister Sinister’s fortress to retrieve the body, but it is taken by the X-Men after a battle.

Jupiter’s Legacy (2013)

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Jupiter’s Legacy is influenced by Star Wars, King Kong, Roman mythology and origin stories from the Golden Age of Comics. It is written as Millar’s treatise on superheroes’ connection to the American ideal. The first few issues of the opening story arc explores the generational conflict between a group of aging superheroes known as the Union, who used the powers they gained in 1932 for the betterment of mankind, in particular their leader, Sheldon Sampson (aka the Utopian), and their children, who are daunted by the prospect of living up to their parents’ legacy. Other conflicts and themes in the book include sociopolitical and economic differences among the older heroes and the end of capitalism, in the form of Sheldon’s differences with his brother, Walter, which were inspired by Millar’s reaction to the Great Recession.

I, Joker (1998)

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An Elseworlds tale! In the year 2083, the legend of the Batman sparks a strange and deadly religion based on the Dark Knight. As the annual death race between the religion’s leader and a group of sacrificial “lambs” surgically altered to resemble Batman’s greatest foes approaches, one would-be Joker tries to break the cycle and become the true inheritor of the heroic mantle of the Bat.

Venom: The Madness (1993)

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A three-part series published between November 1993 and January 1994, the series introduces attorney Beck as a love interest for Brock. When Beck pursues a lawsuit against Scarmore Industries for employees poisoned by a sentient liquid-mercury virus, Venom is injured trying to protect her from the Juggernaut‘s kidnap attempt. The symbiote is submerged and infected with the sentient virus (which heals Brock), bonding with the pair and introducing a third mind into their relationship. The virus drives Brock insane (causing him to murder a cleaning lady), and he is physically transported to the realm of insanity to confront its avatars: Paranoia, Dusk and the Necromancer. The symbiote overcomes the virus; Brock regains his senses, and Venom is returned to earth. Beck later insists on only being Brock’s friend, because his romantic feelings for her make him more violent.

Caliber Presents (1989)

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The original Caliber Presents anthology title was one of Caliber Comic’s inaugural releases in the 1990s and featured predominantly new creators, many of which went onto successful careers in the comics’ industry.

The Sandman V1 (1970’s)

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The Sandman of the 1970s was created by Joe Simon and Jack Kirby. Issue #1 was intended as a one-shot, but five more issues and an additional story followed. After the first issue, the stories were written by Michael Fleisher. The second and third issues were illustrated by Ernie Chua. Inks were by Kirby, Mike Royer and, in the sixth issue, Wally Wood. All covers were by Kirby, and the fourth issue noted his return to the interior artwork on the cover.

This Sandman was originally intended to be the actual Sandman of popular myth, “eternal and immortal”, despite his superhero-like appearance and adventures. The Sandman is assisted by two living nightmares named Brute and Glob, whom he releases from domed cells with the help of a magic whistle. They are nuisances who beg for release, who are intent on hand-to-hand combat, but are implied to be relatively harmless and well-intentioned once freed. Using security monitoring devices, the Sandman can enter the “Dream Stream” or the “Reality Stream” (in which he acts like the superhero he looks like), and he carries a pouch of dream dust with which he can cause anyone to sleep and dream. The Sandman’s main task is protecting children from nightmare monsters within their dreams, especially one young boy named Jed, who lives with his grandfather, Ezra Paulsen, as well as to ensure that children have an appropriate level of nightmares rather than dealing with such anxieties in real life.

Arrgh! (1974)

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Arrgh! ran for five issues between December 1974 and September 1975. Each issue of Arrgh! presented humorous horror stories, often parodies of well-known movies or TV shows. Marvel Humor in a Jugular Vein.

Murder Incorporated (1948)

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Murder Incorporated would’ve been an obvious title for a hard-hitting true-crime comic book in 1948.   The real-life Murder Incorporated, the infamous hit squad of New York City organized crime had been shut down by the early 1940s, but their legend lived on in other media.  This Fox Feature Syndicate series was true to its title as it featured true crime tales with a focus on mob killers and other notorious murderers.  Murder Incorporated‘s notoriety was such that the series was mentioned by both Fredric Wertham in Seduction of the Innocent, and Geoffrey Wagner in Parade of Pleasure, and it landed on countless municipal government ban lists around the country in 1948, along with much of the rest of Victor Fox’s comic book line.  An interesting series in the context of both comic book history and from a true-crime perspective.

Superman V5 (2018)

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A bold new chapter for the greatest superhero of all time begins here as writer Brian Michael Bendis and artist Ivan Reis begin their run on the all-new SUPERMAN! The fallout from the Man of Steel miniseries has Clark Kent looking at the world through new eyes…with new ideas about what Superman could and should do for the city of Metropolis and the planet Earth. His first job? Getting the planet back out of the Phantom Zone!