King Spawn further expands the Spawn Universe with a growing presence of Hell, Heaven, and Heroes here on Earth.
A classic villain from Spawn’s past has begun asserting his powers on Earth by corrupting as many souls as possible. And only Spawn knows that he even exists. Continuing the dramatic battles from Spawn’s Universe #1.
In 2004-2005, artist Jim Lee, who had recently concluded the Batman: Hush storyline with Loeb, provided the artwork for a Superman story by writer Brian Azzarello. The story, Superman: For Tomorrow, ran for twelve issues and was collected in an Absolute Edition hardcover in May 2009.
With the publication of issue #226 (April 2006), the series was canceled as part of the company-wide Infinite Crisis event. The Adventures of Superman was returned to its original title, Superman, with issue #650 the following month.
In November 2011, a third volume of Superman was launched with issue #1 as part of The New 52 company-wide reboot.
Stan Lee said he created a synopsis for the first Fantastic Four story that he gave to penciller Jack Kirby, who then drew the entire story. Kirby turned in his penciled art pages to Lee, who added dialogue and captions. This approach to creating comics, which became known as the “Marvel Method“, worked so well for Lee and Kirby that they used it from then on; the Marvel Method became standard for the company within a year.
Kirby recalled events somewhat differently. Challenged with Lee’s version of events in a 1990 interview, Kirby responded: “I would say that’s an outright lie”, although the interviewer, Gary Groth notes that this statement needs to be viewed with caution. Kirby claims he came up with the idea for the Fantastic Four in Marvel’s offices, and that Lee had merely added the dialogue after the story had been pencilled. Kirby has also sought to establish, more credibly and on numerous occasions, that the visual elements of the strip were his conceptions. He regularly pointed to a team he had created for rival publisher DC Comics in the 1950s, Challengers of the Unknown. “[I]f you notice the uniforms, they’re the same… I always give them a skintight uniform with a belt… the Challengers and the FF have a minimum of decoration. And of course, the Thing’s skin is a kind of decoration, breaking up the monotony of the blue uniform.” The characters wear no uniforms in the first two issues.
The Witcher is a comic book series that has been published by Dark Horse Comics since 2014. It is based on The Witcher media franchise of CD Projekt.
The stories presented in the series are mostly originals. They were not written by Andrzej Sapkowski, but by other writers; the exception being volume 2, Fox Children, which adapts a story from the anthology Season of Storms. The first issue debuted in 2014, with story by Paul Tobin. Although Dark Horse Comics is an American publisher, a significant proportion of artists involved in the project have been Polish. In particular, volume 4 (Of Flesh and Flame) was both written and illustrated solely by Polish artists.
It is the second The Witcher comic book series, following the Polish series of the same name published in 1993–1995.
During the run of the television show Thriller, Karloff lent his name and likeness to a comic book for Gold Key Comics based upon the series. After Thriller was cancelled, the comic was retitled Boris Karloff’s Tales of Mystery. An illustrated likeness of Karloff continued to introduce each issue of this publication for nearly a decade after the real Karloff died; the comic lasted until the early 1980s. Starting in 2009, Dark Horse Comics started to reprint Tales of Mystery in a hard bound archive.
The Giant line of comics mixes all-new original material by some of DC’s top creators with reprints for a 100-page package.
Creators working on the new material include such fan-favorites as Tom King, Brian Michael Bendis and the Harley Quinn writing team of Jimmy Palmiotti and Amanda Conner, each working on characters outside of their traditional range in the regular DC line, with Bendis working on his first solo Batman material in September — a 12-part story beginning in Batman Giant No. 3 — and Tom King taking on Superman with artist Andy Kubert for their own yearlong epic beginning in Superman Giant No. 3. Not to be left behind, Palmiotti and Conner will launch a 12-part Wonder Woman story in the third Justice League issue.
Iron Man, Thor and Captain America have been the Avengers’ heart and soul since the team’s earliest days. But in the wreckage of Asgard, they find themselves squabbling over old wounds. As unstable magics cast the heroes-at-odds into the scattered Nine Realms, they quickly realize the world in which they’re trapped is not how it should be. Can they come together and put it right? Then, as the three heroes re-forge the Avengers with the likes of Hawkeye, Spider-Man, Wolverine and Spider-Woman, Kang returns from the future bearing ill tidings of a force so powerful even he can’t conquer it!
Youngblood is a superhero team that starred in their self-titled comic book, created by writer/artist Rob Liefeld. The team made its debut as a backup feature in the 1987 one-shot Megaton Explosion #1 before later appearing in 1992 in its own ongoing series as the flagship publication for Image Comics. Youngblood was originally published by Image Comics, and later by Awesome Entertainment. Upon Rob Liefeld’s return to Image Comics, it was revived in 2008 and again in 2012.
Youngblood was a high-profile superteam sanctioned and overseen by the United States government. Youngblood’s members include Shaft, a former FBI agent who uses a high-tech bow; Badrock, a teenager transformed into a living block of stone; Vogue, a Russian fashion model with purple-and-chalk-white skin; and Chapel, a government assassin.
DC Comics ended the DC Rebirth branding in December 2017, opting to include everything under a larger DC Universe banner and naming. The continuity established by DC Rebirth continues across DC’s comic book titles, including volume 1 of Detective Comics and volume 3 of Batman.
After the conclusion of Batman (vol. 3) #85 a new creative team consisting of James Tynion IV with art by Tony S. Daniel and Danny Miki replaced Tom King, David Finch and Mikel Janín.
James Tynion IV & Jorge Jimenez continued the series in 2021.
Soon after the publication of The Incredible Hulk #449, the team’s own series premiered. The first issue, cover dated April 1997, was played largely as a straight superhero story, until the revelation of the Thunderbolts’ true nature on the last page of the comic. This is considered one of the most well-conceived plot twists in the history of American comic books, with Wizard magazine readers voting it “Comics’ Greatest Moment of 1997” and later, in 1999, placing it at #11 on a list of “The 25 Greatest Comic Moments Ever”. Marvel managed to keep the secret of the Thunderbolts’ true villainous identities tightly under wraps before the book launched. When word got out, the first issue sold out so quickly that Marvel not only offered a second printing, but also did a “mini-trade paperback” collecting the first two issues. Fabian Nicieza replaced Busiek in issue #34. Patrick Zircher, after a couple of fill-ins, replaced Bagley in issue #51.
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