Crisis on Infinite Earths (1985)

Crisis on Infinite Earths was published by DC Comics from 1985 to 1986, consisting of an eponymous 12-issue, limited series comic book and a number of tie-in books. It was produced by DC Comics to simplify its then-50-year-old continuity. The series was written by Marv Wolfman and illustrated by George Pérez (pencils and layouts), Mike DeCarlo, Dick Giordano and Jerry Ordway (inking and embellishing). The series removed the multiverse concept from the fictional DC Universe, depicting the death of long-standing characters Supergirl and the Barry Allen incarnation of the Flash. Continuity in the DC Universe is divided into pre-Crisis and post-Crisis periods. The Flash was later reborn.

The series’ title was inspired by earlier multiverse crossover stories of parallel Earths, such as “Crisis on Earth-Two” and “Crisis on Earth-Three“, and involves almost every significant character in every parallel universe of DC Comics history. It inspired the titles of three DC crossover series: Zero Hour: Crisis in Time! (1994), Infinite Crisis (2005–2006), and Final Crisis(2008).

The Many Ghosts of Doctor Graves (1967)

Following his introduction as Dr. M. T. Graves in Charlton Comics‘ Ghostly Tales #55 (cover-dated May 1966) in the three-page story “The Ghost Fighter” by writer-artist Ernie Bache, the character went on to host his own anthology title, The Many Ghosts of Doctor Graves. The series ran 72 issues (May 1967 – May 1982), generally published bimonthly. Following issue #60 (Jan. 1977), the title went on hiatus for seven months until issue #61 (Aug. 1977) before being canceled with #65 (May 1978). Charlton revived the title three years later with #66 (May 1981) before canceling it once more six issues later.

 The Many Ghosts of Doctor Graves#54 (Dec. 1973). The cover art is among the earliest professional works of John Byrne. Three additional issues consisting solely of reprints, and titled simply Dr. Graves, were published as issues #73-75 (Sept. 1985 – Jan. 1986).

Among the artists whose work appeared were Steve Ditko, following his falling-out with Marvel Comics; newcomer Jim Aparo, later to be one of Batman‘s signature artists; regular Charlton talents including Vince AlasciaPat BoyettePete MorisiRocke Mastroserio, and Charles Nicholas; and such others as Rich LarsonDon Newton and Tom Sutton. The cover of issue #54 (Dec. 1975) marks one of the earliest professional works of John Byrne.

Writers on the title included Ditko, Steve SkeatesMike Pellowski, and the prolific, generally uncredited staff writer Joe Gill.

Swamp Thing (1970’s)

The Swamp Thing character first appeared in House of Secrets #92 (June–July 1971). After the success of the short story in the House of Secrets comic, the original creators were asked to write an ongoing series, depicting a more heroic, more contemporary creature. InSwamp Thing #1 (October–November 1972) Wein and Wrightson updated the time frame to the 1970s and featured a new version character: Alec Holland, a scientist working in the Louisiana swamps on a secret bio-restorative formula “that can make forests out of deserts”. Holland is killed by a bomb planted by agents of the mysterious Mr. E (Nathan Ellery), who wants the formula. Splashed with burning chemicals in the massive fire, Holland runs from the lab and falls into the muck-filled swamp, after which a creature resembling a humanoid plant appears. Roy Thomas and Gerry Conway, who co-created Man-Thing for Marvel Comics a year and a half earlier, thought that this origin was too similar to that of their character, and Wein himself had written a Man-Thing story that was published with a June 1972 cover date, but he refused to change the origin in spite of some cajoling by Conway, who was his roommate at the time. Marvel, however, never took the issue to court, realizing the similarity of both characters to The Heap.

Journey into Mystery (Silver Age)

Journey into Mystery was initially published by Atlas Comics, then by its successor, Marvel Comics. Initially a horror comics anthology, it segued to giant-monster and science fiction stories in the late 1950s. Beginning with issue #83 (cover dated August 1962), it ran the superhero feature “The Mighty Thor“, created by writers Stan Lee and Larry Lieber and artist Jack Kirby, and inspired by the mythological Norse thunder god. The series, which was renamed for its superhero star with issue #126 (March 1966), has been revived three times: in the 1970s as a horror anthology, and in the 1990s and 2010s with characters from Marvel’s Thor mythos.

Scumbag (2020)

The fate of the world rests in the hands of the worst person on it! Ernie Ray Clementine—a profane, illiterate, drug-addicted biker with a fifth-grade education who accidentally received a power-imbuing serum making him the world’s most powerful super spy. He is a relic of a bygone era, the living embodiment of sex, drugs, and rock and roll—so this doesn’t make things easy for the spy organization that needs his help as they bribe, cajole, and manipulate him to choose between his own self-interests and doing what’s right.

Adventure Comics (Silver Age)

Adventure Comics was published by DC Comics from 1938 to 1983 and revived from 2009 to 2011. In its first era, the series ran for 503 issues (472 of those after the title changed from New Adventure Comics), making it the fifth-longest-running DC series, behind Detective Comics, Action Comics, Superman, and Batman. It was revived in 2009 by writer Geoff Johns with the Conner Kent incarnation of Superboy headlining the title’s main feature, and the Legion of Super-Heroes in the back-up story. It returned to its original numbering with #516 (September 2010). The series finally ended with #529 (October 2011), prior to DC’s The New 52 company reboot.

Aliens Vs Predator (1990)

The quiet settlement on the planet Ryushi is turned into a battleground as the Predators clash with the vastly superior numbers of the Alien horde–with the few remaining humans caught in the middle fighting both sides! However, when it becomes apparent that the Aliens are winning, the humans and the Aliens are faced with a tough choice: trust each other–or die!

Action Comics (2020’s)

After learning of an enslaved race with mysterious ties to Krypton, Superman and the Authority leave earth and travel across the galaxy to liberate Warworld. Think it’s that simple? Think again.

With Superman captured on Warworld and banished to the lower catacombs, he’ll need to team up with other enslaved gladiators to turn the hordes of Warworld against their masters. As the Warworld Saga reaches a breaking point, battle lines are drawn between the two towering forces at odds: Mongul and Superman.

Which heroes will survive the conflict and what will be the fate of the citizens of Warworld?

Iron Man (1990’s)

Faking his death, Stark places himself in suspended animation to heal as Rhodes takes over both the running of Stark Enterprises and the mantle of Iron Man, although he uses the War Machine armor. Stark makes a full recovery by using a chip to reprogram himself and resumes the Iron Man identity. When Rhodes learns that Stark has manipulated his friends by faking his own death, he becomes enraged and the two friends part ways, Rhodes continuing as War Machine in a solo career.

The story arc “The Crossing” reveals Iron Man as a traitor among the Avengers’ ranks, due to years of manipulation by the time-traveling dictator Kang the Conqueror. Stark, as a sleeper agent in Kang’s thrall, kills Marilla, the nanny of Crystal and Quicksilver’s daughter Luna, as well as Rita DeMara, the female Yellowjacket, then Amanda Chaney, an ally of the Avengers. The “Avengers Forever” limited series retcons these events as the work of a disguised Immortus, not Kang, and that the mental control had gone back only a few months.[70]

Needing help to defeat both Stark and Kang, the team travels back in time to recruit a teenaged Anthony Stark from an alternate timeline to assist them. The young Stark steals an Iron Man suit in order to aid the Avengers against his older self. The sight of his younger self shocks the older Stark enough for him to regain momentary control of his actions, and he sacrifices his life to stop Kang. The young Stark later builds his own suit to become the new Iron Man, and, remaining in the present day, gains legal control of “his” company.

Miracleman – Eclipse (1980’s)

In August 1985, Eclipse began reprinting the Marvelman stories from Warrior, colored, and re-sized. They were renamed and re-lettered throughout as Miracleman to avoid further problems with Marvel Comics. Issues 1-6 reprinted all the Warrior content, after which Eclipse began publishing new Miracleman stories from Alan Moore and new artist Chuck Beckum (now better known as Chuck Austen), soon replaced by Rick Veitch and then John Totleben. Eclipse split the rights to the character, with 2/3 going to Eclipse and 1/3 split between the current writer and artist of the series. Moore wrote the series until issue 16.

Writer Neil Gaiman picked up the series at #17 and developed it further in the 1990s, working with artist Mark Buckingham. He planned three books, consisting of six issues each; they would be titled “The Golden Age”, “The Silver Age” and “The Dark Age”.