A new Sorcerer Supreme rises! Doctor Strange is dead! And a new Sorcerer Supreme has taken the title, or should we say Sorceress? Haunted by her recently returned memories, Clea longs to bring Stephen Strange back from the dead! But when a mysterious group attacks the magical realm, Clea must rise to the duties of Sorcerer Supreme. For she is now the sole protector of Earth against magical threats.
The Bowmans are VAMPIRES who have quietly run the local barbecue joint in their small town for years, living off cow’s blood. Their peaceful coexistence ends as generations of hate, fear, and bad blood bubble to the surface–making it impossible to separate man from monster!
By the 1970s, the stories began to reflect growing social awareness: Lois became less fixated on romance and more on current issues. In the controversial story “I Am Curious (Black)!” in #106 (November 1970), Lois uses a machine that allows her to experience racism firsthand as an African American woman. The series saw the debut of the Silver Age heroine “Rose & The Thorn” in a backup feature that ran from #105 (October 1970) through #130 (April 1973). Editor E. Nelson Bridwell had several characters and plot concepts from Jack Kirby‘s “Fourth World” appear in issues #111–119 (July 1971 – February 1972). Lois’ sister, Lucy Lane, was believed to have died in issue #120 (March 1972) but the character was later revived.
In 1974, the title ended, as Superman’s Pal Jimmy Olsen had earlier that year. Both would be merged into The Superman Family, which chronologically continued from the elder title, premiering with issue #164 (April–May 1974). The release of the last issue of Superman’s Girl Friend, Lois Lane was delayed for several months due to a nationwide paper shortage.
Sin City – The Big Fat Kill is a five-issue limited series published by Dark Horse Comics in November 1994. The series, written and Illustrated by Frank Miller, is one of three from Sin City related in the film Sin City. In the film, Clive Owen plays Dwight, Brittany Murphy plays Shellie, Benicio del Toro plays Jack, Rosario Dawson plays Gail, Devon Aoki plays Miho, Alexis Bledel plays Becky, and Michael Clarke Duncan plays Manute.
A notable difference from the comic version is that Becky survives the final gunfight by hiding in a nook in the alley, leaving her alive for the final “epilogue” scene of the movie which ends when she meets The Salesman from The Customer is Always Right, who had been introduced in the movie’s prologue. He then offers her a cigarette just like he did in The Customer is Always Right, and Becky seems to sense why he’s there and tells her mother she loves her before hanging up.
In the view of comics historian Les Daniels, artist Curt Swan became the definitive artist of Superman in the early 1960s with a “new look” to the character that replaced Wayne Boring’s version. Writer Jim Shooter and Swan crafted the story “Superman’s Race With the Flash!” in Superman #199 (Aug. 1967) which featured the first race between the Flash and Superman, two characters known for their super-speed powers. Another Silver Age first is the “Death of Superman,” from 1961’s Superman #149, by Jerry Siegel, Curt Swan and Sheldon Moldoff. The Silver Age was a fantastic period for Superman fans, giving us characters such as Braniac, Bizzaro, Titano, Supergirl and The Legion of Superheroes.
Captain America continued from Tales of Suspense with artwork by Kirby, as well as a short run by Jim Steranko, and work by many of the industry’s top artists and writers. It was called Captain America and the Falcon from #134 (Feb. 1971) to #222 (June 1978) although the Falcon’s name was not on the cover for issues #193, 200, and 216. The 1972–1975 run on the title by writer Steve Englehart and artist Sal Buscema saw the series become one of Marvel’s top-sellers. In 2010, Comics Bulletin ranked Englehart and Buscema’s run on Captain America fourth on its list of the “Top 10 1970s Marvels”. Kirby returned to the series as writer and penciler with issue #193 (Jan. 1975) ]and remained through #214 (Oct. 1977).
“What were we doing out here…? What was the meaning of this trip? Did I actually have a big red convertible out there on the street? Was I just roaming around these Mint Hotel escalators in a drug frenzy of some kind, or had I really come out here to Las Vegas to work on a story?” — Hunter S. Thompson, Fear and Loathing in Las Vegas
The Law comes to DC Comics! Judge Dredd storms North America in all-new, all-different adventures. In the post-apocalyptic future world of Mega-City One, where crime and corruption are rampant, the pseudo-militaristic Judges are the only true force for order in a world of seething anarchy. And the most uncompromising of these 21st-century law men is Judge Dredd, a man who lives by the law – and the gun – as he redefines crime and punishment in the not-too-distant future.
Set in a world where all chicken and other bird meats are illegal, after a catastrophic outbreak of the bird flu that killed 23 million Americans, Chew centers on Tony Chu, a police detective who is a Cibopath (pronounced “see-bo-path”). Tony becomes a vice cop with the Philadelphia Police Department, and when on assignment, trying to find people smuggling chicken, he enters a black market chicken restaurant on invitation from the U.S. FDA. He has a bowl of chicken soup only to find he gets a psychic impression of the cook killing people and putting them into the soup. He goes to bust the cook, only for the cook to kill himself outside the restaurant. Chu eats a bite of the cooks tongue to find out the names of the rest of the victims. He is fired from his job with the Philadelphia PD and gets hired on to the FDA by an agent named Mason Savoy, who is also a cibopath.
“Infinite Crisis” is a 2005–2006 comic book storyline published by DC Comics, consisting of an eponymous, seven-issue comic book limited series written by Geoff Johns and illustrated by Phil Jimenez, George Pérez, Ivan Reis, and Jerry Ordway, and a number of tie-in books. The main miniseries debuted in October 2005, and each issue was released with two variant covers: one by Pérez, and one by Jim Lee and Sandra Hope.
The series storyline was a sequel to DC’s 1985 limited series Crisis on Infinite Earths, which “rebooted” much of the DC continuity in an effort to fix 50 years of contradictory character history. It revisited characters and concepts from that earlier Crisis, including the existence of DC’s Multiverse. Some of the characters featured were alternate versions of comic icons such as an alternate Superman named Kal-L, who came from a parallel universe called Earth-Two. A major theme was the nature of heroism, contrasting the often dark and conflicted modern-day heroes with memories of “lighter” and ostensibly more noble and collegial heroes of American comic books’ earlier days.
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