In February 2016, DC Comics announced that as part of the company’s continuity relaunch called DC Rebirth, Detective Comics would resume its original numbering system with June 2016’s #934. Before the New 52, Detective Comics volume 1 had 881 issues, and the New 52’s 52 issues, which ran from 2011 until 2016, were then added back into volume one, making Detective Comics #934 the premier issue following the events of 2016’s DC Rebirth. Writer James Tynion IV and artists Eddy Barrows and Alvaro Martinez are the creative team on the series which is published twice monthly. The series features a team initially consisting of Tim Drake, Stephanie Brown, Cassandra Cain and Clayface, led by Batman and Batwoman, with Batwing (Luke Fox) and Azrael (Jean-Paul Valley) later recruited following Tim’s apparent death and Stephanie leaving the team.
It is 1576, and the legend of the Belmont family’s vampire-hunting prowess still echoes through the Romanian countryside. While Christopher Belmont celebrates his nuptials, dark forces conspire to raise Count Dracula from his unholy slumber. With this ancient evil unleashed once more, young Belmont must to prove he is worthy of the Belmont legacy. Based on the smash-hit Konami videogame series.
In 1993, Catwoman was given her first ongoing comic book series. This series, written by an assortment of writers, but primarily penciled by Jim Balent, generally depicted the character as an international thief (and occasional bounty hunter) with an ambiguous moral code.
Story-lines include her adoption of teenage runaway, and erstwhile sidekick, Arizona; aiding Bane, whom she later betrays to Azrael; and a stint as a reluctant government operative. The series also fleshes out more of her origin, revealing her beginnings as a young thief, her difficult period in juvenile incarceration, and her training with Ted “Wildcat” Grant.
Moving to New York, Selina becomes corporate vice president then CEO of Randolf Industries, a mafia-influenced company, through blackmail. She plans to use this position to run for Mayor of New York City, but her hopes are dashed when the Trickster inadvertently connects her to her criminal alter ego.
Selina then returns to Gotham City, which at this time is in the midst of the No Man’s Land storyline. As Catwoman, she assists Batman against Lex Luthor in the reconstruction of the city. After being arrested by Commissioner Gordon, she escapes from prison. Later that year, during the “Officer Down” storyline in the Batman titles, Catwoman is initially the chief suspect. Although later cleared, she displays increasingly erratic behavior throughout the story. Soon afterward, she disappears and is believed to have been killed by the assassin Deathstroke the Terminator, ending her series at issue #94.
Mark Waid scripted the opening of “The Gauntlet” storyline in issue No. 612. The Gauntlet story was concluded by Grim Hunt (No. 634-637) which saw the resurrection of long-dead Spider-Man villain, Kraven the Hunter. The series became a twice-monthly title with Dan Slott as sole writer at issue No. 648, launching the Big Time storyline. Eight additional pages were added per issue. Big Time saw major changes in Spider-Man/Peter Parker’s life, Peter would start working at Horizon Labs and begin a relationship with Carlie Cooper (his first serious relationship since his marriage to Mary Jane), Mac Gargan returned as Scorpion after spending the past few years as Venom, Phil Urich would take up the mantle of Hobgoblin, and the death of J. Jonah Jameson’s wife, Marla Jameson. Issues 654 and 654.1 saw the birth of Agent Venom, Flash Thompson bonded with the Venom symbiote, which would lead to Venom getting his own series Venom (volume 2). Starting in No. 659 and going to No. 655, the series built-up to the Spider-Island event which officially started in No. 666 and ended in No. 673. Ends of the Earth was the next event that ran from No. 682 through No. 687. This publishing format lasted until issue No. 700, which concluded the “Dying Wish” storyline, in which Parker and Doctor Octopus swapped bodies, and the latter taking on the mantle of Spider-Man when Parker apparently died in Doctor Octopus’ body. The Amazing Spider-Man ended with this issue, with the story continuing in the new series The Superior Spider-Man.] Despite The Superior Spider-Man being considered a different series to The Amazing Spider-Man, the first 33 issue run goes towards the legacy numbering of The Amazing Spider-Man acting as issues 701-733. In December 2013, the series returned for five issues, numbered 700.1 through 700.5, with the first two written by David Morrell and drawn by Klaus Janson.
Outcast, created by writer Robert Kirkman and artist Paul Azaceta is a supernatural horror story that chronicles Kyle Barnes, a man whose loved ones have been involved in demonic possession since his childhood. With the help of a clergyman, he tries as an adult to unveil what lies behind the supernatural manifestations and why he seems to carry special peculiarities.
The first issue of the monthly comic was published in 2014 by Image Comics. Before the first release, Kirkman also began to develop a television adaptation with Cinemax which began airing in June 2016.
Following the events of Infinite Frontier #1, The Joker is the most wanted man in the world! But the Clown Prince of Crime is several steps ahead of law enforcement—and he’s on the run overseas. James Gordon, facing retirement, realizes this is the manhunt of his life and the last piece of a storied career…but what mysterious and deadly forces are also in pursuit of The Joker? And in the backup story, following the events of Punchline #1, DCs most controversial new villain navigates the infrastructure of Blackgate Penitentiary—while on the outside, Harper Row takes up the mantle of Bluebird to stop her brother from falling under Punchlines influence.
Trevor Owen has a younger brother who lives in the barn behind the house, too monstrous to be let into the house. The boy’s only six years old, but he towers over his older brother, and possesses monstrous strength. For years, Trevor has looked after his baby brother, keeping him from the light, but now that’s all about to change. His family’s profane secret is about to be revealed, uncovering the horrible truth of the small mid-western town the boys have grown up in.
During the mid-1970s, DC Comics published an “atmospheric interpretation” of the character by writer Dennis O’Neil and artist Michael Kaluta in a 12-issue series (Nov. 1973 – Sept. 1975). Kaluta drew issues 1–4 and 6 and was followed by Frank Robbins and then E. R. Cruz. Attempting to be faithful to both the pulp-magazine and radio-drama character, the series guest-starred fellow pulp fiction hero the Avenger in issue #11.
Marvel Premiere ran for 61 issues from April 1972 to August 1981. The series introduced new characters and reintroduced characters who no longer had their own titles. Writer Roy Thomas and penciler Gil Kane significantly revamped Him as the allegorical Messiah Adam Warlock in Marvel Premiere #1 (April 1972). Iron Fist first appeared in issue #15, written by Roy Thomas and drawn by Gil Kane. Other introductions include the Legion of Monsters, the Liberty Legion,Woodgod, the 3-D Man, and the second Ant-Man (Scott Lang). The series also featured the first comic book appearance of rock musician Alice Cooper. Later in the title’s run, Marvel Premiere was used to finish stories of characters who had lost their own series including the Man-Wolf in issues #45-46 and the Black Panther in issues #51-53.
“Menace of the Robot Raiders!” (Mystery In Space #53, October 1959) featured one of the most enduring and fondly remembered space heroes of the next ten years, Adam Strange, in a 10-page tale which led to the best known period for the Mystery In Space title. Adam Strange had begun in a three-issue run in Showcase #17 (November–December 1958), and although DC considered that those issues had not sold sufficiently to warrant granting him his own title, his return a year later in Mystery In Space#53 was to last an impressive 42 appearances over the next seven years. The Adam Strange space opera tales were crafted by Gardner Fox in the best Flash Gordon tradition, with the hero caught between two planets and a love a galaxy away, giant menacing robots, dust devils, perils on two worlds, and distinctive art by Carmine Infantino and Murphy Anderson who drew almost all issues until #92 (June 1964). A number of these stories are considered among the finest of the 1960s, including the full-issue tale “The Planet That Came to a Standstill!” (Mystery In Space #75, May 1962), which won comic fandoms Alley Award for the “Best Book-Length Story” of 1962, and was fairly unusual for the time inasmuch as it featured a cross-over with other major DC characters, the Justice League of America.
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