DC Special Series was an umbrella title for one-shots and special issues published by DC Comics between 1977 and 1981. Each issue featured a different character and was often in a different format than the issue before it. DC Special Series was published in four different formats: Dollar Comics, 48 page giants, digests, and treasury editions. Neither the umbrella title nor the numbering system appear on the cover; the title “DC Special Series” appeared only on the first page in the indicia. Most issues featured new material, but eight issues were reprints of previously published material.
DC Special Series #7 FN+ $6
DC Special Series #8 FN-VF $10
DC Special Series #15 -Batman Spectacular F-VF $19
The original title ran for 12 years and 124 issues. It was an anthology series that told war stories with horror, mystery, fantasy and science fiction elements. Changes in the Comics Code Authority made the use of horror elements possible. The first seven issues were reprinted material. Each issue beginning with issue #8 was hosted by Death, usually depicted as a skeleton dressed in a different military uniform each issue. The title’s name was inspired by editor Joe Orlando.Walt Simonson‘s first professional published comic book work appeared in Weird War Tales #10 (January 1973).Roger McKenzie and Frank Miller‘s first collaboration was on a two-page story published in Weird War Tales #68 (October 1978). Recurring characters began to appear late in the series run, notably the G.I. Robot, and the return of “The War that Time Forgot” which originally ran in Star Spangled War Stories. Writer J. M. DeMatteis and penciler Pat Broderick created the Creature Commandos in Weird War Tales #93 (November 1980).
Nathaniel Dusk is a private investigator from New York City whose adventures in the 1930s are portrayed in the stories. He served in the United States armed forces in World War I and was hired by the New York City police force. Dusk fell deeply in love with Joyce Gulino, a beautiful young saleswoman with two children, Jennie and Anthony. Gulino’s ex-husband was a gangster named Joseph Costilino. Costilino later killed his family.
The 2017-2019 miniseries Doomsday Clock, by Geoff Johns and Gary Frank features Nathaniel Dusk in the DC Universe as a noir film character portrayed by a fictional actor named Carver Colman. Colman plays a key role in the story.
The title was one of four launched by Marvel Comics editor-in-chief Roy Thomas to form a line of science fiction and horror anthologies with more thematic cohesiveness than the company’s earlier attempts that decade, which had included such series as Chamber of Darkness and Tower of Shadows. Whereas those titles generally presented original stories, these new books would instead adapt genre classics and other works.
With the four titles’ debuts set to be staggered over the course of four months, Marvel premiered Journey into Mystery vol. 2 (Oct. 1972),Chamber of Chills (Nov. 1972), Supernatural Thrillers (Dec. 1972), and, with a late start, Worlds Unknown (May 1973). The first issue features an original six-page story by science fiction novelist George Alec Effinger, “Moon of Madness, Moon of Fear”, penciled by P. Craig Russell (then credited as Craig Russell), and a slightly retitled adaptation of the Harlan Ellison short story “Delusions for a Dragon Slayer”, by writer Gerry Conway and artist Syd Shores; in-between was a story by writer Stan Lee and artist Russ Heath, “They Wait in Their … Dungeon”, reprinted from Menace #1 (March 1953), from Marvel’s 1950s forerunner, Atlas Comics.
The bimonthly series ran exclusively new material through issue #4, with one reprinted story added to the mix for the following two issues, and only one new story in issue #7, after which the series became all-reprint. Most of the reprinted stories were 1950s “pre-Code” horror stories, which the industry self-censorship organization the Comics Code Authority had forbidden on Code-approved comics until a loosening of the Code in 1971.
Omega the Unknown was published by Marvel Comics from 1976 to 1977, featuring the eponymous fictional character. The series, written by Steve Gerber and Mary Skrenes and illustrated by Jim Mooney, ran for 10 issues before cancellation for low sales. Despite its short run, it has remained as a cult classic due to its intriguing characters and unusual storytelling. A 10-issue series revamping the character was published from 2007 to 2008, written by novelist Jonathan Lethem and illustrated by Farel Dalrymple.
The first issue of Blackthorne’s long-running 3-D series, featuring Jerry Igers classic jungle princess, hero of pulps, comics, and the big and small screens. Absent from comics for almost three decades, this presents some of her 1950s adventures in 3-D format, including one by legendary good-girl artist Matt Baker. But the main draw for many fans will be the stunning cover by beloved artist (and Rocketeer creator) Dave Stevens. Also featuring an introduction by creator Jerry Iger, a Snarzan the Ape spoof from Great Comics (1941) #1, and a Congo King story with art by legendary good-girl artist Matt Baker. Heroine in the Jungle; Sargasso of Lost Safaris; Snarzan the Ape in Mein Kemp Von Der Chungle; Congo King; Spoor of the Dancing Skeletons. 32 pages, B&W with 3-D effects.
The series began by introducing Shang-Chi as a man raised by his father Fu Manchu to be the ultimate assassin for the would-be world conqueror. In Shang-Chi’s first mission, he kills one of his father’s old enemies, Dr. Petrie, and learns of Fu Manchu’s true, evil nature. Disillusioned, Shang-Chi swears eternal opposition to his father’s ambitions and fights him as an agent of British intelligence, under the orders of Sir Denis Nayland Smith.
The series was an instant sales success. However, Englehart and Starlin would depart the series after their third issue, Master of Kung Fu # 17; Englehart over editorial disputes with then Marvel editor Roy Thomas while Starlin, who was unfamiliar with Fu Manchu up until working on the second issue of the series, left out of embarrassment over the racist nature of the Rohmer novels. Despite the title’s co-creators’ early departure, its success grew once writer Doug Moench and artist Paul Gulacy, began collaborating in issues #22. Comics historian Les Daniels observed that “Ingenious writing by Doug Moench and energetic art by Paul Gulacy brought Master of Kung Fu new life.” Their critically acclaimed run continued, with short gaps, until #51 when Gulacy was replaced by artist Jim Craig. Craig was later succeeded by Mike Zeck who became the regular penciller in issue #64 (1978).
Supergirl (Volume 2) was published from November of 1982 until September of 1984, spanning a total of 23 issues. The series was initially entitled, the Daring New Adventures of Supergirl, but shortened the title to simply, Supergirl, with issue #13. This was the last regular comic series to feature the Pre-CrisisKara Zor-El as Supergirl.
In 2009, Thomas explained he had been a fan of the soundtrack to the musical Jesus Christ Superstar and sought to bring the story to comic books in a superhero context: “Yes, I had some trepidation about the Christ parallels, but I hoped there would be little outcry if I handled it tastefully, since I was not really making any serious statement on religion… at least not overtly.” Choosing to use a preexisting character while keeping the series locale separate from mainstream Marvel Earth, he created Counter-Earth, a new planet generated from a chunk of Earth and set in orbit on the opposite side of the sun. Thomas and Kane collaborated on the costume, with the red tunic and golden lightning bolt as their homage to Fawcett Comics‘ 1940s-1950s character Captain Marvel. The story continued in the series The Power of Warlock, which ran eight issues (Aug. 1972 – Oct. 1973)
Writer-artist Jim Starlin revived Warlock in Strange Tales #178-181 (Feb.-Aug. 1975). Warlock’s adventures became more cosmic in scope as Starlin took the character through an extended storyline referred to as “The Magus Saga.”
The reimagined title continued the numbering of The Power of Warlock and began with Warlock #9 (Oct. 1975) and ran seven issues. The bimonthly series was initially written and drawn by Starlin, but was eventually co-penciled and inked by Steve Leialoha.
The Dark Crystal was adapted into comic book form by Marvel Comics. It debuted as a 68 page adaptation in Marvel Super Special #24, in 1982. The story was later re-printed in two issues in April and May, 1983.
This was the first of three Marvel adaptations of Jim Henson movies; it was followed by The Muppets Take Manhattan in 1984, and Labyrinth in 1986.
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