Batman: Beyond the White Knight takes place 12 years after the events which are described in the previous volume Batman: Curse of the White Knight, which ended with Bruce Wayne exposed as Batman to the general public and donating his entire fortune to the people of Gotham City, and then turning himself in to the police. Since that, the city has evolved into a futuristic megalopolis known as “Neo-Gotham”. Following the murder of his father Warren, young Terry McGinnis — under the orders of his employer Derek Powers — steals a technologically advanced Batsuit to become the new Batman and avenge his father’s death. At the same time, a middle-aged Bruce escapes from prison in an attempt to rid Neo-Gotham of Batman for good, all while a civil war slowly rages through the city and Powers transforms into the supervillain Blight.
In early 1939, the success of Superman in Action Comics prompted editors at National Comics Publications (the future DC Comics) to request more superheroes for its titles. In response, Bob Kane created “the Bat-Man”. Collaborator Bill Finger recalled that “Kane had an idea for a character called ‘Batman,’ and he’d like me to see the drawings. I went over to Kane’s, and he had drawn a character who looked very much like Superman with kind of … reddish tights, I believe, with boots … no gloves, no gauntlets … with a small domino mask, swinging on a rope. He had two stiff wings that were sticking out, looking like bat wings. And under it was a big sign … BATMAN”. The bat-wing-like cape was suggested by Bob Kane, inspired by Leonardo Da Vinci‘s sketch of an ornithopter flying device as a child.
Finger suggested giving the character a cowl instead of a simple domino mask, a cape instead of wings, and gloves; he also recommended removing the red sections from the original costume. Finger said he devised the name Bruce Wayne for the character’s secret identity: “Bruce Wayne’s first name came from Robert Bruce, the Scottish patriot. Wayne, being a playboy, was a man of gentry. I searched for a name that would suggest colonialism. I tried Adams, Hancock … then I thought of Mad Anthony Wayne.” He later said his suggestions were influenced by Lee Falk‘s popular The Phantom, a syndicated newspaper comic-strip character with which Kane was also familiar.
World’s Finest was initially a 96 page quarterly anthology, featuring various DC characters – always including Superman and Batman – in separate stories. Comics historian Les Daniels noted that “Pairing Superman and Batman made sense financially, since the two were DC’s most popular heroes.” When superheroes fell out of vogue in the early 1950s, DC shortened the size of the publication to that of the rest of its output, leaving only enough space for one story; this led to Superman and Batman appearing in the same story together starting with World’s Finest Comics #71 (July 1954).The series continued to feature Superman and Batman team-ups until issue #197. Noted Batman artist Neal Adams first drew the character in an interior story in “The Superman-Batman Revenge Squads” in issue #175 (May 1968).
When the rebellious twins run away in a stolen Batmobile, only Joker Jack Napier’s quickly fading hologram has any hope of getting them home safely and keeping them out of the family business. But a life of crime isn’t the only temptation young Bryce and Jackie are facing: the kids uncover a dark secret that could bring their dad back to life for good!
With a wild array of Batman’s former enemies and allies on their tails, will the kids succeed in reviving the Dark Knight’s greatest foe?
Batman – White Knight Presents – Generation Joker #1 NM $5
Batman – White Knight Presents – Generation Joker #2 NM $5
Batman – White Knight Presents – Generation Joker #3 NM $5
Starting in 1969, writer Dennis O’Neil and artist Neal Adams made a deliberate effort to distance Batman from the campy portrayal of the 1960s TV series and to return the character to his roots as a “grim avenger of the night”. O’Neil said his idea was “simply to take it back to where it started. I went to the DC library and read some of the early stories. I tried to get a sense of what Kane and Finger were after.”
O’Neil and Adams first collaborated on the story “The Secret of the Waiting Graves” (Detective Comics #395, January 1970). Few stories were true collaborations between O’Neil, Adams, Schwartz, and inker Dick Giordano, and in actuality these men were mixed and matched with various other creators during the 1970s; nevertheless the influence of their work was “tremendous”.Giordano said: “We went back to a grimmer, darker Batman, and I think that’s why these stories did so well…” While the work of O’Neil and Adams was popular with fans, the acclaim did little to improve declining sales; the same held true with a similarly acclaimed run by writer Steve Englehart and penciler Marshall Rogers in Detective Comics #471–476 (August 1977 – April 1978), which went on to influence the 1989 movie Batman and be adapted for Batman: The Animated Series, which debuted in 1992.Regardless, circulation continued to drop through the 1970s and 1980s, hitting an all-time low in 1985.
Batman-Spawn: War Devil is a 1994 graphic novel published by DC Comics and written by Doug Moench, Alan Grant, and Chuck Dixon. This is one of two such crossovers between the two characters published that year (the other being Spawn/Batman). A third meeting between the two characters, to be titled Spawn/Batman: Inner Demons and pitting Batman and Spawn against the Joker and Clown, was planned but never made.
The Giant line of comics mixes all-new original material by some of DC’s top creators with reprints for a 100-page package.
Creators working on the new material include such fan-favorites as Tom King, Brian Michael Bendis and the Harley Quinn writing team of Jimmy Palmiotti and Amanda Conner, each working on characters outside of their traditional range in the regular DC line, with Bendis working on his first solo Batman material in September — a 12-part story beginning in Batman Giant No. 3 — and Tom King taking on Superman with artist Andy Kubert for their own yearlong epic beginning in Superman Giant No. 3. Not to be left behind, Palmiotti and Conner will launch a 12-part Wonder Woman story in the third Justice League issue.
In 2010, the storyline Batman: The Return of Bruce Wayne saw Bruce travel through history, eventually returning to the present day. Although he reclaimed the mantle of Batman, he also allowed Grayson to continue being Batman as well. Bruce decided to take his crime-fighting cause globally, which is the central focus of Batman Incorporated. DC Comics would later announce that Grayson would be the main character in Batman, Detective Comics, and Batman and Robin, while Wayne would be the main character in Batman Incorporated. Also, Bruce appeared in another ongoing series, Batman: The Dark Knight.
Azrael first appeared in the 1992 series Batman: Sword of Azrael as Jean-Paul Valley.
He then became a supporting character in the monthly Batman titles, eventually taking over the role of Batman through the “Knightfall,” “Knightquest,” and “KnightsEnd” story arcs. One of the creators, Denny O’Neil, admitted to having difficulties with Azrael’s transition from villain to hero: “If I’d known he was to become a monthly character, I might have set him up differently … The problem is that I had to turn a bad guy into a real hero, not just an anti-hero or lead. It’s possible to do that, but it’s difficult to retain the original characterization. You almost have to change his personality.”
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