JLA: Classified is an anthology series which would feature rotating writers and artists producing self-contained story-arcs and aborted mini-series projects that were re-appropriated for publication within the pages of the series and starring the JLA. While the bulk of the stories took place within the continuity of the series (circa JLA #76–113) some of the stories take place outside of regular DC Universe canon.
Join all your DC favorites as they take on eight classic holiday stories! From Constantine and Lex Luthor’s Dickensian tale to Batwoman’s puzzling Hanukkah hijinks to your classic cocoa-swilling Christmas romance switch with Harley and Amethyst, this book is a perfect companion for cookies by the fire and extra sour cream on your latkes.
The year is 2084 and the world has changed. Wracked by calamities and crawling with mon-sters, the last remaining humans face a dangerous existence. And now, the Earth has been sent a message from the deepest reaches of space – a dark count-down to the extinction of all humanity. But there is hope! Five thousand children will be rescued by these mysterious message-senders. This is the journey of Hototo, one of the lucky five thousand – but only if his teenage sister, Tala, can safely deliver him to the nearest Beacon before time runs out
Epic Comics, an imprint of Marvel Comics, began publishing a series of comic book spin-offs for the Hellraiser franchise. The comics contained a set of short stories, with Clive Barker acting as a consultant on all of the comics. Between 1989 and 1992, Epic published twenty regular series comics.
Suzie, a librarian, and Jon, an actor, meet at a party and end up sleeping together. Later shocked to discover that they share the ability to freeze time when they orgasm. As their relationship develops and their sexual histories are explored, they decide to rob the bank where Jon works in order to save Suzie’s endangered library.
Flames rise as a witch is burned at the stake. As Geralt searches for his next job, disturbing images of the fatal persecution appear before him, bringing an ominous warning.
The citizens in a retro-futuristic vision of the world of tomorrow struggle to come to terms with a variety of bizarre characters and their unusual schemes. Written by Dean Motter with art by Michael Lark.
Famous Monsters of Filmland was originally conceived as a one-shot publication by Warren and Ackerman, published in the wake of the widespread success of the Shock Theater package of old horror movies syndicated to American television in 1957. But the first issue, published in February 1958, was so successful that it required a second printing to fulfill public demand. Its future as part of American culture was immediately obvious to both men. The success prompted spinoff magazines such as Spacemen, Favorite Westerns of Filmland, Screen Thrills Illustrated, Creepy, Eerie, and Vampirella.
Controversy erupts as War Machine picks a target on U.S. soil in “Homeland.” When Jim Rhodes returns home he comes face-to-face with American Eagle, last seen in the pages of Thunderbolts, as two visions of America clash with earth-shattering results that may irrevocably change War Machine – and the nation he loves!
Doom 2099 first appeared in Marvel Comics Presents #118, in a preview of Doom 2099 #1. Doom 2099 would run for 44 issues (January 1993 – August 1996), with Doom making notable appearances in 2099 Unlimited, 2099: World of Tomorrow, Ghost Rider 2099, Hulk 2099, Punisher 2099, Ravage 2099, Spider-Man 2099, and X-Men 2099. Doom also received his own special one-shot after conquering the United States, titled 2099 A.D.
EHT Comics 