Strange Tales (1960’s)

Strange Tales switched to superheroes during the Silver Age of Comic Books, retaining the sci-fi, suspense and monsters as backup features for a time. Strange Tales‘ first superhero, in 12- to 14-page stories, was the Fantastic Four‘s Human Torch, Johnny Storm, beginning in #101 (Oct. 1962). Here, Johnny still lived with his elder sister, Susan Storm, in fictional Glenview, Long Island, New York, where he continued to attend high school and, with youthful naivete, attempted to maintain his “secret identity” (later retconned to reveal that his friends and neighbors knew of his dual identity from Fantastic Four news reports, but simply played along).

The title became a “split book” with the introduction of sorcerer Doctor Strange, by Lee and artist Steve Ditko. This 9- to 10-page feature debuted in #110 (July 1963), and after an additional story and then skipping two issues returned permanently with #114. Ditko’s surrealistic mystical landscapes and increasingly head-trippy visuals helped make the feature a favorite of college students, according to Lee himself. Eventually, as co-plotter and later sole plotter, in the “Marvel Method“, Ditko would take Strange into ever-more-abstract realms, which yet remained well-grounded thanks to Lee’s reliably humanistic, adventure/soap opera dialog. Adversaries for the new hero included Baron Mordo introduced in issue #111 (Aug. 1963) and Dormammu in issue #126 (Nov. 1964). Clea, who would become a longtime love interest for Doctor Strange, was also introduced in issue #126.

King Conan (1980)

Punisher War Zone (1992)

Punisher War Zone ran for 41 issues with two 64-page annuals. Multiple writers contributed to this series during its three-year run from 1992 to 1995. The series served mainly as a vehicle for longtime Marvel artist John Romita, Jr., who had returned to Marvel after a lengthy hiatus from drawing a monthly title. In 2009, Marvel published a 6-issue limited series under the same title. The storyline was called “The Resurrection of Ma Gnucci“.

The War of the Realms (2019)

The dark elf Malekith wages a war that has spread from one otherworldly realm to the next, setting them all ablaze, and now it’s time for that war to finally explode into the last realm standing: ours. All the worst monsters from the Ten Realms come pouring in over the globe, and it will take the biggest heroes in the Marvel Universe to stop them from conquering Earth – and the whole realm!

X-23 (2005)

In X-23: “Innocence Lost”, a top-secret program is tasked to replicate the original Weapon X experiment that bonded adamantium to the skeleton of Wolverine. The project is taken in a new direction: Dr. Martin Sutter recruits renowned mutant geneticist Doctor Sarah Kinney to develop a clone of Wolverine. Also on the team is Sutter’s protege, Dr. Zander Rice, who was raised by Sutter after his father was killed by the original Weapon X.

Since the only genetic sample from Weapon X is damaged, Kinney is unable to salvage the Y chromosome. Kinney proposes the creation of a female genetic twin. Her request is denied; Rice is opposed to the idea. After 22 failed attempts at reconstituting the DNA using a duplicate X chromosome, the 23rd sample yields a viable sample to combine with an embryo. Although Kinney is allowed to proceed, Rice exacts revenge for her insubordination by forcing her to act as the surrogate mother of the specimen. For nine months, Kinney’s every move is monitored. Finally, she gives birth to “X-23”

Wolverine V7 (2020)

Wolverine has been through a lot. He’s been a loner. He’s been a killer. He’s been a hero. He’s been an Avenger. He’s been to hell and back. Now, as the nation of Krakoa brings together all Mutantkind, he can finally be… happy? With his family all together and safe, Wolverine has everything he ever wanted… and everything to lose. Writer Benjamin Percy and artist Adam Kubert bring the best there is to his new home! PLUS: The return of OMEGA RED!

Star Trek (1979)

Marvel’s series of Star Trek comics began in 1979 with an adaptation of Star Trek: The Motion Picture and continued for another two years. These tales take place during a second five-year mission of Kirk and the Enterprise that would have been featured in the never-produced Star Trek: Phase II TV series. Marvel’s license from Paramount prohibited them from using concepts introduced in the original series. They were only allowed to use the characters and concepts from Star Trek: The Motion Picture. The series lasted 18 issues and ended in 1981.

Fantastic Four (1980’s)

John Byrne revitalized the slumping title with his run. Originally, Byrne was slated to write with Sienkiewicz providing the art. Sienkiewicz left to do Moon Knight, and Byrne subsequently became writer, artist, and inker. Various editors were assigned to the comic; eventually Bob Budiansky became the regular editor. Byrne told Jim Shooter that he could not work with Budiansky, although they ultimately continued to work together. In 2006, Byrne said “that’s my paranoia. I look back and I think that was Shooter trying to force me off the book”. Byrne left following issue #293 (Aug. 1986) in the middle of a story arc, explaining he could not recapture the fun he had previously had on the series. One of Byrne’s changes was making the Invisible Girl into the Invisible Woman: assertive and confident. During this period, fans came to recognize that she was quite powerful, whereas previously, she had been primarily seen as a superpowered mother and wife in the tradition of television moms like those played by Donna Reed and Florence Henderson.

Marvel Comics Presents (1990’s)

Marvel Comics Presents was published from 1988 to 1995. The original plan was for the lead story to feature different members of the X-Men in solo adventures lasting between eight and ten episodes. The first ten issues featured Wolverine; others featured were Colossus, Cyclops, Havok, and Excalibur. From issue 39 onwards,Wolverine was featured as the lead story in all issues. Particularly notable was “Weapon X” in issues #72-84, which revealed Wolverine’s origin, with story and art by Barry Windsor-Smith.

The Infernal Man-Thing (2012)

Steve Gerber’s posthumous Man-Thing story “The Screenplay of the Living Dead Man”, with art by Kevin Nowlan, originally planned as a 1980s graphic novel before being left uncompleted by the artist, was revived in the 2010s and appeared as a three-issue miniseries cover-titled The Infernal Man-Thing (Early Sept.-Oct. 2012). The story was a sequel to Gerber’s “Song-Cry of the Living Dead Man” in Man-Thing #12 (Dec. 1974).