The adventures of teenager Binky Biggs started in DC Comics’ Leave It to Binky #1 (cover-dated March 1948), which ran for 60 issues through 1958. The series was revived by issue #61 (July 1968). With issue #72 (May 1970), the title was shortened to Binky and the series ran until issue #81 (Nov. 1971). Issue #82 was published in Summer 1977.
A spin-off title, Binky’s Buddies, ran 12 issues (Feb. 1969 – Dec. 1970).
The Weird Mystery Tales ongoing series was launched in July–August 1972 and was originally hosted by Destiny. The hosting role was gradually taken over by Eve, who fully assumed the title with issue #15 (December 1974–January 1975). The title’s name was partially inspired by the sales success of Weird War Tales and Weird Western Tales. Early issues printed material by Jack Kirby that had been intended for his black-and-white, magazine-size DC comic series, Spirit World, which lasted only one issue. These stories featured Dr. E. Leopold Maas as host, sometimes with an appended hosting segment by Destiny.
World’s Finest featured Superman and Batman team-ups until issue #197. Noted Batman artist Neal Adams first drew the character in an interior story in “The Superman-Batman Revenge Squads” in issue #175 (May 1968). The title briefly featured Superman teaming with heroes other than Batman in the early 1970s beginning with issue #198 (November 1970). That issue featured the first part of a two-issue team-up with the Flash. The series reverted to Superman and Batman team-ups after issue #214, initially with a unique twist, featuring the children they might one day have, Superman Jr. and Batman Jr. These characters, billed as the Super-Sons, were co-created by writer Bob Haney and artist Dick Dillin in issue #215 (January 1973).
DC Special Series was an umbrella title for one-shots and special issues published by DC Comics between 1977 and 1981. Each issue featured a different character and was often in a different format than the issue before it. DC Special Series was published in four different formats: Dollar Comics, 48 page giants, digests, and treasury editions. Neither the umbrella title nor the numbering system appear on the cover; the title “DC Special Series” appeared only on the first page in the indicia. Most issues featured new material, but eight issues were reprints of previously published material.
The original title ran for 12 years and 124 issues. It was an anthology series that told war stories with horror, mystery, fantasy and science fiction elements. Changes in the Comics Code Authority made the use of horror elements possible. The first seven issues were reprinted material. Each issue beginning with issue #8 was hosted by Death, usually depicted as a skeleton dressed in a different military uniform each issue. The title’s name was inspired by editor Joe Orlando. Walt Simonson‘s first professional published comic book work appeared in Weird War Tales #10 (January 1973). Roger McKenzie and Frank Miller‘s first collaboration was on a two-page story published in Weird War Tales #68 (October 1978). Recurring characters began to appear late in the series run, notably the G.I. Robot, and the return of “The War that Time Forgot” which originally ran in Star Spangled War Stories. Writer J. M. DeMatteis and penciler Pat Broderick created the Creature Commandos in Weird War Tales #93 (November 1980).
Nathaniel Dusk is a private investigator from New York City whose adventures in the 1930s are portrayed in the stories. He served in the United States armed forces in World War I and was hired by the New York City police force. Dusk fell deeply in love with Joyce Gulino, a beautiful young saleswoman with two children, Jennie and Anthony. Gulino’s ex-husband was a gangster named Joseph Costilino. Costilino later killed his family.
The 2017-2019 miniseries Doomsday Clock, by Geoff Johns and Gary Frank features Nathaniel Dusk in the DC Universe as a noir film character portrayed by a fictional actor named Carver Colman. Colman plays a key role in the story.
The Swamp Thing character first appeared in House of Secrets #92 (June–July 1971). After the success of the short story in the House of Secrets comic, the original creators were asked to write an ongoing series, depicting a more heroic, more contemporary creature. InSwamp Thing #1 (October–November 1972) Wein and Wrightson updated the time frame to the 1970s and featured a new version character: Alec Holland, a scientist working in the Louisiana swamps on a secret bio-restorative formula “that can make forests out of deserts”. Holland is killed by a bomb planted by agents of the mysterious Mr. E (Nathan Ellery), who wants the formula. Splashed with burning chemicals in the massive fire, Holland runs from the lab and falls into the muck-filled swamp, after which a creature resembling a humanoid plant appears. Roy Thomas and Gerry Conway, who co-created Man-Thing for Marvel Comics a year and a half earlier, thought that this origin was too similar to that of their character, and Wein himself had written a Man-Thing story that was published with a June 1972 cover date, but he refused to change the origin in spite of some cajoling by Conway, who was his roommate at the time. Marvel, however, never took the issue to court, realizing the similarity of both characters to The Heap.
Supergirl (Volume 2) was published from November of 1982 until September of 1984, spanning a total of 23 issues. The series was initially entitled, the Daring New Adventures of Supergirl, but shortened the title to simply, Supergirl, with issue #13. This was the last regular comic series to feature the Pre-Crisis Kara Zor-El as Supergirl.
With issue #174, EC Comics veteran Joe Orlando was hired by DC to take over as editor of House of Mystery. As the Comics Code Authority was now being challenged by both DC and Marvel over content restrictions, the series returned to its overt horror themes. The first issue under Orlando would be a reprint issue of old horror/suspense stories, as the new direction would truly begin with #175 (July–August 1968). The issue would introduce a new figure to the series, Cain, the “able care taker” of the House of Mystery who would introduce nearly all stories that would run in the series before its cancellation. Cain would also host the spin-off humor series Plop! and later become a recurring character in Blue Devil and The Sandman.
Artist Bernie Wrightson‘s first professional comic work was the story “The Man Who Murdered Himself” which appeared in issue #179 (March–April 1969)
House of Mystery was in the Dollar Comics format for issues #251 (March–April 1977) to #259 (July–August 1978). House of Mystery featured stories by writers T. Casey Brennan (#260, 267, 268 and 274) and Scott Edelman (#257, 258, 260, 264, 266, 270, 272, 273). Orlando’s tenure as editor ended with #257 (March–April 1978).
Paul Levitz returned to write the series with #284. Pat Broderick and Bruce Patterson illustrated the title for a short time before Keith Giffen began on pencils, with Patterson, and then Larry Mahlstedt, on inks. The creative team received enhanced popularity following “The Great Darkness Saga“, which ran from #287; #290–294; and Annual #3, featuring a full assault on the United Planets by Darkseid. Comics historian Les Daniels observed that “Working with artist Keith Giffen, Levitz completed the transformation of Legion into a science-fiction saga of considerable scope and depth.”
The Legion celebrated issue #300 (June 1983) by revisiting the “Adult Legion” storyline through a series of parallel world short stories illustrated by a number of popular Legion artists from previous years. The story served to free up Legion continuity from following the “Adult Legion” edict of previous issues.
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