OMAC (Buddy Blank) was created in 1974 by Jack Kirby and published by DC Comics. The character was created towards the end of Kirby’s contract with the publisher, following the cancellation of his New Gods series and was reportedly developed strictly due to Kirby needing to fill his contractual quota of 15 pages a week.As envisioned by Kirby, OMAC is essentially Captain America set in the future, an idea Kirby had toyed with some years earlier while at Marvel Comics, but had never realized.
Set in the near future (“The World That’s Coming”), OMAC is a corporate nobody named Buddy Blank who is changed via a “computer-hormonal operation done by remote control” by an A.I. satellite called Brother Eye into the super-powered One-Man Army Corps (OMAC).
Created and designed by Jack Kirby, The New Gods first appeared in February 1971 in New Gods #1.
Kirby’s production assistant of the time, Mark Evanier, remarked that: “Folks forget but the New Gods saga was intended to be a limited series … There was no intention that these characters would go on forever. After Jack’s books started getting good sales figures, DC demanded that we keep them going and use guest stars like Deadman, which we were very much against doing. So Kirby had this novel he was forever stuck in the middle of – he could never get to the last chapter. … You can spot the issues where Jack kind of gave up trying to advance the story of Darkseid and Orion and was marking time. If those books had been intended from the start to run indefinitely, they would have been done very differently.”
New Gods #1 marks the first appearance of Orion, Highfather, and Metron, among others.
The Demon was created by Jack Kirby. The titular character, named Etrigan, is a demon from Hell who, despite his violent tendencies, usually finds himself allied to the forces of good, mainly because of the alliance between the heroic characters of the DC Universe and Jason Blood, a human to whom Etrigan is bound.
Jack Kirby created the Demon in 1972 when his Fourth World titles were cancelled.According to Mark Evanier, Kirby had no interest in horror comics, but created Etrigan in response to a demand from DC for a horror character. Kirby was annoyed that the first issue sold so well that DC required him to remain on it and abandon the Fourth World titles before he was done with them. Etrigan was inspired by a comic strip of Prince Valiant in which the titular character dressed as a demon. Kirby gave his creation the same appearance as Valiant’s mask.
After an appearance in Showcase #80 (February 1969), he received another series beginning May–June 1969 that lasted until February–March 1976. The Showcase appearance and the first three issues of Phantom Stranger consisted of reprints from both the 1950s title and the “Dr. 13: Ghost-Breaker” feature from the last nine issues of Star Spangled Comics at the same time, with new, brief framing sequences. These had Dr. Thirteen, certain that the Phantom Stranger was an impostor, determined to expose him.
Beginning with issue #4 (November-December 1969), the series began featuring all-new material, with stories produced by Robert Kanigher, Len Wein, Jim Aparo, Neal Adams, Tony DeZuniga and others. In these stories, while the Stranger’s past remained a mystery, the writers added a semi-regular cast of characters for him. A demonic sorceress named Tala would become his archenemy; an alchemist/sorcerer named Tannarak was first an enemy and would later assist him against the Dark Circle; and a blind psychic named Cassandra Craft would assist him. Doctor Thirteen, dropped along with the reprints, was given a back-up series here as of #12 (March-April 1971) which morphed into “The Spawn of Frankenstein” in #23 (January-February 1973).
The second volume originally ended with the forty-first issue in November 1975, cover dated March 1976. In January 2010, a forty-second issue was added to the second series during the Blackest Night event, effectively a one-shot.
The third Flash was Wally West, introduced in The Flash (vol. 1) #110 (Dec. 1959) as Kid Flash. West, Allen’s nephew by marriage, gained the Flash’s powers through an accident identical to Allen’s. Adopting the identity of Kid Flash, he maintained membership in the Teen Titans for years. Following Allen’s death, West adopted the Flash identity in Crisis on Infinite Earths #12 and was given his own series, beginning with The Flash (vol. 2) #1 in 1987.[1] Many issues began with the catchphrase: “My name is Wally West. I’m the fastest man alive.”
After the Legion pushed new Superboy stories out of Adventure Comics in 1963, Superboy became the only comic book to feature original Superboy stories. Less than two years after the Legion itself left Adventure Comics, Superboy became the Legion’s new home. Starting with Superboy #172 (March 1971), the Legion appeared as an occasional backup feature. Once again, the Legion feature proved so popular that by Superboy #197 (Sept. 1973), the Legion had become the lead feature, and with the next issue, the title’s only feature. Although from issue #197, the cover logo read Superboy starring the Legion of Super-Heroes (and replaced starring with #222), the official title (shown in the indicia) of the comic remained Superboy until #231 (Sept. 1977), when the comic became Superboy and the Legion of Super-Heroes. In issue #259 (Jan. 1980).
Vigilante was an ongoing series published from November of 1983 to February 1988. The series featured the honorable Adrian Chase, who was first introduced in the pages of New Teen Titans Annual #2. Spanning a total of fifty issues and two Annuals, the series ended with the death of the main character.
DC Comics was a hotbed of experimentation during the 1970s, and in 1975 the character became the first villain to feature as the title character in a comic book series, The Joker. The series followed the character’s interactions with other supervillains, and the first issue was written by O’Neil. Stories balanced between emphasizing the Joker’s criminality and making him a likable protagonist whom readers could support. Although he murdered thugs and civilians, he never fought Batman; this made The Joker a series in which the character’s villainy prevailed over rival villains, instead of a struggle between good and evil. Because the Comics Code Authority mandated punishment for villains, each issue ended with the Joker being apprehended, limiting the scope of each story.
Each issue of Ghosts carried multiple stories of the supernatural. The stories were prefaced by a short description introducing the premise and ended with a summation of how a mysterious justice was dealt to the evildoers of the tale. The first issue of this series carried the singular title Ghost in its indicia, but everywhere else, including advance promotional house ads and even on its own cover, it was the plural Ghosts, as even the indicia would read from #2 on. Limited Collectors’ Edition #C–32 (Dec. 1974–Jan. 1975) reprinted stories from Ghosts #1, 3–6 and featured new material by Leo Dorfman and artists Gerry Talaoc, E. R. Cruz, and Frank Redondo.
Limited Collectors’ Edition was launched with a collection of Rudolph the Red-Nosed Reindeer stories which went on sale October 24, 1972. DC Comics vice president Sol Harrison had suggested the format stating that “We could create a tabloid size comic that would stand out on the newsstand.”Limited Collectors’ Edition shared its numbering with two other treasury format series, Famous First Edition and All-New Collectors’ Edition. The final issues of the latter two series were tie-ins to the release of Superman: The Movie. DC later published treasuries as part of DC Special Series in 1981 and as a number of one-shots from 1999 to 2003 primarily produced by Paul Dini and Alex Ross.
DC Limited Collectors Edition V5 C48 – Superman Vs Flash VF- $35
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