Strange Adventures (1970’s)

Strange Adventures ran for 244 issues and was DC Comics’ first science fiction title. It began with an adaptation of the film Destination Moon. The sales success of the gorilla cover-featured story in Strange Adventures #8 (May 1951) led DC to produce numerous comic book covers with depictions of gorillas.

With issue #217, the title gained another new logo and began reprinting stories of Adam Strange and the Atomic Knights, among other stories. Several Strange Adventure stories were also reprinted in some of DC Comics’ later anthologies such as From Beyond the Unknown.

In 1978, DC Comics intended to revive Strange Adventures. These plans were put on hold that year due to the DC Implosion, a line-wide scaling back of the company’s publishing output. When the project was revived a year later, the title was changed to Time Warp and the series was in the Dollar Comics format.

Time Warp (1979)

In 1978, DC Comics intended to revive its science-fiction anthology series Strange Adventures. These plans were put on hold that year due to the DC Implosion, a line-wide scaling back of the company’s publishing output. When the project was revived a year later, the title was changed to Time Warp and the series was in the Dollar Comics format. The first issue was published with an October–November 1979 cover date. Michael Kaluta provided the cover art for the entire run.

The title featured a mixture of both established comics creators and new talent. The writing team of Dan Mishkin and Gary Cohn made their comics debut in issue #3 with the three-page short story “On the Day of His Return” which was drawn by Steve Ditko.

Time Warp was canceled with issue #5 (June–July 1980) and unused inventory originally intended for the series was published in a revival of the Mystery in Space title. Other Time Warp stories appeared in the mystery anthology The Unexpected.

A one-shot was published by DC’s Vertigo imprint in May 2013. It included a Rip Hunter story by writer Damon Lindelof and artist Jeff Lemire.

Shazam (1973)

When superhero comics became popular again in the mid-1960s in what is now called the “Silver Age of Comic Books“, Fawcett was unable to revive Captain Marvel, having agreed to never publish the character again as part of their 1953 settlement. Looking for new properties to introduce to the DC Comics line, DC publisher Carmine Infantino decided to bring the Captain Marvel property back into print. On June 16, 1972, DC entered into an agreement with Fawcett to license the Captain Marvel and Marvel Family characters. Because Marvel Comics had by this time established Captain Marvel as a comic book trademark for their own character, created and first published in 1967, DC published their book under the name Shazam! Infantino attempted to give the Shazam! book the subtitle The Original Captain Marvel, but a cease and desist letter from Marvel Comics forced them to change the subtitle to The World’s Mightiest Mortal, starting with Shazam! #15 (December 1974). As all subsequent toys and other merchandise featuring the character have also been required to use the “Shazam!” label with little to no mention of the name “Captain Marvel”, the title became so linked to Captain Marvel that many people took to identifying the character as “Shazam” instead of “Captain Marvel”

The Sandman V1 (1970’s)

The Sandman of the 1970s was created by Joe Simon and Jack Kirby. Issue #1 was intended as a one-shot, but five more issues and an additional story followed. After the first issue, the stories were written by Michael Fleisher. The second and third issues were illustrated by Ernie Chua. Inks were by Kirby, Mike Royer and, in the sixth issue, Wally Wood. All covers were by Kirby, and the fourth issue noted his return to the interior artwork on the cover.

This Sandman was originally intended to be the actual Sandman of popular myth, “eternal and immortal”, despite his superhero-like appearance and adventures. The Sandman is assisted by two living nightmares named Brute and Glob, whom he releases from domed cells with the help of a magic whistle. They are nuisances who beg for release, who are intent on hand-to-hand combat, but are implied to be relatively harmless and well-intentioned once freed. Using security monitoring devices, the Sandman can enter the “Dream Stream” or the “Reality Stream” (in which he acts like the superhero he looks like), and he carries a pouch of dream dust with which he can cause anyone to sleep and dream. The Sandman’s main task is protecting children from nightmare monsters within their dreams, especially one young boy named Jed, who lives with his grandfather, Ezra Paulsen, as well as to ensure that children have an appropriate level of nightmares rather than dealing with such anxieties in real life.

Blue Devil (1984)

Blue Devil (Dan Cassidy) first appeared in a special insert published in Fury of Firestorm #24 (June 1984). That story led directly into Blue Devil #1, also cover dated June 1984. He was created by Dan MishkinGary Cohn, and Paris Cullins. The Blue Devil comic book ran for 32 issues with Blue Devil later appearing as a regular character in Shadowpact that ran for 25 issues.

Dan Cassidy was working as a stuntman and special effects specialist in Hollywood when he created the Blue Devil full body suit, complete with a built in exoskeleton, specifically designed for the Blue Devil movie being produced by Verner Brothers Studios.

During filming on The Blue Devil, the demon Nebiros was accidentally unleashed from within an ancient temple and, thinking Cassidy was an actual demon, tried to drain his demonic powers with blasts of magic. Instead, the blasts permanently bonded the suit to Cassidy. This unnatural fusion of magic and technology caused Cassidy to experience unusual events and draw the attention of otherworldly beings, a condition known in occult circles as a “weirdness magnet”.

Forbidden Tales of Dark Mansion (1971)

After four issues as The Dark Mansion Of Forbidden Love, the romance angle was abandoned and the title changed to Forbidden Tales of Dark Mansion. Very much in the same vein as House of Mystery and House of Secrets, Forbidden Tales of Dark Mansion was “hosted” by Charity (the character debuted in issue #7).

The character of Charity later became part of the supporting cast in the Starman series and at some point after the last issue married the policeman Mason O’Dare and is pregnant with his child.

Secret Society of Super-Villains (1976)

Due to the delays caused by having to redo the first issue from scratch, Conway assigned David Anthony Kraft to script the next three issues of Secret Society of Super Villains over his plots. After issue #4, both Conway and Kraft abruptly left DC, leading to a mad scramble to produce a fill-in issue.

Jack C. Harris took over as editor, and Conway returned as writer only with issue #8, but artists on the series rotated nearly as often as the lineup of the titular supergroup, with Rich BucklerMike Vosburg, and Dick Ayers all contributing short stints as pencilers, while inkers changed from issue to issue. Harris felt that the series’ mediocre sales might have been partly his fault: “The cover concepts were one of my editorial duties. Rich Buckler turned my ideas into the best he could do, but I never felt as if my ideas were good enough for his art. I think there was a ‘sameness’ to my ideas which might have hurt the title in that casual readers might have missed buying an issue because they thought they’d already seen it”. Secret Society of Super Villains was cancelled with issue #15 as part of the DC Implosion.

Star Hunters (1977)

The Star Hunters were infected by the Corporation controlling Earth with a virus which would cause their genes to mutate if they set foot on the planet again without receiving an antidote which the Corporation would only give to them on completion of their mission – to learn the true origins of man.

Super Powers V1 (1984)

Once the line was on the market, a vigorous merchandising campaign took place, with DC Comics and Kenner striving for the Super Powers logo to become ubiquitous. DC Comics produced three comic book mini-series featuring characters from the toyline, one during each year of the toyline’s existence. The first series of comics in 1984 was plotted by Jack Kirby, who also provided covers, and went on to pencil the second series. (These two series were collected and reprinted in 2013 in The Jack Kirby Omnibus Vol. 2, in 2018 in Super Powers by Jack Kirby, and in 2019 in DC Universe: Bronze Age Omnibus by Jack Kirby). The third and final series was penciled by Carmine Infantino.

Krypton Chronicles (1981)

A three-issue miniseries entitled The Krypton Chronicles, published in 1981, tells of Superman researching his roots when, as Clark Kent, he was assigned to write an article about Superman’s family by an assignment editor impressed with the television miniseries Roots. To do so, he and Supergirl travel to Kandor, where they learn the history of the El family.