The comic was originally going to be canon, but James Tynion IV, who took over the writing duties on Batman (Volume 3) from Tom King, said that Batman/Catwoman was moving away from the “bounds of continuity” per his understanding and it would have no effect on the main Batman title.
King later stated it was a standalone series and was his version of how Batman and Catwoman’s ending should be. He also hoped it would lead to “breaking the mold” in DC about Batman’s status quo. The series follows the duo’s romance through multiple eras, unlike the current Prime Earth continuity.
In January 2022, it was announced that writer Zeb Wells and John Romita Jr. would be working on a relaunched The Amazing Spider-Man, bringing the number of volumes for the title to its sixth, with the series beginning in April 2022. The relaunch encompasses both a legacy numbering of #900 as well as the 60th anniversary for the character. It included the crossover event, Dark Web, with Chasm having teamed up with Madelyne Pryor to bring limbo to Earth.
Set in the suburbs of Seattle during the 1970s, the story follows a group of teenagers who contract a mysterious sexually transmitted disease referred to as “the Bug, which causes them to develop bizarre unique physical mutations and subsequently become social outcasts, many of them running away from home to live in the nearby woodland.
The 1993 “Knightfall” story arc introduced a new villain, Bane, who critically injures Batman. Jean-Paul Valley, known as Azrael, is called upon to wear the Batsuit during Bruce Wayne’s convalescence. Writers Doug Moench,Chuck Dixon, and Alan Grant worked on the Batman titles during “Knightfall”, and would also contribute to other Batman crossovers throughout the 1990s. 1998’s “Cataclysm” storyline served as the precursor to 1999’s “No Man’s Land“, a year-long storyline that ran through all the Batman-related titles dealing with the effects of an earthquake-ravaged Gotham City. At the conclusion of “No Man’s Land”, O’Neil stepped down as editor and was replaced by Bob Schreck.
The comic book Battlestar Galactica, based on the ABC television series of the same name, was published monthly by Marvel Comics from March 1979 through January 1981, and lasted 23 issues.
Although there were other attempts to adapt Battlestar Galactica into a comic book format, the Marvel series is considered by many to have been the most successful in terms of run, sales, and content.
This was accomplished against some notable odds. Although Roger McKenzie was most often the writer, and Walt Simonson the most regular artist, the book also had a heavy rotation of guest writers and artists.
Marvel Comics’ began its adaptation of Battlestar Galactica with Marvel Super Special #8, a magazine format comic written by Roger McKenzie and drawn by Ernie Colón which was released as a tie-in to the start of the series. Based on an early script of the three hour series premiere “Saga of a Star World”, this adaptation, which gave a relatively short treatment to the third hour, was also released in a tabloid format and then later as a paperback as well. The tabloid version was also printed by Whitman Comics. Its success led Marvel to print a regular monthly comic depicting the adventures of the ragtag fleet.
A coming-of-age tale told through the eyes of a group of French orphans during World War II who are saved by a brave and daring American boy named Peter. As they travel together, they get tangled up in the French Resistance and their efforts against a growing German presence under the leadership of a fanatical hook-handed SS officer hellbent on wiping them out!
Stranded on an isolated planet, Ann McKay takes shelter in a remote village that is being terrorized by an Alien. She soon discovers that its inhabitants are hiding a horrifying secret from her. But to discover the truth she has to face her own innermost demons, and try to save the souls of the villagers at the same time.
Daniel Ketch debuted in Ghost Rider vol. 3, #1 (May 1990). This Ghost Rider was nearly identical to the previous, although his costume was now a black leather biker jacket with spiked shoulder-pads, grey leather pants, and a mystic chain he wore across his chest, which responded to his mental commands and served as his primary melee weapon. His new motorcycle resembled a futuristic machine and the front of it could lower to serve as a battering ram. Like the original Ghost Rider’s bike, the wheels were composed of mystic hellfire. Unlike the relationship between the previous Ghost Rider and the demon with which he was bonded, Ketch and his demon — who in vol. 2, #91 (December 1997) is revealed to be Marvel’s incarnation of the Angel of Death/Judgment — are cooperative with each other. At the close of the series with vol. 2, #93 (Feb. 1998), Ketch apparently died. The following year, however, Peter Parker: Spider-Man #93 (July 1999) revealed Ketch was still alive. Nearly a decade later, Marvel published the long-completed final issue as Ghost Rider Finale (Jan. 2007), which reprints the last issue and the previously unpublished #94.
OMAC (Buddy Blank) was created in 1974 by Jack Kirby and published by DC Comics. The character was created towards the end of Kirby’s contract with the publisher, following the cancellation of his New Gods series and was reportedly developed strictly due to Kirby needing to fill his contractual quota of 15 pages a week.As envisioned by Kirby, OMAC is essentially Captain America set in the future, an idea Kirby had toyed with some years earlier while at Marvel Comics, but had never realized.
Set in the near future (“The World That’s Coming”), OMAC is a corporate nobody named Buddy Blank who is changed via a “computer-hormonal operation done by remote control” by an A.I. satellite called Brother Eye into the super-powered One-Man Army Corps (OMAC).
Journey into Mystery was initially published by Atlas Comics, then by its successor, Marvel Comics. Initially a horror comics anthology, it segued to giant-monster and science fiction stories in the late 1950s. Beginning with issue #83 (cover dated August 1962), it ran the superhero feature “The Mighty Thor“, created by writers Stan Lee and Larry Lieber and artist Jack Kirby, and inspired by the mythological Norsethunder god. The series, which was renamed for its superhero star with issue #126 (March 1966), has been revived three times: in the 1970s as a horror anthology, and in the 1990s and 2010s with characters from Marvel’s Thor mythos.
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