Rock ‘N’ Roll Comics was a comic book series published by Revolutionary Comics from 1989 to 1993. Revolutionary’s flagship title, the series was notable for its unauthorized and unlicensed biographies of rock stars, told in comic book form but well-researched and geared to adults, often with very adult situations (nudity, drug use, violence, etc.).
Some musicians featured in the comics, like Frank Zappa and KISS, were supportive; while others, like the New Kids on the Block, considered the comic akin to a bootleg recording and sued the publisher. Publisher Todd Loren‘s legal victory in the U.S. District Court established that comic book biographies were entitled to the same protections as other unauthorized biographies.
Marvel Comics‘ then-publisher Stan Lee said in 1978, shortly after Spider-Woman’s debut in Marvel Spotlight #32 (Feb. 1977) and the start of the character’s 50-issue self-titled series (cover-datedApril 1978 – June 1983), the character originated because,
I suddenly realized that some other company may quickly put out a book like that and claim they have the right to use the name, and I thought we’d better do it real fast to copyright the name. So we just batted one quickly, and that’s exactly what happened. I wanted to protect the name, because it’s the type of thing [where] someone else might say, ‘Hey, why don’t we put out a Spider-Woman; they can’t stop us.’ … You know, years ago we brought out Wonder Man, and [DC Comics] sued us because they had Wonder Woman, and … I said okay, I’ll discontinue Wonder Man. And all of a sudden they’ve got Power Girl [after Marvel had introduced Power Man]. Oh, boy. How unfair.
Ice Cream Man is a genre-defying comic book series featuring disparate ‘one-shot’ tales of sorrow, wonder, and redemption. Each installment features its own cast of strange characters, dealing with their own special sundae of suffering. And on the periphery of all of them, like the twinkly music of his colorful truck, is the Ice Cream Man-a weaver of stories, a purveyor of sweet treats. Friend. Foe. God. Demon. The man who, with a snap of his fingers-lickety split!-can change the course of your life forever.
Ice Cream Man #8 NM $39
Ice Cream Man Presents Quarantine Comix Special NM $12
The new era of Daredevil starts here! Industry stars SALADIN AHMED and AARON KUDER have laced up and entered the ring, ready to take Matt Murdock on a knockout of an adventure! Where does Elektra fit into all of this? What is the future of Hell’s Kitchen? Romance! Intrigue! And, of course, ACTION! All delivered in the Mighty Marvel Manner!
Boba Fett rockets onto the scene with blasters blazing in this stand-alone story featuring the galaxy’s greatest bounty hunter taking on a dangerous contract that proves deadly for all involved!
Summoned to settle the score between two warring factions, Fett quickly shows his employers the importance of always choosing the right tool for the job, and the folly of underestimating just how much damage and chaos a single Mandalorian can inflict. Once unleashed, Fett’s drive to finish the job is unshakable, and both groups quickly realize they’re dealing with a bigger and much deadlier mutual problem—one that must be stopped before it obliterates everything!
A former police officer known only as “S” operates as a private detective based in New York City, finding people and objects for a fee. S steals a quantity of a strange substance called “Heavy Liquid”. On its own, it is a metallic-liquid explosive, but it turns into “black milk” when cooked, and exhibits mind-altering, drug-like properties. A mysterious art collector who also has a quantity of Heavy Liquid wishes to hire S to find a missing artist named Rodan Esperella (coincidentally S’s ex-lover), whom he hopes will create a piece out of the Heavy Liquid for him. In the meantime, assassins are on S’s trail, looking to retrieve the stolen Heavy Liquid. S finally trails Esperella to Paris, and he tries to broker a deal between her and the art collector. Esperella promises to sculpt a masterpiece on the condition that she never see S again. His job done, S boards a train heading to Prague, where he is cornered by one of his pursuers. S then discovers from his pursuer that the Heavy Liquid is alien in origin, and may even possess some form of consciousness. Ingesting the drug himself, S escapes by jumping onto another train, his physical abilities dramatically increased by the Heavy Liquid. S comes to understand its nature as a medium containing an alien intelligence. Ultimately, on the European train, S experiences first contact with the being.
Picking up the main character’s story over a decade after the events of Scout #24, with the lead now a widowed father of two. To promote the new series, retailers were encouraged to create a display for the series in order to win original Truman artwork. The first issue reached #98 on Diamond Comic Distributors‘ chart in January 1988, a solid performance for an Eclipse title. Truman also produced the Scout Handbook, a collection of profiles, maps and other material, while Eclipse collected Scout #1-7 in the trade paperback Scout – The Four Monsters. While War Shaman #2 was delayed due to colourist Sam Parsons falling ill, War Shaman became monthly from #3.Scout: War Shaman #8-9 featured the character Beau La Duke (a fictionalized version of Eclipse sales manager Beau Smith), who then appeared in a backup strip in #14-16. As planned by Truman, the series ended after 16 issues, ending with Rosa killing Scout. Truman stated that Santana would not be resurrected, with the series instead slated to continue with the wider supporting cast he had built up.
1st Issue Special was a comics anthology series from DC Comics, done in a similar style to their Showcase series. It was published from April 1975 to April 1976. The goal was to showcase a new possible first issue of an ongoing series each month, with some issues debuting new characters and others reviving dormant series from DC’s past. No series were actually launched from 1st Issue Special but the Warlord made his first appearance in the title and the character’s ongoing series was already slated to debut a few months later.
The first Mr. Natural strip, “Mr. Natural: The Zen Master“, appeared in the premiere issue of the Philadelphia-based underground newspaper Yarrowstalks on 5 May 1967. When editor Brian Zahn proposed to Crumb to fill the entire third issue with his comix, Crumb created Flakey Foont and several other characters.
Mr. Natural made appearances in other underground newspapers such as the East Village Other, which published the strips “Mr. Natural Meets God” and “Mr. Natural Repents” among others. He made his first official comix appearance in Zap Comix #1 (Feb. 1968). Mr. Natural also appeared in early underground comix titles like Bijou Funnies, and Yellow Dog. He was a regular in Zap for the balance of the 1960s until appearing in his own three-issue title, originally co-published by The San Francisco Comic Book Company and Apex Novelties.
Marvel Comics published Logan’s Run in 1977, with George Pérez drawing five issues between January and May 1977, with “acceptable” sales. The comics adapted the film’s story in five issues and briefly continued beyond. In his art, Pérez sought to follow the art direction of the film. The book was cancelled after issue #7 in July 1977.