Eighty years after Adventuremans apparent demise, single mother Claire and her Adventurefan son Tommy seem to be the only two people alive that remember the thrilling ADVENTUREMAN sagas…but from that memory burns the spark of resurrection! Where his story ended… her story begins!
The Story takes place in the futuristic Alien vs. Predator universe, where Earth has been overrun by Aliens, and the social elite have taken refuge in gigantic skyliners. Caryn Delacroix is the protagonist, with an unclear past regarding both the Aliens and Predators throughout most of the comic. An artificial intelligence serves as the primary antagonist, while the Xenomorphs and the Predator are many times in cooperation with Delacroix and her companions for parts of the series, in particular a Predator called “Big Mama”.
With issue #174, EC Comics veteran Joe Orlando was hired by DC to take over as editor of House of Mystery. As the Comics Code Authority was now being challenged by both DC and Marvel over content restrictions, the series returned to its overt horror themes. The first issue under Orlando would be a reprint issue of old horror/suspense stories, as the new direction would truly begin with #175 (July–August 1968). The issue would introduce a new figure to the series, Cain, the “able care taker” of the House of Mystery who would introduce nearly all stories that would run in the series before its cancellation. Cain would also host the spin-off humor series Plop! and later become a recurring character in Blue Devil and The Sandman.
Artist Bernie Wrightson‘s first professional comic work was the story “The Man Who Murdered Himself” which appeared in issue #179 (March–April 1969)
House of Mystery was in the Dollar Comics format for issues #251 (March–April 1977) to #259 (July–August 1978). House of Mystery featured stories by writers T. Casey Brennan (#260, 267, 268 and 274) and Scott Edelman (#257, 258, 260, 264, 266, 270, 272, 273). Orlando’s tenure as editor ended with #257 (March–April 1978).
Marvel Comics Presents was published from 1988 to 1995. The original plan was for the lead story to feature different members of the X-Men in solo adventures lasting between eight and ten episodes. The first ten issues featured Wolverine; others featured were Colossus, Cyclops, Havok, and Excalibur. From issue 39 onwards,Wolverine was featured as the lead story in all issues. Particularly notable was “Weapon X” in issues #72-84, which revealed Wolverine’s origin, with story and art by Barry Windsor-Smith.
The most notorious name in terror is back with a vengeance! From the publisher that drove Tales from the Crypt, Vault of Horror, Haunt of Fear, and many more into the depraved hearts of an unsuspecting world, the immortal EC COMICS returns . . . with its first all-new series in nearly 70 years! What the Comics Code Authority couldn’t kill has only made it stronger . . . EC Comics lives again in Epitaphs from the Abyss!
Steve Gerber’s posthumous Man-Thing story “The Screenplay of the Living Dead Man”, with art by Kevin Nowlan, originally planned as a 1980s graphic novel before being left uncompleted by the artist, was revived in the 2010s and appeared as a three-issue miniseries cover-titled The Infernal Man-Thing (Early Sept.-Oct. 2012). The story was a sequel to Gerber’s “Song-Cry of the Living Dead Man” in Man-Thing #12 (Dec. 1974).
Mark Millar & Greg Capullo join forces to create the smash hit sci-fi / fantasy story: REBORN. Where do you go when you die? Not heaven or hell; somewhere else. Somewhere you have to fight to survive. Somewhere the people from the past are waiting for you—the good and the bad.
Batman and the Monster Men is a limited series written and drawn by Matt Wagner with colors by Dave Stewart, published by DC Comics in 2006. It, along with its sequel Batman and the Mad Monk, are set in between the events of Batman: Year One and Batman: The Man Who Laughs. It is the first part of Matt Wagner‘s two-part Dark Moon Rising series, which are expanded and modernized versions of early Batman stories.
Amazing Spider-Man reverted completely to its original numbering for #500 (Dec. 2003). Mike Deodato, Jr. penciled the series from mid-2004 until 2006. That year Peter Parker revealed his Spider-Man identity on live television in the company-crossover storyline “Civil War“, in which the superhero community is split over whether to conform to the federal government’s new Superhuman Registration Act. This knowledge was erased from the world with the event of the four-part, crossover story arc, “One More Day“, written partially by J. Michael Straczynski and illustrated by Joe Quesada, running through The Amazing Spider-Man #544-545 (Nov.-Dec. 2007), Friendly Neighborhood Spider-Man #24 (Nov. 2007) and The Sensational Spider-Man #41 (Dec. 2007), the final issues of those two titles. Here, the demon Mephisto makes a Faustian bargain with Parker and Mary Jane, offering to save Parker’s dying Aunt May if the couple will allow their marriage to have never existed, rewriting that portion of their pasts. This story arc marked the end of Straczynski’s tenure as writer.
The first series in the line explores the adventures of Will Byers (Noah Schnapp) after he was transported to the horrific extra-dimensional Upside Down at the beginning of season 1. Viewers only saw Will reappear in that season’s finale when he was finally found by his mother Joyce (Winona Ryder), but obviously a lot happened in the interim. This four-issue Stranger Things miniseries — written by Jody Houser, illustrated by Stefano Martino, inked by Keith Champagne, colored by Lauren Affe, and lettered by Nate Piekos — will finally give fans a look at what happened to Will in the Upside Down.
