Rabbits, mice, and monkeys have long been the guinea pigs of choice for research scientists everywhere, and since the practice began, it has outraged the general public. So when Colonel Doctor Paul Church switches from animals to Aliens, the public ends their protests and instead praises the good doctor… until his research assistants begin to die of mysterious causes. Only then do they ask the important question: What else is the kind of man who can torture Aliens capable of?
High above earth, aboard space station Innominata, something horrible is happening. And this time, the Aliens are the victims.
As of #425 (December 1972), Adventure Comics theme changed from superhero adventure to fantasy/supernatural adventure. That issue debuted one new feature along with three non-series stories, the pirate saga “Captain Fear”. The next edition added a semi-anthology series, “The Adventurers’ Club”. Soon, editor Joe Orlando was trying out horror-tinged costumed heroes, first Black Orchid, then the Spectre. Before long, though, conventional superheroes returned to the book, beginning behind the Spectre, first a three-issue run of Aquaman (issues #435–437, an early assignment for Mike Grell) and then a newly drawn 1940s Seven Soldiers of Victory script (issues #438–443). Aquaman was promoted to lead (issues #441-452), and backing him up were three-part story arcs featuring the Creeper (#445–447), the Martian Manhunter (#449–451), bracketed by issue-length Aquaman leads. He was awarded his own title and Superboy (#453-458) took over Adventure with Aqualad (#453–455) and Eclipso (#457–458) backups. Following this was a run as a Dollar Comic format giant-sized book (issues #459-466), including such features as the resolution of the Return of the New Gods (cancelled in July–August 1978), “Deadman“, and “Justice Society of America“.
Paul begins adapting to the unusual barbarians inhabiting his new land. He confronts The Detroit Fury a metal monster created by a disgruntled American autoworker; He also encounters THE MITI MEN a superhero group sent from Japan to protect Japanese interests from the Detroit Fury’s attacks!
In the view of comics historian Les Daniels, artist Curt Swan became the definitive artist of Superman in the early 1960s with a “new look” to the character that replaced Wayne Boring’s version. Writer Jim Shooter and Swan crafted the story “Superman’s Race With the Flash!” in Superman #199 (Aug. 1967) which featured the first race between the Flash and Superman, two characters known for their super-speed powers. Another Silver Age first is the “Death of Superman,” from 1961’s Superman #149, by Jerry Siegel, Curt Swan and Sheldon Moldoff. The Silver Age was a fantastic period for Superman fans, giving us characters such as Braniac, Bizzaro, Titano, Supergirl and The Legion of Superheroes.
Superman #190 CGC 9.4 Off-White to White Pages $379
Battle of the planets was revamped by Top Cow Productions with a new twelve-issue limited series starting in 2002. The series was originally planned as an ongoing comic, but low sales led to its cancellation at issue 12, which ended the series with a cliffhanger. A two-issue mini, Endgame (originally listed as Coup De Gras), was solicited in 2005, and was meant to tie up the loose ends, but never made it to print.
The story features Catwoman, on a trip to Rome to find information concerning her long-lost parents, who she believes to be the crime lord Carmine Falcone and his wife Louisa. The story takes place parallel to the later issues of Batman: Dark Victory.
Spider-Man ran for 98 issues from 1990 to 1998. The series was re titled Peter Parker: Spider-Man with issue #75, but only on the covers, the series was still under its original Spider-Man title in the comic’s legal indicia, printed on the title page, from #75 to #98; the comic book would not officially be titled Peter Parker: Spider-Man until the volume 2 series relaunch.
The series originally was conceived as a showcase for Todd McFarlane. McFarlane, who until then had only been known as an artist, was hugely popular at the time and the series was created by editor Jim Salicrup so that McFarlane could pencil, ink, and write a Spider-Man title of his own, starting with the “Torment” storyline.
The series was a massive sales success with over 2.5 million copies printed. McFarlane stayed on the title until issue #16 (November 1991) in which the story was printed in a landscape format. He would go on to create the character Spawn and help found Image Comics in 1992. He was succeeded on the title by Erik Larsen, who had succeeded McFarlane on The Amazing Spider-Man two years earlier, and would later join him in the founding of Image. Larsen wrote and drew the six-issue story arc “Revenge of the Sinister Six” (#18–23). Writer Don McGregor and artist Marshall Rogers crafted a two-part story in issues #27–28 dealing with gun violence.
Just Another Saturday Night was first published in Sin City #1/2 (August 1997), a limited mail-in comic available only through a special offer in Wizard #73. It was later reprinted in a mass-market edition as Just Another Saturday Night (October 1998).
It is the story of what Marv was up to on the night John Hartigan met back up with Nancy (from That Yellow Bastard). Marv regains consciousness on a highway overlooking the Projects, surrounded by dead young guys, unable to remember how he got there. He lights one of the dead guys’ cigarettes and thinks back; since it is Saturday, he deduces he must have been at Kadie’s watching Nancy dance…
Sin City – Just Another Saturday Night – Wizard 1/2 with COA NM $5
In 2015, IDW Publishing acquired publishing rights from Hasbro to produce new comic books for the Micronauts and Rom the Space Knight, both formerly popularized by Marvel as licensed properties. IDW released the first issue of their Micronauts series in April 2016, with scripts by Cullen Bunn and art by David Baldeon. The comic ran for eleven issues from 2016 to 2017. It was followed by two five-issue miniseries Micronauts: Wrath of Karza and Rom & the Micronauts which were released between 2017 and 2018.
Bruce Wayne’s mission as the Batman has only been under way for a year or so, but he can tell he’s making a difference. Unfortunately, he’s made some powerful enemies. All the traditional power brokers of Gotham resent the disruption the Batman has brought to town…and it seems one of them has a plan to neutralize him. There’s a second Batman haunting Gotham’s rooftops and alleys—and this one has no qualms about murdering criminals, live and on tape.
EHT Comics 