Tag: Silver Age

Detective Comics (Silver Age)

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In 1964, Julius Schwartz was made responsible for reviving the fading Batman titles. Writer John Broome and artist Carmine Infantino jettisoned the sillier aspects that had crept into the franchise such as Ace the Bathound and Bat-Mite and gave the character a “New Look” that premiered in Detective Comics #327 (May 1964). Schwartz, Gardner Fox, and Infantino introduced, from the William Dozier produced TV series, Barbara Gordon as a new version of Batgirl in a story titled “The Million Dollar Debut of Batgirl!” in issue #359 (Jan. 1967). Mike Friedrich wrote the 30th anniversary Batman story in Detective Comics #387 (May 1969) which was drawn by Bob Brown.

Chamber of Darkness (1970)

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Chamber of Darkness is a horror/fantasy anthology comic book published by Marvel Comics that under this and a subsequent name ran from 1969-1974. It featured work by such notable creators as writer-editor Stan Lee, writers Gerry Conway and Archie Goodwin, and artists John Buscema, Johnny Craig, Jack Kirby, Tom Sutton, Barry Windsor-Smith (as Barry Smith), and Bernie Wrightson. Stories were generally hosted by either of the characters Digger, a gravedigger, or Headstone P. Gravely, in undertaker garb, or by one of the artists or writers.

After the eighth issue, the title changed to Monsters on the Prowl, and the comic became almost exclusively a reprint book.

Brave and the Bold (Silver Age)

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The first volume of the series ran for 200 issues from August/September 1955 to July 1983. Originally, The Brave and the Bold was an anthology series featuring adventure tales from past ages with characters such as the Silent Knight, the Viking Prince, the Golden Gladiator, and Robin Hood. With issue #25, the series was reinvented as a try-out title for new characters and concepts, starting with the Suicide Squad created by writer Robert Kanigher and artist Ross Andru. Gardner Fox and Joe Kubert created a new version of Hawkman in issue #34 (February–March 1961) with the character receiving his own title three years later.

Superman (Silver Age)

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In the view of comics historian Les Daniels, artist Curt Swan became the definitive artist of Superman in the early 1960s with a “new look” to the character that replaced Wayne Boring’s version. Writer Jim Shooter and Swan crafted the story “Superman’s Race With the Flash!” in Superman #199 (Aug. 1967) which featured the first race between the Flash and Superman, two characters known for their super-speed powers. Another Silver Age first is the “Death of Superman,” from 1961’s Superman #149, by Jerry Siegel, Curt Swan and Sheldon Moldoff. The Silver Age was a fantastic period for Superman fans, giving us  characters such as Braniac, Bizzaro, Titano, Supergirl and The Legion of Superheroes.

Aquaman (Silver Age)

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Aquaman, published by DC Comics was created by Paul Norris and Mort Weisinger. The character debuted in More Fun Comics #73 (November 1941). Initially a backup feature in DC’s anthology titles, Aquaman later starred in several volumes of a solo title. During the late 1950s and 1960s superhero-revival period known as the Silver Age, he was a founding member of the Justice League of America. In the 1990s Modern Age, Aquaman’s character became more serious than in most previous interpretations, with storylines depicting the weight of his role as king of Atlantis.

Later accounts reconciled both facets of the character, casting Aquaman as serious and brooding, saddled with an ill reputation, and struggling to find a true role and purpose beyond his public side as a deposed king and a fallen hero.

Not Brand Echh (1967)

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Not Brand Echh is a satiric comic book series published by Marvel Comics that parodied its own superhero stories as well as those of other comics publishers. Running for 13 issues (cover-dated Aug. 1967 to May 1969), it included among its contributors such notable writers and artists as Stan Lee, Jack Kirby, Gene Colan, Bill Everett, John and Marie Severin, and Roy Thomas. With issue #9, it became a 68-page, 25¢ “giant”, relative to the typical 12¢ comics of the times. In 2017, a 14th issue was released.

Its mascot, Forbush Man, introduced in the first issue, was a superhero wannabe with no superpowers and a costume of red long johns emblazoned with the letter “F” and a cooking pot, with eye-holes, covering his never-revealed head. His secret identity was eventually revealed in issue #5 (Dec. 1967) as Irving Forbush, Marvel’s fictitious office gofer.

Archie’s Mad House (1959)

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The first 18 issues featured the “Archie gang” in stories that were a bit more “off the wall” than the normal Archie series. The idea was to produce stories that made no sense. The title Mad House was written as two words instead of one to suggest a false connection to MAD Magazine and recapture its success. Beginning with issue 19, the Archie gang was dropped (though it was still called Archie’s Mad House), and the title began featuring monsters, space stories and other wacky short stories. The gags in the comics often parodied the latest fads and popular culture. For a time, it would focus on stories with what were intended to be one-off characters. There were, however, exceptions to this rule. Characters becoming popular enough would appear again.

DC Special (1968)

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DC Special was a comic book anthology series published by DC Comics originally from 1968 to 1971; it resumed publication from 1975 to 1977. For the most part, DC Special was a theme-based reprint title, mostly focusing on stories from DC’s Golden Age; at the end of its run it published a few original stories. Issue #4 featured many supernatural characters and writer Mark Hanerfeld and artist Bill Draut crafted the first appearance of Abel, who later became (along with his brother Cain) a major character in Neil Gaiman‘s The Sandman. Paul Levitz and Joe Staton finished the series with a Justice Society of America story which revealed the team’s origin.

The Invaders (1967)

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Comic book version of the 1960s TV series about one man’s crusade to convince people that an advance guard of alien creatures had infiltrated the world’s population and were preparing to conquer Earth.

Adventures into the Unknown (1960’s)

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Adventures Into the Unknown was best known as the medium’s first ongoing horror-comics title. Published by the American Comics Group, initially under the imprint B&I Publishing, it ran 174 issues (cover-dated Fall 1948 – Aug. 1967). The first two issues, which included art by Fred Guardineer and others, featured horror stories of ghosts, werewolves, haunted houses, killer puppets, and other supernatural beings and locales. The premiere included a seven-page abridged adaptation of Horace Walpole‘s seminal gothic novel The Castle of Otranto, by an unknown writer and artist Al Ulmer.

Unlike many American horror comics of the Golden Age, it weathered the public criticism of the early 1950s and survived the aftermath of the Senate Subcommittee on Juvenile Delinquency hearings of April and June 1954 when the comics industry attempted self-regulation with a highly restrictive Comics Code.