Tag: Silver Age

Batman (1960’s)

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By 1964, sales of Batman titles had fallen drastically. Bob Kane noted that, as a result, DC was “planning to kill Batman off altogether”. In response to this, editor Julius Schwartz was assigned to the Batman titles. He presided over drastic changes, beginning with 1964’s Detective Comics #327 (May 1964), which was cover-billed as the “New Look”. Schwartz introduced changes designed to make Batman more contemporary, and to return him to more detective-oriented stories. He brought in artist Carmine Infantino to help overhaul the character. The Batmobile was redesigned, and Batman’s costume was modified to incorporate a yellow ellipse behind the bat-insignia. The space aliens, time travel, and characters of the 1950s such as Batwoman, Ace, and Bat-Mite were retired. Bruce Wayne’s butler Alfred was killed off (though his death was quickly reversed) while a new female relative for the Wayne family, Aunt Harriet, came to live with Bruce Wayne and Dick Grayson.

Batman #168 CGC 7.0 Off-White to White Pages $129
Batman #180 FN+ $45
Batman #201 VG- $18
Batman #213 VF $89

Tower of Shadows (1969)

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Designed to compete with DC Comics‘ successful launches of House of Mystery and House of Secrets,[2] Tower of Shadows, like its companion comic Chamber of Darkness, sold poorly despite the roster of artists featured. After its first few issues, the title, published bimonthly, began including reprints of “pre-superhero Marvel” monster stories and other SF/fantasy tales from Marvel’s 1950s and early 1960s predecessor, Atlas Comics. After the ninth issue, the title changed to Creatures on the Loose, and the comic became a mix of reprints and occasional sword and sorcery/SF series.

Mystery in Space – Silver Age

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 “Menace of the Robot Raiders!” (Mystery In Space #53, October 1959) featured one of the most enduring and fondly remembered space heroes of the next ten years, Adam Strange, in a 10-page tale which led to the best known period for the Mystery In Space title. Adam Strange had begun in a three-issue run in Showcase #17 (November–December 1958), and although DC considered that those issues had not sold sufficiently to warrant granting him his own title, his return a year later in Mystery In Space#53 was to last an impressive 42 appearances over the next seven years. The Adam Strange space opera tales were crafted by Gardner Fox in the best Flash Gordon tradition, with the hero caught between two planets and a love a galaxy away, giant menacing robots, dust devils, perils on two worlds, and distinctive art by Carmine Infantino and Murphy Anderson who drew almost all issues until #92 (June 1964). A number of these stories are considered among the finest of the 1960s, including the full-issue tale “The Planet That Came to a Standstill!” (Mystery In Space #75, May 1962), which won comic fandoms Alley Award for the “Best Book-Length Story” of 1962, and was fairly unusual for the time inasmuch as it featured a cross-over with other major DC characters, the Justice League of America.

Detective Comics (Silver Age)

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In 1964, Julius Schwartz was made responsible for reviving the fading Batman titles. Writer John Broome and artist Carmine Infantino jettisoned the sillier aspects that had crept into the franchise such as Ace the Bathound and Bat-Mite and gave the character a “New Look” that premiered in Detective Comics #327 (May 1964). Schwartz, Gardner Fox, and Infantino introduced, from the William Dozier produced TV series, Barbara Gordon as a new version of Batgirl in a story titled “The Million Dollar Debut of Batgirl!” in issue #359 (Jan. 1967). Mike Friedrich wrote the 30th anniversary Batman story in Detective Comics #387 (May 1969) which was drawn by Bob Brown.

Brave and the Bold (Silver Age)

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The first volume of the series ran for 200 issues from August/September 1955 to July 1983. Originally, The Brave and the Bold was an anthology series featuring adventure tales from past ages with characters such as the Silent Knight, the Viking Prince, the Golden Gladiator, and Robin Hood. With issue #25, the series was reinvented as a try-out title for new characters and concepts, starting with the Suicide Squad created by writer Robert Kanigher and artist Ross Andru. Gardner Fox and Joe Kubert created a new version of Hawkman in issue #34 (February–March 1961) with the character receiving his own title three years later.

Not Brand Echh (1967)

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Not Brand Echh is a satiric comic book series published by Marvel Comics that parodied its own superhero stories as well as those of other comics publishers. Running for 13 issues (cover-dated Aug. 1967 to May 1969), it included among its contributors such notable writers and artists as Stan Lee, Jack Kirby, Gene Colan, Bill Everett, John and Marie Severin, and Roy Thomas. With issue #9, it became a 68-page, 25¢ “giant”, relative to the typical 12¢ comics of the times. In 2017, a 14th issue was released.

Its mascot, Forbush Man, introduced in the first issue, was a superhero wannabe with no superpowers and a costume of red long johns emblazoned with the letter “F” and a cooking pot, with eye-holes, covering his never-revealed head. His secret identity was eventually revealed in issue #5 (Dec. 1967) as Irving Forbush, Marvel’s fictitious office gofer.

Archie’s Mad House (1959)

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The first 18 issues featured the “Archie gang” in stories that were a bit more “off the wall” than the normal Archie series. The idea was to produce stories that made no sense. The title Mad House was written as two words instead of one to suggest a false connection to MAD Magazine and recapture its success. Beginning with issue 19, the Archie gang was dropped (though it was still called Archie’s Mad House), and the title began featuring monsters, space stories and other wacky short stories. The gags in the comics often parodied the latest fads and popular culture. For a time, it would focus on stories with what were intended to be one-off characters. There were, however, exceptions to this rule. Characters becoming popular enough would appear again.

The Invaders (1967)

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Comic book version of the 1960s TV series about one man’s crusade to convince people that an advance guard of alien creatures had infiltrated the world’s population and were preparing to conquer Earth.

Adventures into the Unknown (1960’s)

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Adventures Into the Unknown was best known as the medium’s first ongoing horror-comics title. Published by the American Comics Group, initially under the imprint B&I Publishing, it ran 174 issues (cover-dated Fall 1948 – Aug. 1967). The first two issues, which included art by Fred Guardineer and others, featured horror stories of ghosts, werewolves, haunted houses, killer puppets, and other supernatural beings and locales. The premiere included a seven-page abridged adaptation of Horace Walpole‘s seminal gothic novel The Castle of Otranto, by an unknown writer and artist Al Ulmer.

Unlike many American horror comics of the Golden Age, it weathered the public criticism of the early 1950s and survived the aftermath of the Senate Subcommittee on Juvenile Delinquency hearings of April and June 1954 when the comics industry attempted self-regulation with a highly restrictive Comics Code.