Spider-Man V1 (1990’s)

Spider-Man ran for 98 issues from 1990 to 1998. The series was re titled Peter Parker: Spider-Man with issue #75, but only on the covers, the series was still under its original Spider-Man title in the comic’s legal indicia, printed on the title page, from #75 to #98; the comic book would not officially be titled Peter Parker: Spider-Man until the volume 2 series relaunch.

The series originally was conceived as a showcase for Todd McFarlane. McFarlane, who until then had only been known as an artist, was hugely popular at the time and the series was created by editor Jim Salicrup so that McFarlane could pencil, ink, and write a Spider-Man title of his own, starting with the “Torment” storyline.

The series was a massive sales success with over 2.5 million copies printed. McFarlane stayed on the title until issue #16 (November 1991) in which the story was printed in a landscape format. He would go on to create the character Spawn and help found Image Comics in 1992. He was succeeded on the title by Erik Larsen, who had succeeded McFarlane on The Amazing Spider-Man two years earlier, and would later join him in the founding of Image. Larsen wrote and drew the six-issue story arc “Revenge of the Sinister Six” (#18–23). Writer Don McGregor and artist Marshall Rogers crafted a two-part story in issues #27–28 dealing with gun violence.

After that came a quick procession of different contributors, including writers Tom DeFalco, Ann Nocenti, David Michelinie, J. M. DeMatteis and Terry Kavanagh, and pencillers Ron Frenz, Klaus Janson and Jae Lee. The creative-team musical chairs settled with Spider-Man #44 (March 1994) when writer Howard Mackie and penciller Tom Lyle began a run on the title – Lyle through #61, and Mackie for over 6 years, through cancellation and into Vol. 2.

Deadpool V3 (2012)

As part of Marvel’s Marvel NOW! initiative a new Deadpool ongoing series was launched. He is also a member of the Thunderbolts. In the 27th issue of his new series, as part of “All-New Marvel NOW!”, Deadpool was married for the third time. Initially a secret, his bride was revealed in the web comic Deadpool: The Gauntlet to be Shiklah, Queen of the Undead. Deadpool also discovers that he has a daughter by the name of Eleanor from a former flame of Deadpool named Carmelita.

X Lives of Wolverine (2022)

The mutant best known as Wolverine has lived many lives under many identities and in many places, but never before has the fate of the future been so entwined with the past! Fan-favorite eras of Wolverine’s saga are explored anew, along with never-before-seen episodes as Logan must travel to various points in time to prevent the death of a key figure in mutant history. But these LIVES are only one side of the story…

The Man Called Nova (1976)

Nova was created by Marv Wolfman and Len Wein in the fanzine Super Adventures in 1966. Seven years later John Romita, Sr. tweaked the design of the character’s uniform. Nova debuted in Nova #1 in 1976, written by Wolfman and drawn by John Buscema. Wolfman intended the teenage character to be an homage to Stan Lee and Steve Ditko‘s Spider-Man, down to his humble working-class roots and alliterative alter-ego. The original Nova series, The Man Called Nova, lasted 25 issues from September 1976 to May 1979. Dangling plot lines were resolved in issues 206-214 of Fantastic Four (also by Wolfman) and issue 24 of Rom the Spaceknight. The character then disappeared into obscurity until returning as a member of the original New Warriors team debuting in The Mighty Thor #411 (December 1989), and continuing through New Warriors #1-75, Annual #1-4 (July 1990—September 1996).

Marvel Knights: Spider-Man (2000’s)

The underlying difference between this title and the other Spider-Man titles was that Marvel Knights Spider-Man was done with a more mature slant (in style if not content), thus the “Marvel Knights” prefix.

Intended to replace the canceled Spider-Man’s Tangled Web series, Marvel Knights Spider-Man was originally supposed to be written by Kevin Smith, but due to scheduling problems he was replaced by Mark Millar. When Millar completed his year-long story arc, he was followed by writer Reginald Hudlin.

With the consolidation of the Marvel Knights line, Marvel Knights Spider-Man was renamed The Sensational Spider-Man as of issue 23. At this time, Roberto Aguirre-Sacasa took over writing duties on the book.

Silver Surfer V1 (1968)

The Silver Surfer debuted as an unplanned addition to Fantastic Four #48 (March 1966). The comic’s writer-editor, Stan Lee, and its penciller and co-plotter, Jack Kirby, had by the mid-1960s developed a collaborative technique known as the “Marvel Method“: the two would discuss story ideas, Kirby would work from a brief synopsis to draw the individual scenes and plot details, and Lee would finally add the dialog and captions. When Kirby turned in his pencil art for the story, he included a new character he and Lee had not discussed. As Lee recalled in 1995, “There, in the middle of the story we had so carefully worked out, was a nut on some sort of flying surfboard”. He later expanded on this, recalling, “I thought, ‘Jack, this time you’ve gone too far'”. Kirby explained that the story’s agreed-upon antagonist, a god-like cosmic predator of planets named Galactus, should have some sort of herald, and that he created the surfboard “because I’m tired of drawing spaceships!” Taken by the noble features of the new character, who turned on his master to help defend Earth, Lee overcame his initial skepticism and began adding characterization. The Silver Surfer soon became a key part of the unfolding story.

Wolverine – Mini Series (1982)

The first Wolverine series was a limited series written by Chris Claremont with pencils by Frank Miller, inks by Joe Rubinstein, letters by Tom Orzechowski, and colors by Glynis WeinMarvel Comics published the series from September to December 1982. This story arc covers the events leading up to Wolverine’s engagement to Mariko Yashida.

Ghost Rider 2099 (1994)

The series is set in the year 2099, in a dystopian possible future of the Marvel Universe, and features Kenshiro “Zero” Cochrane, a hacker who was killed but resurrected as the Ghost Rider — his mind controlling a powerful and well-armed robot. As with most of the Marvel 2099 titles, the protagonist was a futuristic version of a commercially successful Marvel Universe character. The series was heavily influenced by cyberpunk science fiction.

Moon Girl and Devil Dinosaur (2016)

The character was created by Amy Reeder, Brandon Montclare and Natacha Bustos and first appeared in Moon Girl and Devil Dinosaur #1 (January 2016).

The genesis of the character came from Mark Paniccia and Emily Shaw who were a fans of the character Devil Dinosaur and had hired Montclare and Reeder to pen the basis for a new series that involved the character ending up in modern day. They came up with the idea of Devil Dinosaur interacting with a girl and fell in love with the idea of working with a hero who wasn’t a “regular cape-and-tights superhero”.

They also viewed the series as a direct sequel to the Moon-Boy and Devil Dinosaur series from Jack Kirby hence the first villains that Moon Girl and Devil Dinosaur face are the Killer-Folk.

Artist Natacha Bustos found the character a relief from the norm of other typical superheroes. She was primarily inspired by the clear diversity that Moon Girl and Devil Dinosaur promoted, further comparing the character Lunella to herself. She compared her story to a “Ghibli one” due to the immense relationship between the title characters.

Uncanny X-men (1990’s)

After Claremont’s run, the X-Men were divided into two color-coded squads, with a Blue team headlining the adjectiveless X-Men title, while the Gold team, consisting of Archangel, Colossus, Jean Grey, Iceman and Storm, appeared in Uncanny. This roster was later joined by Bishop, another refugee from the future. After Claremont’s departure, Jim Lee continued as plotter, while John Byrne scripted from #281 to #286. Byrne was replaced as scripter from #286 by Scott Lobdell, who was fully credited as writer from #289. The “X-Cutioner’s Song” crossover was released in the fall of 1992 and resulted in the outbreak of the Legacy virus, a mutant-specific plague which continued as a story element in X-Men comics until 2001.