Tag: Marvel

Amazing Spider-Man V1 (2010’s)

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Mark Waid scripted the opening of “The Gauntlet” storyline in issue No. 612. The Gauntlet story was concluded by Grim Hunt (No. 634-637) which saw the resurrection of long-dead Spider-Man villain, Kraven the Hunter. The series became a twice-monthly title with Dan Slott as sole writer at issue No. 648, launching the Big Time storyline. Eight additional pages were added per issue. Big Time saw major changes in Spider-Man/Peter Parker’s life, Peter would start working at Horizon Labs and begin a relationship with Carlie Cooper (his first serious relationship since his marriage to Mary Jane), Mac Gargan returned as Scorpion after spending the past few years as Venom, Phil Urich would take up the mantle of Hobgoblin, and the death of J. Jonah Jameson’s wife, Marla Jameson. Issues 654 and 654.1 saw the birth of Agent Venom, Flash Thompson bonded with the Venom symbiote, which would lead to Venom getting his own series Venom (volume 2). Starting in No. 659 and going to No. 655, the series built-up to the Spider-Island event which officially started in No. 666 and ended in No. 673. Ends of the Earth was the next event that ran from No. 682 through No. 687. This publishing format lasted until issue No. 700, which concluded the “Dying Wish” storyline, in which Parker and Doctor Octopus swapped bodies, and the latter taking on the mantle of Spider-Man when Parker apparently died in Doctor Octopus’ body. The Amazing Spider-Man ended with this issue, with the story continuing in the new series The Superior Spider-Man.] Despite The Superior Spider-Man being considered a different series to The Amazing Spider-Man, the first 33 issue run goes towards the legacy numbering of The Amazing Spider-Man acting as issues 701-733. In December 2013, the series returned for five issues, numbered 700.1 through 700.5, with the first two written by David Morrell and drawn by Klaus Janson.

Marvel Premiere (1970’s)

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Marvel Premiere ran for 61 issues from April 1972 to August 1981. The series introduced new characters and reintroduced characters who no longer had their own titles. Writer Roy Thomas and penciler Gil Kane significantly revamped Him as the allegorical Messiah Adam Warlock in Marvel Premiere #1 (April 1972). Iron Fist first appeared in issue #15, written by Roy Thomas and drawn by Gil Kane. Other introductions include the Legion of Monsters, the Liberty Legion,  Woodgod, the 3-D Man, and the second Ant-Man (Scott Lang). The series also featured the first comic book appearance of rock musician Alice Cooper. Later in the title’s run, Marvel Premiere was used to finish stories of characters who had lost their own series including the Man-Wolf in issues #45-46 and the Black Panther in issues #51-53.

Deadpool V2 (2008)

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In 2008, a new Deadpool ongoing series written by Daniel Way with artist Paco Medina began as a Secret Invasion tie-in. In the first arc, the character is seen working with Nick Fury to steal data on how to kill the Skrull queen Veranke. Norman Osborn steals the information that Deadpool had stolen from the Skrulls, and subsequent stories deal with the fallout from that. Writer Daniel Way explained, “the first thing Osborn does to try and take care of the situation is to bring in a hired gun to take Deadpool down, which would be Tiger-Shark. That would be the standard thing to do, but of course everything about Deadpool is non-standard. So it goes completely awry and Norman has to get more serious about things.” The story also sees the return of Bob, Agent of HYDRA; “I don’t want the book to become ‘Deadpool and Friends’ so characters will drift in and out, but Bob was someone I definitely wanted to bring in. It just had to be at the perfect moment and when I was putting this storyline together that moment presented itself.”

X-Men (Silver Age)

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Early X-Men issues introduced the original team composed of Cyclops, Marvel Girl, Beast, Angel and Iceman among a few others, their archenemy Magneto and his Brotherhood of Evil Mutants featuring Mastermind, Quicksilver, Scarlet Witch, and Toad. The comic focused on a common human theme of good versus evil and later included storylines and themes about prejudice and racism, all of which have persisted throughout the series in one form or another. The evil side in the fight was shown in human form and under some sympathetic beginnings via Magneto, a character who was later revealed to have survived Nazi concentration camps only to pursue a hatred for normal humanity. His key followers, Quicksilver and the Scarlet Witch, were Romani. Only one new member of the X-Men was added, Mimic/Calvin Rankin, but soon left due to his temporary loss of power.

The title lagged in sales behind Marvel’s other comic franchises. In 1969, writer Roy Thomas and illustrator Neal Adams rejuvenated the comic book and gave regular roles to two recently introduced characters: Havok/Alex Summers (who had been introduced by Roy Thomas before Adams began work on the comic) and Lorna Dane, later called Polaris (created by Arnold Drake and Jim Steranko). However, these later X-Men issues failed to attract sales and Marvel stopped producing new stories with issue #66, later reprinting a number of the older comics as issues #67–93.

Avengers V2 – Heroes Reborn (1996)

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During the “Heroes Reborn” event, many of the Avengers together with the Fantastic Four and others, died trying to stop the psychic entity Onslaught, although it was revealed that Franklin Richards preserved those heroes in a pocket universe. Believing the main team to be gone, the Black Widow disbanded the Avengers, and only butler Edwin Jarvis remained to tend to the Mansion.

The previous continuity of the Marvel Universe was set aside as the heroes were “reborn” in the pocket universe created by Franklin Richards to save his parents and their friends, while the “Heroes Reborn” line ended and the heroes returned to the prime Marvel Universe. This restoration also undid recent changes to the team members such as the Wasp being mutated into an insectoid form, Hawkeye being rendered deaf, and Stark being replaced by his teenage self, attributed to Franklin’s childish perception recreating the heroes in the manner he was more familiar with.

Powers of X (2019)

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Jonathan Hickman wrote a story arc in the Avengers and New Avengers comic, ending in the 2015 crossover Secret Wars. His return was announced in March 2019. Some days later, it was detailed that he would write two comic books, House of X and Powers of X, with penciling by Pepe Larraz and R.B. Silva. Marvel Editor in Chief C. B. Cebulski said that “We are excited to have Jon back with the Marvel family, and we could not have asked for a better creative team to help usher the X-Men into a whole new era”

Both comics were released as a company wide relaunch of the X-Men. All the ongoing X-Men comics were cancelled: Uncanny X-Men, Mr. and Mrs. X, X-Force, X-23, and the Age of X-Man tie-in miniseries.

Star Wars: Bounty Hunters (2020)

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Never betray a Bounty Hunter – especially if it’s Boba Fett!
Years ago, Valance and fellow bounty hunters Bossk and Boba Fett took on a mission that went sideways in a bad way after Valance’s mentor, Nakano Lash, violently betrayed them. Valance’s team barely escaped with their lives. He never thought he’d face his old mentor ever again…until Lash finally resurfaces under mysterious circumstances. Every bounty hunter in the galaxy wants a piece and Valance is hell-bent on getting to the prize first. He has score to settle—but so does Boba Fett!

Captain America (1970’s)

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Captain America continued from Tales of Suspense with artwork by Kirby, as well as a short run by Jim Steranko, and work by many of the industry’s top artists and writers. It was called Captain America and the Falcon from #134 (Feb. 1971) to #222 (June 1978) although the Falcon’s name was not on the cover for issues #193, 200, and 216. The 1972–1975 run on the title by writer Steve Englehart and artist Sal Buscema saw the series become one of Marvel’s top-sellers. In 2010, Comics Bulletin ranked Englehart and Buscema’s run on Captain America fourth on its list of the “Top 10 1970s Marvels”. Kirby returned to the series as writer and penciler with issue #193 (Jan. 1975) ]and remained through #214 (Oct. 1977).

Fallen Son: The Death of Captain America (2007)

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The premise for this limited series was created by J. Michael Straczynski during a Marvel retreat in New York. (The book credits Straczynski with the initial concept.) He suggested the structure of five issues, each based on Elizabeth Kubler Ross’ Five Stages of Grief: denial, anger, bargaining, depression, and acceptance. Loeb lobbied hard to write the series, and succeeded, saying that he could draw upon his own experience of having lost his son Sam Loeb. In the Spring Preview issue of Wizard magazine, Loeb said:

When Straczynski [speaks] it’s a little bit like the burning bush and the rest of us are Moses. He held up this yellow pad and said, ‘It’s the five stages of grief! Denial, anger, bargaining, depression, acceptance.’ The theme of each issue is represented by a particular Marvel character and also ends with a transition phase leading into the following stage. Denial deals with Wolverine, Anger deals with the two Avengers teams (Mighty Avengers & New Avengers), Captain America himself is dealt with in Bargaining, Spider-Man is the focus of Depression and Iron Man comes under the spotlight in Acceptance.