The story follows Rorschach in New York City, 1977, where his crime-fighting activities cause him to be targeted by a crime lord running drugs and prostitution in the sordid Times Square. While focused on the gang, Rorschach makes the mistake of allowing another predator to operate unchallenged.
The Dark Tower: The Gunslinger – The Journey Begins is a five-issue comic book limited series published by Marvel Comics. It is the sixth comic book miniseries based on Stephen King‘s The Dark Tower series of novels. It is plotted by Robin Furth, scripted by Peter David, and illustrated by Richard Isanove and Sean Phillips. Stephen King is the Creative and Executive Director of the project.
Cover by James O’Barr. Stories and art by Kyle Garrett, Jim Kesler, Gary Reed, Randy Zimmerman, Charles Marshall, Greg Cravens, Susan Van Camp, Kirk Jarvinen, Guy Davis, Mark Bloodworth, Kevin Van Hook, Vince Locke, Mark Winfrey, John Dennis, Ken Landgraf and James O’Barr. Christmas-themed stories featuring some of the popular Caliber series, including Deadworld, Baker Street, The Realm, The Aniverse, and even The Crow.
When G.I. Joe began, most toy tie-in comics lasted an average of two years, so G.I. Joe, lasting for 12 years, was considered a runaway success. Through the years, the comic book series chronicled the adventures of G.I. Joe and Cobra, using a consistent storyline. In the early 1990s, however, it began to drop in quality, and was canceled by Marvel in 1994 with issue #155 due to low sales. Hasbro canceled the A Real American Hero toy line in the same year. Between the lack of new toys and the cancellation of the second TV series three years earlier, the comic book could not count on the same cross-platform support it had enjoyed in the past. The target demographic had also changed considerably.
Death’s Head is a fictional character appearing in British comics and American comic books published by Marvel Comics. The character is depicted as a robotic bounty hunter (or rather, as he calls himself, a “freelance peace-keeping agent”). The character was created by writer Simon Furman and artist Geoff Senior for the company’s Marvel UK imprint. Furman decided to use Death’s Head in his Transformers stories, but believed that characters appearing in Transformers “were prone to be absorbed into that title’s catchall copyright” (allowing Hasbro to contest their ownership) and led to a one-page strip titled “High Noon Tex” (which was subsequently published in various Marvel UK titles) being hastily created to establish Marvel’s ownership of the character. Furman has stated that he chose the name Death’s Head for the character while unaware of the “Nazi-connotations of the name”.
The Adventurers was a well-produced sword and sorcery title from writer Scott Behnke and Peter Hsu. It draws heavily on fantasy/role-playing games like Dungeons & Dragons in creating its world of fearless adventurers, strange magics, horrible monsters, and lost treasures.
The tale begins when eight adventurers are recruited by Tarrus the One-Eyed to recover a magical key from the lost city of Tecumeth. This city had been considered the home of great evil for generations—and with good cause. The adventurers’ quest would be one of constant peril, with the party facing dangers both living and mystical. Although the adventurers have more than their share of differences, they would need all their skills if they were to have any hope of survival.
Issue 300 marks a return to the original numbering of V2. Wolverine travels to Tokyo to confront his most dangerous enemy yet and a new Silver Samurai rises to take his place…along with Wolverine’s daughter!
In the 2006–2007 company-wide story arc “Civil War“, Rogers opposes the new mandatory federal registration of super-powered beings, and leads the underground anti-registration movement. After significant rancor and danger to the public as the two sides clash, Captain America voluntarily surrenders and orders the Anti-Registration forces to stand down, feeling that the fight has reached a point where the principle originally cited by the anti-registration forces has been lost.
In this future, it is possible to obtain robot assassins out of vending machines at the cost of 3 Franks. After terminating their target, the robot self-destructs for easy clean-up. During his first mission, the Scud we follow sees his self-destruct warning in a mirror during an 18-page fight scene. Programmed for self-preservation for the sake of winning fights, Scud doesn’t want to die, so only wounds Jeff bad enough to be put on life support at a nearby hospital, ensuring their mutual survival.
The main plot of Scud: The Disposable Assassin follows Scud’s career as a freelance mercenary and assassin, working to pay off Jeff’s medical bills.
The ‘Nam was a war comic book series detailing the U.S. War in Vietnam from the perspective of active-duty soldiers involved in the conflict. It was written by Doug Murray, initially illustrated by Michael Golden, edited by Larry Hama and published by Marvel Comics for seven years beginning in 1986, which was originally intended to roughly parallel the analogous events of the period of major American military involvement in Vietnam from 1965 to 1973.
EHT Comics 