It is discovered that the first incarnation of the Horsemen are actually the biological children of Apocalypse and his wife Genesis who was also sent with Arakko. Following that, Apocalypse went to the Summoner and directed him to the portal to Otherworld where he could return to Arakko, while being accompanied by Unus and Banshee. However, what Apocalypse didn’t expect was that this was all an elaborated plan created by his own children so they could return and overthrow Krakoa with their fellow Arakki mutants and Daemon army. Apocalypse himself was soon attacked and critically injured by his daughter War, being forced to retreat back to Krakoa to heal their wounds and prepare for war between the two groups.
X of Swords – Creation #1 NM $7X of Swords – Stasis Variant NM $5X of Swords – Stasis #1 NM $5X of Swords – Destruction #1 NM $5
After the launch of the Superman/Batman comic book series, Executive Editor Dan DiDio had been looking for a way to simplify the Supergirl character from her convoluted post-crisis history; the simplest version of course, was Superman’s cousin. Jeph Loeb and editor Eddie Berganza found an opening to reintroduce the character following the conclusion of the first story arc of Superman/Batman.
The modern version of Kara Zor-El made her debut in Superman/Batman #8 (2004). Kara takes the mantle of Supergirl at the conclusion of the storyline. The Supergirl comic book series would later be relaunched, now starring Kara Zor-El as “The Girl of Steel”. The first arc of the new series was written by Jeph Loeb and illustrated by Ian Churchill.
Wizard often featured mail-away offers for exclusive merchandise. Wizard began a practice of producing specially offered Wizard #½ issues. These were special issues of ongoing major comic book series which featured in-continuity stories that supplemented the regular series’ published issues. The issues were numbered #½ so as not to disrupt the series’ ongoing numbering system. Often Wizard would also include free pack-in issues with their magazines, usually numbered as Wizard #0.
Madman #1 Wizard Edition NM $19Strangers in Paradise Wizard Ace Edition NM- $12Wanted #1 Wizard Ace Edition NM $6Bone #13 1/2 Wizard NM $9Buffy the Vampire Slayer 1/2 VF $4Fathom 1/2 NM $24Gear Station Wizard #1/2 NM- $4Heroes Reborn 1/2 NM $6Kabuki 1/2 Cover A NM $12Kabuki 1/2 Cover B NM $9Lady Death #1/2 Wizard NM $9Lady Death #1/2 Red Velvet Wizard Signed Steven Hughes and Brian Pulido VF+ $29The Maxx #1/2 NM $8Rising Stars 1/2 Wizard World Chicago 2000 VF $4Shi 1/2 NM $9Sin City – Just Another Saturday Night – Wizard 1/2 with COA NM $5Violent Messiahs Wizard #.5 VF+ $4Wizard 500 – Witchblade NM- $7
The New Teen Titans relaunched with a new #1 issue in August 1984 as part of a new initiative at DC informally referred to as “hardcover/softcover”. The New Teen Titans along with Legion of Super-Heroes and Batman and the Outsiders were the first and only titles included in this program. The same stories were published twice, first in a more expensive edition with higher-quality printing and paper distributed exclusively to comic book specialty stores, then republished a year later in the original format, distributed to newsstands. The title was renamed Tales of the Teen Titans with issue #41, while a new concurrently published series named The New Teen Titans vol. 2 launched with a new #1 following the release of Tales of the Teen Titans #44 and Annual #3, the conclusion of the “Judas Contract” storyline.
Pérez temporarily returned with issue #50, when the series took the name The New Titans without the “Teen” prefix, as the characters were no longer teenagers. Issue #50 told a new origin story for Wonder Girl, her link to Wonder Woman having been severed due to retcons created in the aftermath of Crisis on Infinite Earths. Issues #60 and #61 were part of a five-part crossover with Batman, “A Lonely Place of Dying” and along with issue #65, featured the debut of Tim Drake as the third Robin.
New Titans V2 #0 NM $4New Teen Titans V2 #1 CGC 9.8 White Pages $85New Teen Titans V2 #2 VF-NM $4New Teen Titans V2 #3 NM- $4New Teen Titans V2 #4 NM- $3New Teen Titans V2 #5 VF $2New Teen Titans V2 #6 VF-NM $2New Teen Titans V2 #7 NM- $3New Teen Titans V2 #9 NM $4New Teen Titans V2 #10 NM- $3New Teen Titans V2 #11 NM- $3New Teen Titans V2 #12 NM- $3New Teen Titans V2 #13 NM $4New Teen Titans V2 #14 NM $4New Teen Titans V2 #15 NM $4New Teen Titans V2 #16 NM $4New Teen Titans V2 #17 NM $4New Teen Titans V2 #18 NM $4New Teen Titans V2 #19 VF $2New Teen Titans V2 #20 NM $4New Teen Titans V2 #22 NM $4New Teen Titans V2 #23 NM $4New Teen Titans V2 #24 VF-NM $3New Teen Titans V2 #25 NM $4New Teen Titans V2 #26 NM $4New Teen Titans V2 #27 NM $4New Teen Titans V2 #28 NM $4New Teen Titans V2 #29 NM $4New Teen Titans V2 #30 NM $4New Teen Titans #41 NM $4New Teen Titans V2 #47 NM $4New Teen Titans #48 NM $4New Titans V2 #60 NM $7The New Titans #60 VF-NM $3The New Titans #61 NM- $5New Teen Titans #65 NM $9New Teen Titans #80 NM $4New Titans #81 NM $4New Titans #82 NM $4New Titans #84 NM $4New Titans #85 NM $4New Titans V2 #87 NM $4New Titans V2 #88 NM $4New Titans V2 #89 NM $4New Titans V2 #90 NM $4New Titans V2 #91 NM $4New Titans V2 #92 NM $4New Titans V2 #93 NM $4New Titans V2 #94 $4New Titans V2 #95 NM $4New Titans #96 NM $4New Titans #97 NM $4New Titans #98 NM $4New Titans #99 NM $9New Titans #101 NM $3New Titans #102 NM $3New Titans #103 NM $3New Titans #104 NM $3New Titans #105 NM $3New Titans #106 NM $3New Titans #107 NM $3New Titans #108 NM $3New Titans #109 NM $3New Titans #110 NM $3New Titans #111 NM $3New Titans #112 NM $3New Titans #113 NM $3New Titans #114 NM $3New Titans #116 $3New Titans #117 NM- $3New Teen Titans V2 Annual #1 VF-NM $2New Teen Titans V2 Annual #2 NM- $3
Tower of Shadows was re titled Creatures on the Loose with issue #10 (March 1971), this version led off with a seven-page King Kull story by Thomas and artist Bernie Wrightson. The book then became all-reprint until issue #16 (March 1972), when writer Thomas and the art team of Gil Kane and Bill Everett introduced the series “Gullivar Jones, Warrior of Mars”, starring an interplanetary Earthman created by author Edwin L. Arnold in his 1905 book Lieut. Gullivar Jones: His Vacation. Following another issue by Thomas and one by Gerry Conway, science fiction novelist George Alec Effinger wrote the final three installments.
Effinger continued as writer for the series that immediately followed, in issue #22 (March 1973): “Thongor! Warrior of Lost Lemuria!”, adapting asword-and-sorcery barbarian character created by author Lin Carter. Following writers Tony Isabella and Gardner Fox, Carter himself co-wrote (with Steve Gerber) the final two installments.
Thomas, Marvel’s associate editor at the time, recalled in 2007 that Thongor had been the company’s first choice when Marvel decided to published a licensed fantasy character, rather than the eventual hit Conan the Barbarian. Publisher Martin Goodman “authorized us to go after a character. I first went after Lin Carter’s Thongor, who was a quasi-Conan with elements of John Carter of Mars, partly became editor-in-chiefStan Lee liked that name the most … I soon got stalled by Lin Carter’s agent on Thongor (he was hoping I’d offer more than the $150 per issue I was authorized to offer), and I got a sudden impulse to go after Conan”.
Creatures on the Loose #11 FN+ $15Creatures on the Loose #12 FN+ $12Creatures on the Loose #14 FN $9Creatures on the Loose #18 FN $5Creatures on the Loose #22 FN+ $14Creatures on the Loose #24 FN-VF $7Creatures on the Loose #30 VG $18
In May 2015, Marvel published a new Secret Wars miniseries, written by Jonathan Hickman and drawn by Esad Ribić, that picked up from where the “Time Runs Out” storyline running in Avengers and New Avengers at the time had ended. The storyline involved the Marvel Universe combining with other alternate universes, including the Ultimate Universe, as well as the 2099 Universe, to form Battleworld, a world which exhibits aspects of the various universes. The core limited series was nine issues long, and ran for eight months, ending in January 2016. One of the core miniseries, Ultimate End, had ended the Ultimate Marvel imprint after 15 years at the time. Ultimate End is written by Brian Michael Bendis and artist Mark Bagley, the team that began the Ultimate Marvel universe with Ultimate Spider-Man.
X-Men: The End is a 2004-2006 trilogy of miniseries published by Marvel Comics, detailing the last days of the X-Men and their adventures in an alternative future. The series, which was part of Marvel’s The End line of books, was written by Chris Claremont and drawn by Sean Chen, with cover art by Greg Land and Gene Ha.
The first part of the miniseries is titled Dreamers and Demons, the second Heroes and Martyrs, and the third Men and X-Men. As it was originally conceived, several years before its actual debut, this series would have re-teamed Chris Claremont and John Byrne, with Byrne providing plots and art and Claremont providing dialogue. Yet after a dispute with Marvel following the cancellation of Byrne’s ongoing series X-Men: The Hidden Years, Byrne left the publisher.
The story of X-Men: The End continues in the 2008 GeNext mini-series, then again in the 2009 mini-series, GeNext: United.
X-Men – The End #1 NM $6X-Men The End #2 NM $5X-Men The End #3 NM $4X-Men The End #4 NM $5X-Men The End #5 NM $5X-Men The End #6 NM $4
Isola was first announced at the 2016 Image Expo. Writer Brendan Fletcher explained he and writer/artist Karl Kerschl had been working towards the comic since elementary school. The story follows two women, Queen Olwyn, and Rook, her captain of the guard, on a journey to the island of Isola in hopes of reversing a curse that transformed the queen into a tiger. Kerschl and Fletcher cite the films of Hayao Miyazaki as an influence on the tone of Isola. Kerschl worked closely with colorist Michele Assarasakorn (MSassyK) to create a cinematic feel, mapping out colors in advance to reflect the characters’ journey.
As with all of the books associated with the DC relaunch, Clark Kent appears to be about five years younger than the previous incarnation of the character (where it would focus on the early days of Superman’s career, whereas the main series would focus on the present). Superheroes at large have appeared only in the past five years, and are viewed with at best, suspicion, and at worst, outright hostility. The storyline in Action Comics takes place about a year before the events of Justice League #1, and was referred to by DC Co-Publisher Dan DiDio as “DC Universe Year Zero” while JL operates as “Year One.” The Man of Steel is not yet trusted by the citizens of Metropolis and wears a basic costume consisting of a caped T-shirt, jeans and work boots.
