In the Detective Comics #759–762 (August–November 2001) backup storyline “Trail of the Catwoman”, by writer Ed Brubaker and artist Darwyn Cooke, private detective Slam Bradley attempts to find out what really happened to Selina Kyle. This storyline leads in to the Catwoman series of late 2001 (written by Brubaker initially with Cooke, later joined by artist Cameron Stewart). In this series, Selina Kyle, joined by new supporting cast members Holly and Slam Bradley (a character from the early Golden Age DC Comics), becomes protector of the residents of Gotham’s East End, while still carrying out an ambitious career as a cat burglar.
A bold new chapter for the greatest superhero of all time begins here as writer Brian Michael Bendis and artist Ivan Reis begin their run on the all-new SUPERMAN! The fallout from the Man of Steel miniseries has Clark Kent looking at the world through new eyes…with new ideas about what Superman could and should do for the city of Metropolis and the planet Earth. His first job? Getting the planet back out of the Phantom Zone!
Remender said, “There’s something that Cyclops said to (Captain America) on Utopia that’s ringing in his head. He didn’t do enough to help. And Steve (Captain America) is taking that to heart. Coming out of AvX with the landscape shifted and changed as much as it is, there are events that lead Steve to recognizing that he needs to do more”.
Tomine’s style and subject matter are restrained and realistic. Many are set in Northern California. Many of his stories for Optic Nerve feature Asian American characters, including “Hawaiian Getaway,” “Six-Day Cold,” “Layover,” and “Shortcomings.” Adrian Tomine is Asian American and lives in Brooklyn, New York. Many topics of his stories are at least partly autobiographical.
In the initial self-published issues, as well as the first eight Drawn & Quarterly issues (1995-2001), Optic Nerve was typically a collection of short stories. After an extended hiatus, Tomine resumed the comic in fall of 2004 and began his first multi-issue storyline, “Shortcomings,” with #9. The most recent issue, #13, was published in July 2013.
Nextwave is a humorous comic bookseries by Warren Ellis and Stuart Immonen, published by Marvel Comics between 2006 and 2007. Nextwave consistently features extreme violence and comedy, and simultaneously satirizes and celebrates Marvel’s superhero comics. The series frequently uses flashback scenes in which existing Marvel characters such as Captain America, Ulysses Bloodstone and the Celestials act grossly out of character for comedic purposes. In an interview, Ellis said, “I took The Authority and I stripped out all the plots, logic, character and sanity.” “It’s an absolute distillation of the superhero genre. No plot lines, characters, emotions, nothing whatsoever. It’s people posing in the street for no good reason. It is people getting kicked, and then exploding. It is a pure comic book, and I will fight anyone who says otherwise. And afterwards, they will explode.”
In the modern day, MI5 agent Breen is tasked with breaking into The Village in order to extricate a fellow spy. The information she possesses is too valuable to fall into the hands of the mysterious Village, so Breen must engineer his own defection and capture, reduced to a mere number. Yet nothing can prepare the new Number 6 for the bizarreness that awaits him inside the Village…
The world once again holds its breath as The Joker strikes again! But how far is he willing to go this time? From the twisted minds of Matthew Rosenberg (Task Force Z, What’s the Furthest Place from Here?) and Carmine Di Giandomenico (Batman: The Knight) comes a violent, mind-bending new series that picks up from the cataclysmic end of The Joker and follows the mayhem across the United States. With the Clown Prince of Crime setting out on his most bizarre caper yet, will a fan-favorite vigilante be able to prevent certain tragedy? Or is he in on the joke?
In 1991 DC sought to revive interest in Swamp Thing by bringing horror writer Nancy A. Collins on board to write the series. Starting with Swamp Thing Annual #6, Collins moved on to write Swamp Thing (vol. 2) #110–138, dramatically overhauling the series by restoring the pre-Alan Moore tone and incorporating a new set of supporting cast members into the book. Collins resurrected Anton Arcane, along with the Sunderland Corporation, as foils for the Swamp Thing. Her stories tended to be ecologically based and at one point featured giant killer flowers.
With issue #140 (March 1994), the title was handed over to Grant Morrison for a four-issue story arc, co-written by the then-unknown Mark Millar. As Collins had destroyed the status quo of the series, Morrison sought to shake the book up with a four-part storyline which had the Swamp Thing plunged into a nightmarish dreamworld scenario where he was split into two separate beings: Alec Holland and the Swamp Thing, which was now a mindless being of pure destruction. Millar then took over from Morrison with issue #144, and launched what was initially conceived as an ambitious 25-part storyline where the Swamp Thing would be forced to go upon a series of trials against rival elemental forces. Millar brought the series to a close with issue #171 in a finale where the Swamp Thing becomes the master of all elemental forces, including the planet.
At New York Comic Con 2013, Marvel announced that they had solidified their rights to Miracleman and that Neil Gaiman would finish the story he had started 25 years earlier. The series is being reprinted in a giant-sized format, with each issue containing a reprint of the corresponding issue of the Eclipse Comics series, reprints of select Mick Anglo Marvelman stories, and non-fiction material such as essays, photos, and Marvelman design sketches. The first issue, reprinting the recolored and relettered stories from Warrior #1 & 2/Miracleman #1, was released on January 15, 2014.
The reprints continued, collecting remastered and recolored work of the original run, with hardcover collections following, and in September 2014 the first new Miracleman material under the Marvel Comics banner was announced. Featuring a ‘lost’ story by Grant Morrison that he wrote in the 1980s, and drawn by Joe Quesada, it will be joined by a brand new story by Peter Milligan and Mike Allred.
The reprints proceed through #16 when the series was retitled Miracleman: The Golden Age which reprinted issues 17-22. Miracleman by Gaiman & Buckingham: The Silver Age issues 1 to 3 were announced for release in 2017.
Miracleman #0 NM $6
Miracleman #1 VF-NM $3
Miracleman #6 NM Pollybagged $5
Miracleman #8 NM Bagged (Book 2 The Red King Syndrome) $4
Miracleman #10 NM Bagged (Book 2 The Red King Syndrome) $4
Miracleman #11 NM Bagged (Book 3 Olympus) $4
Miracleman #12 NM Bagged (Book 3 Olympus) $4
Miracleman #13 NM Bagged (Book 3 Olympus) $4
Miracleman #14 NM Bagged (Book 3 Olympus) $4
Miracleman #15B NM Bagged (Book 3 Olympus) $4
Miracleman Annual #1 NM Pollybagged $5
Miracleman – Book 4 The Golden Age #6 Coipel Variant NM $14
Miracleman – Book 4 The Golden Age #6 Andrews Variant NM $9
Rai (pronounced “rye”) appeared in books published by Valiant Comics. Rai was the first original hero created by Valiant and had its beginning as a flipbook back-up feature in Magnus Robot Fighter issues #5-8. The popularity of the flipbook back-up story later led to an ongoing series. Valiant Entertainment is the current owner of Rai and the rest of the original Valiant Comics characters.
In his original incarnation, Rai is the spirit guardian that protects the nation of Japan in the 41st century. It is a mantle passed down from father to son through the generations. As such, the series chronicled a number of protagonists.
A new Rai ongoing series was launched in April 2014 by the creative team of writer Matt Kindt and artist Clayton Crain, selling out of its initial print run.
EHT Comics 