Tag: Bronze Age

Superboy and the Legion of Super-Heroes (1970’s)

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Superboy became Superboy starring the Legion of Super-Heroes with issue #197 (August 1973). Crafted by Bates and Cockrum, the feature proved popular and saw such events as the wedding of Bouncing Boy and Duo Damsel in Superboy #200 (Feb 1974). Cockrum was replaced on art by Mike Grell as of issue #203 (August 1974) which featured the death of Invisible Kid. With #231 (September 1977), the book’s title officially changed to Superboy and the Legion of Super-Heroes and also became a “giant-size” title. At this point, the book was written by longtime fan Paul Levitz and drawn by James Sherman, although Gerry Conway frequently wrote as well. Saturn Girl and Lightning Lad were married in All-New Collectors’ Edition #C-55 (1978), a treasury-sized special written by Levitz and drawn by Grell. In #241–245 (July–December 1978) Levitz and Sherman (and then Joe Staton) produced what was at that time the most ambitious Legion storyline: “Earthwar“, a galactic war between the United Planets and the Khunds, with several other villains lurking in the background. During this period, Karate Kid was spun off into his own 20th Century-based self-titled series, which lasted 15 issues. Levitz left the book, to be replaced full-time by Gerry Conway.

Superboy departed from the Legion due to a plot of a villain, and the book was renamed simply Legion of Super-Heroes starting with issue #259 (January 1980). Editor Jack C. Harris hired Steve Ditko as guest artist on several issues, a decision which garnered a mixed reaction from the title’s readership. Jimmy Janes became the regular artist in a lengthy tale by Conway (and later Roy Thomas) involving Ultra Boy’s disappearance during a mission, and his long odyssey to rejoin the team. This story told the tale of the Legionnaire Reflecto (only glimpsed during the “Adult Legion” stories in Adventure Comics), featured villainy by the Time Trapper and Grimbor the Chainsman, and saw Superboy rejoin the team.

Judge Dredd – Eagle Comics (1983)

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Judge Dredd is a fictional character who appears in British comic books published by Rebellion Developments, as well as in a number of movie and video game adaptations. He was created by writer John Wagner and artist Carlos Ezquerra, and first appeared in the second issue of 2000 AD (1977), a weekly science-fiction anthology. He is that magazine’s longest-running character.

Joseph Dredd is an American law enforcement officer in the dystopian future city of Mega-City One. He is a “street judge“, empowered to summarily arrest, convict, sentence, and execute criminals. Dredd’s entire face is never shown in the strip. This began as an unofficial guideline, but soon became a rule. As John Wagner explained: “It sums up the facelessness of justice − justice has no soul. So it isn’t necessary for readers to see Dredd’s face, and I don’t want you to”. Time passes in the Judge Dredd strip in real time, so as a year passes in life, a year passes in the comic. The first Dredd story, published in 1977, was set in 2099, whilst stories published in 2015 are set in 2137. Consequently, as former editor Alan McKenzie explains, “every year that goes by Dredd gets a year older – unlike Spider-Man, who has been a university student for the past twenty-five years!”. Therefore Dredd is over seventy years old, with over fifty years of active service (2079–2136), and for some time characters in the comic have been mentioning that Dredd is not as young and fit as formerly.

Coyote (1983)

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The characters first appeared in Eclipse Magazine #2-8. It would later be reprinted in a color trade paperback, I Am Coyote. Afterwards, a new comic book series started at Marvel Comics Epic Comics line, that ran 16 issues. It was notable for the first published work of Todd McFarlane. According to Epic editor-in-chief Archie Goodwin, artist Steve Leialoha‘s departure after issue #2 caused deadline problems that the series never fully recovered from, leading to its early cancellation.

Justice League of America V1 (1980’s)

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In the early 80’s, George Pérez, Don Heck, and Rich Buckler would rotate as artist on the title. The double-sized anniversary issue #200 (March 1982) was a “jam” featuring a story written by Conway, a framing sequence drawn by Pérez, and chapters drawn by Pat Broderick, Jim Aparo, Dick Giordano, Gil Kane, Carmine Infantino, Brian Bolland, and Joe Kubert. Bolland’s chapter gave the artist his “first stab at drawing Batman.” Pérez would leave the title with issue #200 to concentrate on The New Teen Titans although he would contribute covers to the JLAthrough issue #220 (November 1983). The 1982 team-up with the Justice Society in issues #207–209 crossed over with All-Star Squadron #14–15. A Justice League story by Gerry Conway and Rich Buckler originally intended for publication as an issue of All-New Collectors’ Edition saw print in Justice League of America #210–212 (January–March 1983).

Seeking to capitalize on the popularity of their other team books, which focused upon heroes in their late teens/early 20s, Gerry Conway and artist Chuck Patton revamped the Justice League series. After most of the original heroes fail to help fend off an invasion of Martians, Aquaman dissolves the League and rewrites its charter to allow only heroes who will devote their full-time to the roster. The new team initially consists of Aquaman, Zatanna, Martian Manhunter, Elongated Man, the Vixen, and a trio of teenage heroes Gypsy, Steel, and Vibe. Aquaman leaves the team after a year, due to resolving marital problems, and his role as leader is assumed by the Martian Manhunter.

The final storyline for the original Justice League of America series (#258–261), by writer J. M. DeMatteis and artist Luke McDonnell, concludes with the murders of Vibe and Steel at the hands of robots created by long-time League nemesis Professor Ivo, and the resignations of Vixen, Gypsy, and the Elongated Man during the events of DC’s Legends miniseries, which sees the team disband.

Shade, the Changing Man V1 (1977)

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Shade, the Changing Man told the story of a fugitive from the militant planet Meta in another dimension. Shade (whose full name is Rac Shade) was powered by a stolen “M-vest” (or Miraco-Vest, named for its inventor) which protected him with a force field and enabled him to project the illusion of becoming a large grotesque version of himself. The character was the first Ditko had created, or helped to create, for a mainstream publisher for many years. Prior to rejoining DC Comics, Ditko had worked on characters such as his Mr. A. title. Shade was very much a return to mainstream superheroics, although Shade indicated no particular connection with the DC Universe (although the letters columns stated that there is no reason it could not be shown to be there). Michael Fleisher scripted the series based on Ditko’s plotting and art.

Beware (1973)

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Beware was an 8 issues series that ran from March, 1973 to May, 1974. The series contained reprints of Atlas comics with new covers by Bill Everet, John Romita & Gil Kane The title continued as Tomb of Darkness with issue #9 in July of 1974.

DC 100 Page Super Spectacular (1971)

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DC 100 Page Super Spectacular was published by DC Comics from 1971 through 1973, featuring only reprints initially and later including new stories. The “100 Page” count included both sides of the front and back covers as pages. Each numbered issue appearing under this title featured a wrap-around cover with all editorial content and no advertisements. Versions after late 1973 included advertisements.

Luke Cage, Hero for Hire (1970’s)

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Luke Cage was created by Archie Goodwin and John Romita, Sr. shortly after Blaxploitation films emerged as a popular new genre. He debuted in his own series, Luke Cage, Hero for Hire, which was initially written by Goodwin and pencilled by George Tuska. Cage’s adventures were set in a grungier, more crime-dominated New York City than that inhabited by other Marvel superheroes of the time. The series was retitled Luke Cage, Power Man with issue #17.

As the Blaxploitation genre’s popularity faded, Cage became unable to support his own series and was paired with another superhero whose popularity was based on a declining film genre, the martial arts hero Iron Fist, in an effort to save both characters from cancellation. Though the series title would remain Power Man in the indicia for a while longer, with issue #50 (April 1978) the cover title became Power Man and Iron Fist. It would remain thus until the series’s cancellation with issue #125 (September 1986). The series’s final writer, James Owsley, attempted to shed Cage’s Blaxploitation roots by giving him a larger vocabulary and reducing usage of his catchphrase, “Sweet Christmas!”.

The New Teen Titans (1980’s)

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In 1980, Teen Titans relaunched as The New Teen Titans, aging the characters to young adulthood. Original members Robin, Wonder Girl and Kid Flash were joined by new characters Cyborg, Starfire and Raven, as well as the former Doom Patrol member Beast Boy, as Changeling. The group had several encounters with the original Titans of Greek mythology, particularly Hyperion.

The team’s adversaries included Deathstroke the Terminator, a mercenary who takes a contract to kill the Titans to fulfill a job his son had been unable to complete. This led to perhaps the most notable Titans storyline of the era. 1984’s “The Judas Contract,” in Tales of the Teen Titans #42-44 and Teen Titans Annual #3 featured a psychopathic girl named Terra with the power to manipulate earth and all earth-related materials. She infiltrates the Titans in order to destroy them. “The Judas Contract” won the Comics Buyer’s Guide Fan Award for “Favorite Comic Book Story” of 1984, and was later reprinted as a standalone trade paperback in 1988. Robin adopts the identity of Nightwing, while Wally West gives up his Kid Flash persona and quits the Titans. It also featured the introduction of a new member in Jericho, Deathstroke’s other son.

Creepy V1 (1964)

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Creepy was an American horror-comics magazine launched by Warren Publishing in 1964. Like Mad, it was a black-and-white newsstand publication in a magazine format and thus did not require the approval or seal of the Comics Code Authority. The anthology magazine was initially published quarterly but later went bimonthly. Each issue’s stories were introduced by the host character, Uncle Creepy. Its sister publications were Eerie and Vampirella.