Paul Levitz returned to write the series with #284. Pat Broderick and Bruce Patterson illustrated the title for a short time before Keith Giffen began on pencils, with Patterson, and then Larry Mahlstedt, on inks. The creative team received enhanced popularity following “The Great Darkness Saga“, which ran from #287; #290–294; and Annual #3, featuring a full assault on the United Planets by Darkseid. Comics historian Les Daniels observed that “Working with artist Keith Giffen, Levitz completed the transformation of Legion into a science-fiction saga of considerable scope and depth.”
The Legion celebrated issue #300 (June 1983) by revisiting the “Adult Legion” storyline through a series of parallel world short stories illustrated by a number of popular Legion artists from previous years. The story served to free up Legion continuity from following the “Adult Legion” edict of previous issues.
Legion of Super-Heroes #294 NM- $8Legion of Super-Heroes #303 NM- $3Legion of Super Heros Annual #3 VF-NM $3Tales of the Legion of Super-Heroes #316 VF $3
Writer Dennis O’Neil and artist Neal Adams had their first collaboration on Batman on the story “The Secret of the Waiting Graves” in issue #395 (Jan. 1970). The duo, under the direction of Schwartz, would revitalize the character with a series of noteworthy stories reestablishing Batman’s dark, brooding nature and taking the books away from the campy look and feel of the 1966–68 ABCTV series. Comics historian Les Daniels observed that “O’Neil’s interpretation of Batman as a vengeful obsessive-compulsive, which he modestly describes as a return to the roots, was actually an act of creative imagination that has influenced every subsequent version of the Dark Knight.” Adams introduced the Man-Bat with writer Frank Robbins in Detective Comics #400 (June 1970). O’Neil and artist Bob Brown crafted Batman’s first encounter with the League of Assassins in Detective Comics #405 (Nov. 1970) and created Talia al Ghul in issue #411 (May 1971).
After publishing on a monthly schedule throughout its run, Detective Comics became a bi-monthly book from issues #435 (June–July 1973) to #445 (Feb.-March 1975). Issues #438 (Dec. 1973-Jan. 1974) to #445 (Feb.–March 1975) of the series were in the 100 Page Super Spectacular format. O’Neil and artist Dick Giordano created the Batman supporting character Leslie Thompkins in the story “There Is No Hope in Crime Alley” appearing in issue #457 (March 1976). Writer Steve Englehart and artist Marshall Rogers produced an acclaimed run of Batman stories in Detective Comics #471–476 (Aug. 1977 – April 1978), and provided one of the definitive interpretations that influenced the 1989 Batman movie and would be adapted for the 1990s animated series. The Englehart and Rogers pairing, was described in 2009 by comics writer and historian Robert Greenberger as “one of the greatest” creative teams to work on the Batman character. In their story “The Laughing Fish”, the Joker is brazen enough to disfigure fish with a rictus grin, then expects to be granted a federal trademark on them, only to start killing the bureaucrats who try to explain to him that obtaining such a claim on a natural resource is legally impossible. Writer Len Wein and Rogers co-created the third version of the supervillain Clayface in Detective Comics #478 (July–Aug. 1978). The original Katherine Kane also known as “Batwoman” was killed in the lead story in issue #485 (Aug.–Sept. 1979) by the League of Assassins.
Supernatural Thrillers ran 15 issues (cover-dated December 1972 – October 1975). The title was one of four launched by Marvel Comics editor-in-chief Roy Thomas to form a line of science fiction and horroranthologies with more thematic cohesiveness than the company’s earlier attempts that decade, which had included the series Chamber of Darkness and Tower of Shadows. Whereas those titles generally presented original stories, these new books would instead adapt genre classics and other stories.
Issue #5 (August 1973) introduced the Living Mummy in a standalone story about an African tribal prince enslaved by Egyptians and mummified by an evil priest, who eventually reawakens in modern times. The character, created by writer Steve Gerber and penciler Rich Buckler, returned two issues later as the starring character in a generally 15-page solo series that ran from #7 to the final issue, #15 (June 1974 – October 1975). The cover logo during this time was “Supernatural Thrillers featuring The Living Mummy”.
King Conan #2 VF $4King Conan #3 VF $3King Conan #4 F-VF $2King Conan #6 VF $4King Conan #10 VF-NM $5King Conan #15 VF $5King Conan #18 F+ $2Conan the KIng #35 VF- $4Conan the King #38 F+ $2Conan the King #40 F+ $2Conan the King #44 F+ $2Conan the King #51 NM $8Conan the King #52 NM- $7Conan the King #53 NM $11Conan the King #54 NM $12
Doorway to Nightmare, introduced in 1978, was the last of the DC “Mystery” line of titles in the 1970s that became the forerunner of Vertigo. It did not have a consistent creative team—the intent was to create writer-artist pairings that had never occurred before, except for the cover art of Michael William Kaluta. Madame Xanadu, the star of the series, was not a host but an active participant, albeit never the main character in her stories.
Marvel’s series of Star Trek comics began in 1979 with an adaptation of Star Trek: The Motion Picture and continued for another two years. These tales take place during a second five-year mission of Kirk and the Enterprise that would have been featured in the never-produced Star Trek: Phase II TV series. Marvel’s license from Paramount prohibited them from using concepts introduced in the original series. They were only allowed to use the characters and concepts from Star Trek: The Motion Picture. The series lasted 18 issues and ended in 1981.
John Byrne revitalized the slumping title with his run. Originally, Byrne was slated to write with Sienkiewicz providing the art. Sienkiewicz left to do Moon Knight, and Byrne subsequently became writer, artist, and inker. Various editors were assigned to the comic; eventually Bob Budiansky became the regular editor. Byrne told Jim Shooter that he could not work with Budiansky, although they ultimately continued to work together. In 2006, Byrne said “that’s my paranoia. I look back and I think that was Shooter trying to force me off the book”. Byrne left following issue #293 (Aug. 1986) in the middle of a story arc, explaining he could not recapture the fun he had previously had on the series. One of Byrne’s changes was making the Invisible Girl into the Invisible Woman: assertive and confident. During this period, fans came to recognize that she was quite powerful, whereas previously, she had been primarily seen as a superpowered mother and wife in the tradition of television moms like those played by Donna Reed and Florence Henderson.
Fantastic Four #218 VF-NM $5Fantastic Four #220 VF $3Fantastic Four #232 VF-NM $9Fantastic Four #235 CGC 9.8 White Pages $89Fantastic Four #239 VF+ $3Fantastic Four #242 VF+ $3Fantastic Four #244 VF $29Fantastic Four #245 VF+$9Fantastic Four #248 Newstand VF+$4Fantastic Four #248 VF-NM $4Fantastic Four #249 Newstand VF+ $3Fantastic Four #249 VF-NM $3Fantastic Four #250 NM $6Fantastic Four #251 Newstand VF-NM $5Fantastic Four #251 VF-NM $4Fantastic Four #253 Newstand VF+ $4Fantastic Four #253 VF-NM $4Fantastic Four #254 Newstand VF+ $4Fantastic Four #254 VF-NM $4Fantastic Four #256 VF+ $3Fantastic Four #277 NM- $8Fantastic Four #286 Newsstand NM- $12Fantastic Four #286 NM $12Fantastic Four #292 Newsstand VF+ $9Fantastic Four #293 Newsstand VF+ $6Fantastic Four #299 VF+ $5Fantastic Four #303 VF-NM $2Fantastic Four #314 NM- $4Fantastic Four #316 VF-NM $3Fantastic Four #323 NM- $4Fantastic Four #324 VF-NM $3Fantastic Four #326 VF-NM $2
With issue #174, EC Comics veteran Joe Orlando was hired by DC to take over as editor of House of Mystery. As the Comics Code Authority was now being challenged by both DC and Marvel over content restrictions, the series returned to its overt horror themes. The first issue under Orlando would be a reprint issue of old horror/suspense stories, as the new direction would truly begin with #175 (July–August 1968). The issue would introduce a new figure to the series, Cain, the “able care taker” of the House of Mystery who would introduce nearly all stories that would run in the series before its cancellation. Cain would also host the spin-off humor series Plop! and later become a recurring character in Blue Devil and The Sandman.
Artist Bernie Wrightson‘s first professional comic work was the story “The Man Who Murdered Himself” which appeared in issue #179 (March–April 1969)
House of Mystery was in the Dollar Comics format for issues #251 (March–April 1977) to #259 (July–August 1978). House of Mystery featured stories by writers T. Casey Brennan (#260, 267, 268 and 274) and Scott Edelman (#257, 258, 260, 264, 266, 270, 272, 273). Orlando’s tenure as editor ended with #257 (March–April 1978).
House of Mystery #199 VG+ $14House of Mystery #204 FN $18House of Mystery #209 FN $24House of Mystery #215 FN+ $14House of Mystery #218 FN-VF $16House of Mystery #219 VG $8House of Mystery #220 FN+ $12House of Mystery #222 VF- $12House of Mystery #223 VF- $12House of Mystery #224 VG+ $14House of Mystery #226 VG+ $14House of Mystery #228 FN+ $24House of Mystery #229 FN $19House of Mystery #240 FN-VF $13House of Mystery #242 VG-FN $10House of Mystery #244 FN-VF $15House of Mystery #246 VG-FN $10House of Mystery #249 VG $5House of Mystery #250 FN-VF $10The House of Mystery #251 FN $11The House of Mystery #252 FN+ $12The House of Mystery #254 VF $16The House of Mystery #255 FN- $8House of Mystery #258 VF- $16The House of Mystery #259 FN+ $10House of Mystery #260 VG+ $7House of Mystery #262 FN $8House of Mystery #263 VF $6House of Mystery #265 FN- $6House of Mystery #266 VF-NM $10House of Mystery #267 VF+ $8House of Mystery #268 VG-FN $5House of Mystery #269 VF- $5House of Mystery #270 FN $6House of Mystery #271 VF- $5House of Mystery #272 FN $5House of Mystery #273 VF-NM $12House of Mystery #274 VF $6
The Defenders had a rotating line-up from 1972 until 1986, with Dr. Strange and the Hulk being more or less constant members along with a number of other mainstays such as Valkyrie, Nighthawk, Hellcat, the Gargoyle, Beast, the Son of Satan and Luke Cage, and a large number of temporary members. The publication was retitled near the end of the run as The New Defenders but featured none of the original members and only Valkyrie, the Beast and the Gargoyle of the former long-term members. The concept was modified in the 1993–95 series Secret Defenders, in which Dr. Strange assembled different teams for each individual mission. Later, the original team were reunited in a short-lived series by Kurt Busiek and Erik Larsen. In the 2000s, Marvel published a new miniseries featuring the classic line-up. Writer Matt Fraction and artist Terry Dodson launched a new Defenders series in December 2011.
The 1980s saw radical revisions of Superman. DC decided to remove the multiverse in a bid to simplify its comics line. This led to the rewriting of the back story of the characters DC published, Superman included. John Byrne rewrote Superman, removing many established conventions and characters from continuity, including Superboy and Supergirl. Byrne also re-established Superman’s adoptive parents, The Kents, as characters. In the previous continuity, the characters had been written as having died early in Superman’s life (about the time of Clark Kent’s graduation from high school).
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