In June 2016, the DC Rebirth event relaunched DC Comics’ entire line of comic book titles. Batman was rebooted as starting with a one-shot issue entitled Batman: Rebirth #1 (August 2016). The series then began shipping twice-monthly as a third volume, starting with Batman vol. 3, #1 (August 2016). The third volume of Batman was written by Tom King, and artwork was provided by David Finch and Mikel Janín. The Batman series introduced two vigilantes, Gotham and Gotham Girl.
DC Comics ended the Rebirth branding in December 2017, opting to include everything under a larger “DC Universe” banner and naming. The continuity established by Rebirth continues across DC’s comic book titles, including volume one of Detective Comics and the third volume of Batman.
Writer Greg Rucka and artist Shawn Martinbrough became the creative team as of #742 (March 2000) and created the Sasha Bordeaux character is #751 (Dec. 2000). Issue #800 (Jan. 2005) was written by Andersen Gabrych and drawn by Pete Woods. Paul Dini became the writer of the series as of issue #821 (Sept. 2006) and created a new version of the Ventriloquist in #827 (March 2007).
Judge Death makes a dimensional jump to Gotham City, murdering two lovers and a police officer. Batman defeats Death, who flees in spirit form. Among the remains of his host body, Batman finds a dimensional jump belt that he accidentally activates, transporting him to Mega-City One, where is confronted by Mean Machine Angel. As Mean Machine attacks Batman, they are both confronted by Judge Dredd. Mean Machine flees to Gotham using the belt, then wanders into the city looking for Judge Death.
Batman – Judgment on Gotham CGC SS 9.8 Signed by Simon Bisley $229
Batman – Judge Dredd – Judgement on Gotham CGC 9.8 White Pages $79
Frank Miller‘s limited series The Dark Knight Returns (February–June 1986), which tells the story of a 55-year old Batman coming out of retirement in a possible future, reinvigorated the character. The Dark Knight Returns was a financial success and has since become one of the medium’s most noted touchstones. The series also sparked a major resurgence in the character’s popularity.
That year Dennis O’Neil took over as editor of the Batman titles and set the template for the portrayal of Batman following DC’s status quo-altering miniseries Crisis on Infinite Earths. O’Neil operated under the assumption that he was hired to revamp the character and as a result tried to instill a different tone in the books than had gone before. One outcome of this new approach was the “Year One” storyline in Batman #404–407 (February–May 1987), in which Frank Miller and artist David Mazzucchelli redefined the character’s origins. Writer Alan Moore and artist Brian Bolland continued this dark trend with 1988’s 48-page one-shotBatman: The Killing Joke, in which the Joker, attempting to drive Commissioner Gordon insane, cripples Gordon’s daughter Barbara, and then kidnaps and tortures the commissioner, physically and psychologically.
The Batman comics garnered major attention in 1988 when DC Comics created a 900 number for readers to call to vote on whether Jason Todd, the second Robin, lived or died. Voters decided in favor of Jason’s death by a narrow margin of 28 votes (see Batman: A Death in the Family). The following year saw the release of Tim Burton‘s Batman feature film, which firmly brought the character back to the public’s attention, grossing millions of dollars at the box office, and millions more in merchandising.
The world of Batman: White Knight expands with this standalone tale! On the night of Bruce Wayne’s traumatic birth, Victor Fries must intervene to save the lives of Martha Wayne and the future Batman. As the evening unfolds, Victor distracts Thomas with the incredible tale of his own father figures-one a Nazi, the other a Jew-and their complex connection to Wayne Laboratories. As the Third Reich roars into power, the deep friendship and working relationship between the Baron von Fries and his research partner, Jacob Smithstein, is in crisis. Ordered by Himmler to speed development of their cryotechnology in service of world domination, Smithstein is forced to go into hiding and compromise his moral code in order to save his wife and infant daughter, Nora, from persecution and certain death. When the S.S. ramps up surveillance over the project, young Victor begins to question his father’s true allegiance. Both families are driven toward an impossible choice and a sinister standoff, and Victor makes a pact with Smithstein that will ripple through generations.
Chuck Dixon became the writer of the series with issue #644 (May 1992). He and Tom Lyle co-created the Electrocutioner in Detective Comics #644 (May 1992) and Stephanie Brown in Detective Comics #647 (August 1992).
The “Batman: Legacy” storyline began in issue #700 (August 1996). The “No Man’s Land” storyline crossed over into Detective Comics in issues #730–741.
By 1964, sales of Batman titles had fallen drastically. Bob Kane noted that, as a result, DC was “planning to kill Batman off altogether”. In response to this, editor Julius Schwartz was assigned to the Batman titles. He presided over drastic changes, beginning with 1964’s Detective Comics #327 (May 1964), which was cover-billed as the “New Look”. Schwartz introduced changes designed to make Batman more contemporary, and to return him to more detective-oriented stories. He brought in artist Carmine Infantino to help overhaul the character. The Batmobile was redesigned, and Batman’s costume was modified to incorporate a yellow ellipse behind the bat-insignia. The space aliens, time travel, and characters of the 1950s such as Batwoman, Ace, and Bat-Mite were retired. Bruce Wayne’s butler Alfred was killed off (though his death was quickly reversed) while a new female relative for the Wayne family, Aunt Harriet, came to live with Bruce Wayne and Dick Grayson.
Batman: The Killing Joke is a 1988 DC Comicsone-shotgraphic novel featuring the characters Batman and the Joker written by Alan Moore and illustrated by Brian Bolland. The Killing Joke provides an origin story for the supervillain the Joker, loosely adapted from the 1951 story “The Man Behind the Red Hood!“, which was written by Batman co-creator Bill Finger. The Joker’s origin is presented via flashback, while simultaneously depicting his attempt to drive Jim Gordon insane and Batman’s desperate attempt to stop him.
Created by Moore, Bolland, and Higgins as their own take on the Joker’s source and psychology, the story became famous for its origin of the Joker as a tragic character; a family man and failed comedian who suffered “one bad day” that finally drove him insane. Moore stated that he attempted to show the similarities and contrasts between Batman and the Joker. The story’s effects on the mainstream Batman continuity also included the shooting and paralysis of Barbara Gordon (a.k.a. Batgirl), an event that eventually leads her to develop the identity of Oracle, secret data broker for the DC Universe‘s superhero community and leader of the superhero team Birds of Prey.
Since the beginning of The New 52, Scott Snyder has been the writer of the flagship Batman title. His first major story arc was “Night of the Owls“, where Batman confronts the Court of Owls, a secret society that has controlled Gotham for centuries. The second story arc was “Death of the Family“, where the Joker returns to Gotham and simultaneously attacks each member of the Batman family. The third story arc was “Batman: Zero Year“, which redefined Batman’s origin in The New 52. It followed Batman #0, published in June 2012, which explored the character’s early years. The final storyline before the Convergence (2015) event was Endgame, depicting the supposed final battle between Batman and the Joker when he unleashes the deadly Endgame virus onto Gotham City. The storyline ends with Batman and the Joker’s supposed deaths. Starting with #41, Commissioner James Gordon takes over Bruce’s mantle as a new, state-sanctioned, mecha Batman, debuting in the Free Comic Book Day special comic Divergence. However, Bruce Wayne is soon revealed to be alive, albeit now suffering almost total amnesia of his life as Batman and only remembering his life as Bruce Wayne through what he has learned from Alfred. Bruce Wayne finds happiness and proposes to his girlfriend, Julie, but Mr. Bloom heavily injures Jim Gordon and takes control of Gotham City and threatens to destroy the city by energizing a particle reactor to create a “strange star” to swallow the city. Bruce Wayne discovers the truth that he was Batman and after talking to a stranger who smiles a lot (it is heavily implied that this is the amnesic Joker) he forces Alfred to implant his memories as Batman, but at the cost of his memories as the reborn Bruce Wayne. He returns and helps Jim Gordon defeat Mr. Bloom and shut down the reactor. Gordon gets his job back as the commissioner, and the government Batman project is shuttered.
Batman: Beyond the White Knight takes place 12 years after the events which are described in the previous volume Batman: Curse of the White Knight, which ended with Bruce Wayne exposed as Batman to the general public and donating his entire fortune to the people of Gotham City, and then turning himself in to the police. Since that, the city has evolved into a futuristic megalopolis known as “Neo-Gotham”. Following the murder of his father Warren, young Terry McGinnis — under the orders of his employer Derek Powers — steals a technologically advanced Batsuit to become the new Batman and avenge his father’s death. At the same time, a middle-aged Bruce escapes from prison in an attempt to rid Neo-Gotham of Batman for good, all while a civil war slowly rages through the city and Powers transforms into the supervillain Blight.
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