World’s Finest (1950’s)

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The series was initially a 96-page quarterly anthology, featuring various DC characters – always including Superman and Batman – in separate stories. Comics historian Les Daniels noted that “pairing Superman and Batman made sense financially, since the two were DC’s most popular heroes”. When superheroes fell out of vogue in the early 1950s, DC shortened the size of the publication to that of the rest of its output, leaving only enough space for one story; this led to Superman and Batman appearing in the same story together starting with World’s Finest Comics #71 (July 1954). The title often depicted Batman gaining superpowers as a way to avoid having him be overshadowed by Superman. Lex Luthor and the Joker first joined forces in issue #88 (June 1957).

Immortal Hulk (2018)

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After Bruce Banner’s death during Civil War II and subsequent resurrection during the events of Avengers: No Surrender, the Devil Hulk suppressed the rest of Banner’s personalities and became the “dominant” Hulk. Now calling themselves the “Immortal Hulk”—due to it manifesting at night even if Banner is killed during the day and apparently unable to be killed itself—the collective personalities reveal during a conversation with Doc Samson that the Immortal Hulk actually embodies Banner’s desire for a protective father figure, and that Banner’s inability to “imagine love without pain” is why he had previously perceived it as being a malevolent, Sadistic entity.

Hellboy: Weird Tales (2003)

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Hellboy: Weird Tales is a Dark Horse Comics bimonthly eight-issue  limited series that offered a variety of guest writers and artists the chance to give their own take on the Hellboy characters created by Mike Mignola whilst he was in Prague working on the first Hellboy movie. The issues were published bi-monthly to alternate with a series of B.P.R.D. one-shots and were collected in two trade paperback volumes.

The Batman Who Laughs V2 (2018)

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Left rattled by the events of DARK NIGHTS: METAL, Bruce Wayne must come face to face with the nightmares spawned from the Dark Multiverse. But even though evil devoured evil in the collapse of Challengers Mountain, the Dark Knight still has his doubts. He discovers that the Batman Who Laughs not only survived the fight with The Joker at the end of METAL, but now he is enacting a sinister plan across the Multiverse-something both terrifying and oddly familiar. But when Bruce Wayne realizes the only way to stop this madman is to kill him, he must consider violating the very rule Batman won’t break…the same rule that created this insatiable villain-the Batman Who Laughs!

The Invisibles (1994)

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The Invisibles was created and scripted by Scottish writer Grant Morrison, and drawn by various artists throughout its publication.

The series loosely follows the doings of a single cell of The Invisible College, a secret organization battling against physical and psychic oppression using time travel, magic, meditation, and physical violence.

For most of the series, the team includes leader King Mob; Lord Fanny, a transgender Brazilian shaman; Boy, a former member of the NYPD; Ragged Robin, a telepath with a mysterious past; and Jack Frost, a young hooligan from Liverpool who may be the next Buddha. Their enemies are the Archons of the Outer Church, interdimensional alien gods who have already enslaved most of the human race without their knowledge.

Supermassive (2022)

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Radiant Black launches into his first crossover event ever with the Image Comics debut of Inferno Girl Red and the first appearance of Rogue Sun! The future of Image’s superhero universe is here!

Droids V2 (1994)

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In 1994, Dark Horse Comics published a new series of Star Wars: Droids, continuing the story started in Dark Horse Comics Nos. 17–19. Set before the events of Star Wars: Episode IV – A New Hope, the mini-series ran for six issues. A Special No. 1 was released in January 1995, followed by a second mini-series that ran for eight issues. A one-shot titled Star Wars: Droids – The Protocol Offensive was published in September 1997.

Daredevil (1970’s)

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Gerry Conway took over as writer with issue #72, and turned the series in a pulp science fiction direction: a lengthy story arc centered on a robot from thousands of years in the future trying to change history. Even long-standing arch-villain the Owl was outfitted with futuristic weaponry and vehicles. Conway also moved Daredevil to San Francisco beginning with Daredevil #86, and simultaneously brought on the Black Widow as a co-star for the series. The Black Widow served as Daredevil’s crime-fighting ally as well as his love interest from issue #81–124 (Nov. 1971–Aug. 1975), of which #93-108 were titled Daredevil and the Black Widow.

In a story arc overlapping Wolfman, Shooter, and McKenzie’s runs on the series, Daredevil reveals his identity to Heather Glenn and becomes partially responsible for the suicide of her father; their relationship would persist but would prove increasingly harmful to both of them. Though the Black Widow returned for a dozen issues (#155–166) and attempted to rekindle her romance with Daredevil, he ultimately rejects her in favor of Glenn.

The Rocketeer Adventure Magazine (1989)

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Starring Dave Steven’s classic Pulp-inspired character The Rockeeter (later made into a big-budget Hollywood movie). Guest-stars other clasiic Pulp Characters (The Shadow, Doc Savage, etc.) and Bettie Page. Beautiful art & a thrilling storyline. Includes “Brucilla The Muscle: Galactic Girl Guide” by Elaine Lee & Michael Kaluta as a back-up feature.

Iron Man (1980’s)

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Tony Stark’s health deteriorates, and he discovers the armor’s cybernetic interface is causing irreversible damage to his nervous system. His condition is aggravated by a failed attempt on his life by Kathy Dare, a mentally unbalanced former lover, which injures his spine, paralyzing him.[68] Stark has a nerve chip implanted into his spine to regain his mobility.[69] Stark’s nervous system continues its slide towards failure, and he constructs a “skin” made up of artificial nerve circuitry to assist it. Stark begins to pilot a remote-controlled Iron Man armor, but when faced with the Masters of Silence, the telepresence suit proves inadequate. Stark designs a more heavily armed version of the suit to wear, the “Variable Threat Response Battle Suit”, which becomes known as the War Machine armor. Ultimately, the damage to his nervous system becomes too extensive.