EHT Comics

X-Men V1 (2000’s)

Posted on April 15, 2026 by EHT Comics

“Eve of Destruction” was part of a four-month period in 2001 on the two core X-Men books, as former X-Men writer Lobdell was brought back to wrap up the dangling plotline of the Legacy Virus and produce filler material while Marvel planned the highly anticipated arrival of Grant Morrison and Joe Casey as writers for the main two X-Men books. As a result, this can be seen as a “finale” to the X-men storylines from the 1990s era. It would be several years before Uncanny X-Men and X-Men crossed over with each other since this story.

Later in 2001, X-Men had its title changed to New X-Men and writer Grant Morrison took over. When Chuck Austen moved from writing Uncanny X-Men to New X-Men, the title returned to its old name of simply X-Men, with Salvador Larroca, who had been working with him on Uncanny X-Men doing the art. In 2007, the X-Men title would change once again into X-Men: Legacy.

Terminator: Hunters and Killers (1991)

Posted on April 15, 2026 by EHT Comics

In 1991 Dark Horse published the limited series Hunters and Killers, set during the war, where special Terminators with ceramic skeletons and genuine organs are created to impersonate leaders in the Russian resistance.

Terminator – Hunters and Killers #1 NM $5

Predator: Day of the Hunter (2022)

Posted on April 13, 2026April 13, 2026 by EHT Comics

Predator: Day of the Hunter follows Theta, a survivor hunting the Yautja who slaughtered her family. In a desperate, high-stakes hunt, she traverses space, encountering multiple Predators on a frozen tundra world, while determined to kill the monster that destroyed her life.

Eerie (1966)

Posted on April 13, 2026July 7, 2026 by EHT Comics

Eerie was an American magazine of horror comics introduced in 1966 by Warren Publishing. Like Mad, it was a black-and-white newsstand publication in a magazine format and thus did not require the approval or seal of the Comics Code Authority. Each issue’s stories were introduced by the host character, Cousin Eerie. Its sister publications were Creepy and Vampirella.

The first issue, in early 1966, had only a 200-issue run of an “ashcan” edition. With a logo by Ben Oda, it was created overnight by editor Archie Goodwin and letterer Gaspar Saladino to establish publisher Jim Warren’s ownership of the title when it was discovered that a rival publisher would be using the name. Warren explained, “We launched Eerie because we thought Creepy ought to have an adversary. The Laurel and Hardy syndrome always appealed to me. Creepy and Eerie are like Boris Karloff and Peter Lorre.”

Catwoman (1989)

Posted on April 12, 2026 by EHT Comics

The 1989 Catwoman limited series, written by Mindy Newell and with art by J.J. Birch, expanded upon Miller’s Year One origin. This storyline, known as “Her Sister’s Keeper”, explores Selina’s early life as a dominatrix and the start of her career as Catwoman. The story culminates with Selina’s former pimp, Stan, abducting and beating her sister Maggie, who, in contrast to Selina, is a nun. Selina kills Stan to save her sister, and gets away with it. Most of this is revealed in the former series, but is expanded upon in “Her Sister’s Keeper”.

Marvel Team-Up (1972)

Posted on April 12, 2026 by EHT Comics

The series featured two or more Marvel characters in one story. The series was originally published from March 1972 through February 1985, and featured Spider-Man as the lead “team-up” character in all but ten of its 150 issues, and in six of its seven Annuals. It was the first major ongoing spin-off series for Spider-Man, being preceded only by the short-lived The Spectacular Spider-Man magazine.

Cyber Force – Mini Series (1992)

Posted on April 12, 2026 by EHT Comics

The first story titled “Tin Men of War”, follows Carin Taylor, a mutant otherwise known as Velocity as she attempts to escape the forces of Cyberdata, a corrupt mega-corporation. Her attempts to evade Cyberdata’s task force, led by her sister, Cassandra Taylor a.k.a. “Ballistic” bring her into contact with the Cyber Force, a group of cybernetically enhanced mutant escapees from Cyberdata, consisting of Stryker, Cyblade, Heatwave, Impact and Ripclaw. After Velocity is rescued, the team explains to her that they were created by Cyberdata to enhance their mutant abilities, turning them into super-soldiers known as S.H.O.C.s (Special Hazardous Operation Cyborgs), but they escaped and formed Cyber Force, making it their mission to bring down Cyberdata for good.

Action Comics (1970’s)

Posted on April 12, 2026 by EHT Comics

Mort Weisinger retired from DC in 1970 and his final issue of Action Comics was issue #392 (September 1970). Murray Boltinoff became the title’s editor until issue #418. Metamorpho was the backup feature in issues #413-418 after which the character had a brief run as the backup in World’s Finest Comics. Julius Schwartz became the editor of the series with issue #419 (December 1972) which also introduced the Human Target by Len Wein and Carmine Infantino in the back-up feature. Green Arrow became a backup feature in #421 and ran through #458, initially rotating with the Human Target and the Atom. Between issues #423 (April 1973) and #424 (June 1973), the series jumped ahead by one month due to DC’s decision to change the cover dates of its publishing line.

A new version of the Toyman was created by Cary Bates and Curt Swan in issue #432 (February 1974). Martin Pasko wrote issue #500 (October 1979) which featured a history of the Superman canon as it existed at the time and was published in the Dollar Comics format.

Iron Man (Silver Age)

Posted on April 12, 2026April 14, 2026 by EHT Comics

After issue #99 (March 1968), the Tales of Suspense series was renamed Captain America. An Iron Man story appeared in the one-shot comic Iron Man and Sub-Mariner (April 1968), before the “Golden Avenger”^] made his solo debut with The Invincible Iron Man #1 (May 1968). The series’ indicia gives its copyright title Iron Man, while the trademarked cover logo of most issues is The Invincible Iron Man. Artist George Tuska began a decade long association with the character with Iron Man #5 (Sept. 1968). Writer Mike Friedrich and artist Jim Starlin‘s brief collaboration on the Iron Man series introduced Mentor, Starfox, and Thanos in issue #55 (Feb. 1973). Friedrich scripted a metafictional story in which Iron Man visited the San Diego Comic Convention and met several Marvel Comics writers and artists. He then wrote the multi-issue “War of the Super-Villains” storyline which ran through 1975.

Next Men V1 (1992)

Posted on April 12, 2026 by EHT Comics

The Next Men characters made a prototypical appearance as “Freaks” in a lithography plate that was published within the History of the DC Universe Portfolio in 1986. Byrne had originally pitched the series to DC Comics, but the series never surfaced there. With some changes, Byrne changed the concept to fit in with his work on the graphic novel 2112, to become the John Byrne’s Next Men series. Two characters from the “Freaks” artwork somewhat retained their physical looks and became the lead characters of the Next Men series: heroine Jasmine and villain Aldus Hilltop.